Format : Vocal Score
Heather Sorenson puts a new spin on this ancient hymn making it appealing for choirs of any size. The contemporary flavor in this arrangement will make it workable for a variety of congregations. Available separately: SATB ChoirTrax CD. Score and parts (fl 1-2 ob cl 1-2 tpt 1-3 hn tbn 1-2 tbn 3/tba perc 1-2 hp rhythm vn 1-2 va vc db) available as a CD-ROM and as a digital download. Duration: ca. 3:00.
SKU: GI.G-6915
UPC: 785147691501. English. Text Source: Text I: Carl P. Daw, Jr., Text II: Robert Robinson, 1735–1790. Text by Robert Robinson.
Not just another arrangement of nettleton, Edward Eicker has employed forces (in addition to organ and vocal elements) that bring their own unique colors to the mix: flute, clarinet, violin, brass quartet, and timpani. And, you get TWO texts with the purchase of this octavo—“Come, Thou Fount of Every Blessing†and Carl Daw’s “Called to Gather As God’s People.†Solid a cappella writing in the middle, with a soprano descant on the final verse. Reproducible material for congregational use (for each text) is included in the octavo.
SKU: HP.C5929C
UPC: 763628959296. By Robert Robinson. Psalm 36:8-9, Zechariah 13:1, Revelation 22:1, I Samuel 7:12,.
Beloved hymn by Robert Robinson Molly Ijames' dynamic setting of this most-beloved hymn is filled with imagery of fountains, streams and rivers - all symbolic of God's amazing love and blessings. The choral writing is straightforward and easily learned, while supported with a skillful accompaniment. The mixed meter between triple and duple creates the right amount of energy to complement the powerful text, while the optional brass instruments enhance this majestic presentation.
SKU: HP.C5929B
UPC: 763628259297. By Robert Robinson. Psalm 36:8-9, Zechariah 13:1, Revelation 22:1, I Samuel 7:12,.
SKU: GI.G-8202
UPC: 785147820208. English. Text by Robert Robinson.
Have you grown tired of—or even shelved indefinitely—the tune BEACH SPRING? Revive it with this arrangement for choir, keyboard, and C instrument (preferably flute). The flute dances along throughout most of the piece, the keyboard varies in its subdued support of the choir and its complete silence, allowing the choir’s lush harmonies to come to the fore. A modulation fittingly heightens the third verse.