A Conversation Piece for Music-Libretto (English). Strauss R
SKU: HF.FH-3911
ISBN 9790203439110. 9 x 12 inches.
1. Richard Strauss: Arabella, op. 79; 2. Richard Strauss: Capriccio, op. 85.
SKU: HL.48009407
UPC: 073999658774. 7.75x10.75x1.202 inches.
Complete Opera in Hardbound.
SKU: FH.WCE1
ISBN 978-1-55440-588-6.
This new series offers a sequenced approach to the study of clarinet from the beginner to advanced levels. With a progressive collection of Repertoire, Etudes, Recordings, Orchestral Excerpts, and Technique, the Clarinet Series, 2014 Edition provides complete support for teachers and students at every level of study. Nine progressive volumes of Repertoire expose students to a wealth of music from the earliest works for clarinet to accompanied and unaccompanied contemporary compositions. Students will explore some of the most definitive solo pieces written for clarinet, along with popular folk tunes, Klezmer melodies, Classical solos, and contemporary compositions that incorporate traditional and extended techniques.Level 7:De Hebriden, op. 26: Overture - Felix MendelssohnSymphony No. 39, K 543: II, III, IV - Wolfgang Amadeus MozartSymphony No. 5, op. 64: I, II - Pyotr Il'yich TchaikovskySymphony No. 2, op. 36: II - Ludwig van BeethovenPiano Concerto No. 2, op. 18: II - Sergei RachmaninoffSymphony No. 6 (Pastoral), op. 68: I - Ludwig van BeethovenLevel 8:Prince Igor: Polovtsian Dance No. 8, Polovtsian Dance No. 17 - Aleksandr BorodinIl barbiere di Siviglia: Overture - Gioachino RossiniSymphony No. 4 (Italian), op. 90: IV - Felix MendelssohnSymphony No. 4, op. 98: II - Johannes BrahmsOuverture zu Offenbach's Orpheus in der Unterwelt - Carl BinderSymphony No. 8 (Unfinished), D 759: II - Franz SchubertSymphonie fantastique: III - Hector BerliozLevel 9:Symphony No. 6 (Pastoral), op. 68 : I, II, III - Ludwig van BeethovenSymphony No. 3, op. 90: I, II - Johannes BrahmsSymphony No. 4, op. 60: II - Ludwig van BeethovenSemiramide: Overture - Gioachino RossiniSymphony No. 3 (Scottish), op. 56: II - Felix MendelssohnPrelude a l'apres midi d'un faune - Claude DebussySymphony no. 9, op. 125: II - Ludwig van BeethovenLevel 10:Symphony No. 2, op. 27: III - Sergei RachmaninoffViolin Concerto, op. 61: II - Ludwig van BeethovenIncidental Music to A Midsummer Night's Dream, op. 61: Scherzo - Felix MendelssohnSymphony No. 1, op. 39: I, III - Jean SibeliusVariations on a Theme by Haydn, op. 56a: Variation II, Variation IV, Variation V - Johannes BrahmsSymphony No. 8, op. 93: III - Ludwig van BeethovenSheherazade, op. 35: II, III, IV - Nicolai Rimsky-KorsakovAssociate: B_, A, C Clarinet:Capriccio espagnole, op. 34: I, III, IV - Nicolai Rimsky-KorsakovDances of Galanta - Zoltan KodalyPini di Roma: III - Ottorino RespighiSuite de l'oiseau de feu: Variation de l'oiseau de feu - Igor StravinskySymphony No. 6 (Pathetique), op. 74: I - Pyotr Il'yich TchaikovskySymphony No. 9, op. 70: II, III - Dmitri ShostakovichDon Juan, op. 20 - Richard StraussSymphonie fantastique: V - Hector BerliozPeter and the Wolf, op. 67: Nervoso - Sergei ProkofievPrince Igor: Polovtsian Dance No. 17 - Aleksandr BorodinAssociate: E_ Clarinet:Symphony no. 5, op 100: IV - Sergei ProkofievTill Eulenspiegels lustige Streiche, op. 28 - Richard StraussSymphony no. 5, op. 47: II - Dmitri ShostakovichSymphonie fantastique: V - Hector BerliozBolero - Maurice RavelAssociate: Bass Clarinet:Les Huguenots: Trio from act 5 - Giacomo MeyerbeerViolin Concerto no. 1, op. 77: II - Dmitri ShostakovichGrand Canyon Suite: III - Ferde GrofeDon Quixote, op. 35: Sancho Panza, Variation X - Richard Strauss.
SKU: FH.WC7
ISBN 978-1-55440-583-1.
SKU: BR.PB-15163
ISBN 9790004215890. 10 x 12.5 inches.
Richard Strauss composed his second horn concerto about 60 years after his first horn concerto, having recently considered that his actual creativity had come to an end with his opera Capriccio. The late work was just a wrist exercise and not by any means intended for publication during his lifetime, though it does not reveal the depressing circumstances of its genesis during World War II. In the key of E-flat major, with the classic three movements including a rondo finale, the concerto has is a reminiscence of its earlier sister work and seems like a nostalgic retrospect of his youth from an almost 80-year-old Strauss. Hans Pizka, editor of this work's first Urtext edition, has experienced the performance tradition and history of this concerto at first hand, both as a pupil of Gottfried von Freiberg, soloist of the world premiere, and also as the former solo hornist of the Bavarian State Opera in Munich.
SKU: HF.FH-7077
ISBN 9790203470779. 8.3 x 11.7 inches.
Richard Strauss: 1. Der Rosenkavalier, op. 59; 2. Ariadne auf Naxos, op. 60; 3. Josephslegende, op. 63; 4. Die Frau ohne Schatten, op. 65; 5. Intermezzo, op. 72; 6. Die agyptische Helena, op. 75; 7. Arabella, op. 79; 8. Die schweigsame Frau, op. 80; 9. Friedenstag, op. 81; 10. Daphne, op. 82; 11. Die Liebe der Danae, op. 83; 12. Capriccio, op. 85; 13. Konzert fur Oboe und kleines Orchester.
SKU: FH.FLE01
ISBN 978-1-55440-300-4.
Unparalleled in scope, Overtones offers all the music flutists want in one complete series! This progressive collection includes fundamental repertoire and supporting materials such as Studies, Compact Discs, Orchestral Excerpts, and Technique. The richness of music carefully selected for this compilation will resonate with teachers and students at every level of study.This compilation of standard orchestral passages for flute is an indispensable resource for the developing years and beyond. Teachers and students will find this unrivalled volume essential for examination or audition preparation.Slavonic Dances, op. 46, no. 1 Antonin Dvorak Symphony No. 100 in G Major (Military): II Franz Joseph Haydn Le carnaval des animaux: Aquarium Camille Saint-Saens HMS Pinafore: I'm Called Little Buttercup Arthur Sullivan La forza del destino: Overture Giuseppe Verdi Serse (Xerxes), HWV 40: Va godendo vezzoso e bello George Frideric Handel Symphony No. 100 in G Major (Military): III Franz Joseph Haydn Ma Vlast: II Bedrich Smetana HMS Pinafore: When I Was a Lad Arthur Sullivan Nutcracker Suite: Overture Pyotr Il'yich Tchaikovsky Symphony No. 6 (Pastoral): III Ludwig van Beethoven Symphony No. 9 in E Minor, op. 95 (New World): I Antonin Dvorak Faust: Soldier's Chorus Charles Gounod Peer Gynt Suite No. 1, op. 46: I Edvard Grieg Symphony No. 102 in B flat Major: I Franz Joseph Haydn Brandenburg Concerto No. 4, BWV 1049: III Johann Sebastian Bach Carmen: La garde montante Georges Bizet Petite suite: Ballet IV Claude Debussy Symphony No. 100 in G Major (Military): IV Franz Joseph Haydn Symphony No. 40 in G Minor, K 550: III Wolfgang Amadeus Mozart Symphony No. 5: IV Ludwig van Beethoven Carmen: Act 1, Prelude Georges Bizet Faust Ballet Music: Danse antique Charles Gounod Symphony No. 102 in B flat Major: IV Franz Joseph Haydn Scheherazade, op. 35: IV Nicolai Rimsky-Korsakov Symphony No. 6 (Pastoral): I, II Ludwig van Beethoven Symphonie fantastique: V Hector Berlioz Die Zauberfloete: Wie stark ist nicht dein Zauberton Wolfgang Amadeus Mozart Bolero Maurice Ravel Scheherazade, op. 35: I Nicolai Rimsky-Korsakov Brandenburg Concerto No. 4, BWV 1049: I Johann Sebastian Bach Symphonie fantastique: I Hector Berlioz Carmen: Entr'acte (Prelude) Georges Bizet Symphony No. 1 in C Minor: IV Johannes Brahms Die Zauberfloete: Overture Wolfgang Amadeus Mozart Symphony No. 8 in G Major: IV Antonin Dvorak Leonore Overture No. 3, op. 72a Ludwig van BeethovenSymphony No. 4 in E Minor: IV Johannes BrahmsLa mer: I, II, III Claude DebussySymphony No. 4 (Italian): IV Felix Mendelssohn Symphony No. 1 (Classical): II Sergei Prokofiev Symphony No. 3 in E flat Major (Eroica): IV Ludwig van Beethoven Prelude a l'apres-midi d'un faune Claude Debussy Sinfonie Mathis der Maler: I, II Paul Hindemith Incidental Music to A Midsummer Night's Dream, op. 61: Scherzo Felix Mendelssohn Petroushka (1947 revision): Part 1 Igor Stravinsky Symphony No. 4 in F Minor: III Pyotr Il'yich Tchaikovsky Capriccio espagnol, op. 34: IV Nicolai Rimsky-KorsakovSymphony No. 1 (Classical): IV Sergei Prokofiev Concerto for Orchestra: I, II, III, IV, V Bela Bartok Symphonic Metamorphosis after Themes by Carl Maria von Weber: II, III Paul Hindemith Das Lied von der Erde: VI Gustav Mahler Peter and the Wolf, op. 67 Sergei Prokofiev Le carnaval des animaux: 10. Voliere Camille Saint-Saens Daphnis et Chloe: Troisieme partie Maurice Ravel Guillaume Tell: Overture Gioachino Rossini Till Eulenspiegel's Merry Pranks Richard Strauss Firebird Suite (1919 version) Igor Stravinsky Symphony No. 9: IV Ludwig van Beethoven Concerto for Orchestra: III Bela Bartok Scheherezade, op. 35: IV Nicolai Rimsky-Korsakov Semiramide: Overture Gioachino Rossini Symphony No. 5, op. 47: I, II Dmitri Shostakovich.
About Overtones
Unparalleled in scope, Overtones offers all the music flutists want in one complete series! This progressive collection includes fundamental Repertoire and supporting materials such as Etudes, Compact Discs, Orchestral Excerpts, and Technique. The richness of music carefully selected for this compilation will resonate with teachers and students at every level of study and is the official series for those using The Royal Conservatory Music Development program.
SKU: BA.BA08811
ISBN 9790006539840. 33.1 x 26.5 cm inches. Text Language: Italian. Preface: Betzwieser, Thomas. Text: Giambattista Casti.
A memorable musical competition commissioned by the emperor Joseph II took place on 7 February 1786 as part of a festival in the orangery of the Schönbrunn palace. A German Singspiel ensemble performed Mozart’s “Schauspieldirektor†whilst Antonio Salieri’s “Prima la musica e poi le parole†was performed by the Italian court singers and musicians. This charming opera satire belongs to the genre of “metamelodramma†in which the opera itself becomes the subject of the action. The people who are part of an opera production, for example the librettist, composer and prima donna, appear as characters on the stage and are presented in a humorous self-reflection. In this ‘theatre about theatre’ Salieri parodies the music from Giuseppe Sarti’s “Giulio Sabino†in his insert arias, thus playing on the music which was totally familiar with the audience of the time. By reflecting on the musical-dramatic style of that period and discussing whether ‘the word’ or ‘the music’ should take priority, this masterpiece is considered to be an early forerunner to Richard Strauss’s “Capriccioâ€.The new edition of the score is published as part of “opera – Spectrum of European Music Theatre in Separate Editionsâ€. There are several alterations regarding the libretto text, stage directions, articulation, ornamentation, etc. which have been incorporated into this newly engraved vocal score. Furthermore, all appendix numbers from the score which concern the quotations from Giuseppe Sarti’s “Giulio Sabino†have also been incorporated.• Urtext vocal score based on the historical-critical hybrid score published as part of “opera – Spectrum of European Music Theatre in Separate Editions†edited by Thomas Betzwieser (music edition) and Adrian La Salvia (text edition).• Original Italian libretto with singable German translation• Comprehensive bilingual foreword (Ger/Eng) on the genesis and reception of the work, on metamelodramma and intertextuality etc.• Includes an extensive appendix to the quotations taken from Giuseppe Sarti’s “Giulio Sabinoâ€â€¢ Idiomatic piano reduction
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding