Rheinberger, Josef Gabriel : Concerto No.1 in F

SKU: CA.5022800

ISBN 9790007091842.

The two organ concertos are marked by somewhat unusual instrumentation. Hector Berlioz warned about a certain antipathy between the organ and orchestral instruments, but with the use of three horns in op. 137 proves to be a fine piece of artistry: Rheinberger supplied tone colors which he had perceived the organ to lack. The trio version of the Suite op. 149 adds to the repertoire of sacred chamber music. Rheinberger's later addition to the work of an ad libitum string orchestra takes this Suite into the world of the triple concerto and the concerto grosso, without exactly corresponding to those genres.

SKU: CA.5009415

ISBN 9790007223274. Key: A flat major. Language: all languages.

We consider Rheinberger's new Piano Concerto to be one of his most significant and inspired works, wrote a critic following the premiere in 1876 of this virtuoso Concerto op. 94, which enjoyed a spontaneous success in German centers of musical life. vocal score (version for two pianos) available: 50.094/03.

SKU: CA.5009412

ISBN 9790007223243. Key: A flat major. Language: all languages.

We consider Rheinberger's new Piano Concerto to be one of his most significant and inspired works, wrote a critic following the premiere in 1876 of this virtuoso Concerto op. 94, which enjoyed a spontaneous success in German centers of musical life. vocal score (version for two pianos) available: 50.094/03.

SKU: CA.5009411

ISBN 9790007223236. Key: A flat major. Language: all languages.

We consider Rheinberger's new Piano Concerto to be one of his most significant and inspired works, wrote a critic following the premiere in 1876 of this virtuoso Concerto op. 94, which enjoyed a spontaneous success in German centers of musical life. vocal score (version for two pianos) available: 50.094/03.

SKU: CA.5009403

ISBN 9790007166328. Language: all languages.

Being Rheinberger's only valid essay in the genre, the Piano Concerto in A-flat major op. 94 (in this edition in the version for two pianos) of 1876, merits special attention. It was splendidly received by contemporary musicians and critics and granted the shy and introverted Rheinberger a successful and amazingly smooth entree into the world of the concert hall. Shortly after its creation the work was performed and wildly acclaimed in Munich, Leipzig), Cologne, and many other musical centers of Germany. for complete orchestral parts see 50.227/00.