Recorder Jazz Time

This well-known standard is usually performed as a duet and has been recorded countless times over the years and notably in the holiday movie favorite Elf starring Will Ferrell. This charming arrangement for beginning players features the saxes and trumpets in the answering phrases. No solos are required however an alto soloist could be used in one of the soli sections. This will sound great with limited rehearsal time.

This Rodgers and Hart standard has been recorded countless times and remains a popular choice for singers and instrumentalists alike. Mark's lush setting can also be used as a tenor sax feature and includes a brief double-time swing section.

From the 1960's Broadway production All American this ballad has enjoyed wide popularity among jazz artists and has been recorded countless times. The beautiful melody and marvelous changes are blended perfectly in this feature for alto sax.

This smooth Latin favorite has been around for more than 50 years and recorded countless times including recently by Michael Bubl?. The easy rhythms and infectious groove make this a great choice for beginning bands. (Includes CD)

This Santana hit has endured through the years and been recorded countless times. Here it is like you've never heard it before in the masterful hands of Michael Mossman! Arranged for David Sanborn it has substantial solo space for alto sax but other soloists include trombone trumpet and guitar. The opening features a laid back cha-cha feel with colorful scoring (flute is optional) before developing into a real powerhouse for the rest of the chart.

Par COROZINE VINCE. Designed to introduce the young intermediate-level pianist to playing the blues, Jazzin' the Blues presents fifteen original blues compositions in various keys, styles and grooves together with downloadable recordings of 40 of the 50 examples in the book. The audio tracks are presented both with and without the lead piano part, so the student can play along with a professional rhythm section which includes piano, vibraphone, alto flute, drums, and bass.Historical and performance notes are provided with each blues composition. The author enlisted the skills of jazz pianist Charlie Freeman in editing the book and providing fingering for both the treble and bass piano parts,making these pieces more accessible to novice players. If your knowledge of blues theory or terminology is lacking, this is the book for you! Author Vince Corozine thoroughly explores and demonstrates: blues and pentatonic scale theory, blue notes, grace notes, pedal-points, tremolos, trills, syncopation, anticipation, delayed beats, slash chords, boogie-woogie left-hand patterns, walking bass, stride piano style, straight eighths, swing eighths, passing tones, rolled chords, riffs, 'filler' chords, substitutions, and comping styles. This book also includes essential blues chord theory as well as tips on tasteful chord voicing presented in the context of accompanying a soloist (comping): in addition, the chord progressions represented by the written notation are carefully annotated in every example in the book. The Appendix includes helpful tips on comping, practice, and jazz soloing, plus a list of noteworthy jazz pianists, a key to chord symbols, and a glossary of jazz terms used in the book.If you are not a competent blues pianist when you first pick up this book, you will be by the time you complete it! Includes access to online audio. Designed to introduce the young intermediate-level pianist to playing the blues, Jazzin' the Blues presents fifteen original blues compositions in various keys, styles and grooves together with downloadable recordings of 40 ofthe 50 examples in the book. The audio tracks are presented both with and without the lead piano part, so the student can play along with a professional rhythm section which includes piano, vibraphone, alto flute, drums, andbass. Historical and performance notes are provided with each blues composition. The author enlisted the skills of jazz pianist Charlie Freeman in editing the book and providing fingering for both the treble and bass pianoparts, making these pieces more accessible to novice players. If your knowledge of blues theory or terminology is lacking, this is the book for you! Author Vince Corozine thoroughly explores and demonstrates: blues andpentatonic scale theory, blue notes, grace notes, pedal-points, tremolos, trills, syncopation, anticipation, delayed beats, slash chords, boogie-woogie left-hand patterns, walking bass, stride piano style, straight eighths, swingeighths, passing tones, rolled chords, riffs, 'filler' chords, substitutions, and comping styles. This book also includes essential blues chord theory as well as tips on tasteful chord voicing presented in the context ofaccompanying a soloist (comping) - in addition, the chord progressions represented by the written notation are carefully annotated in every example in the book. The Appendix includes helpful tips on comping, practice, and jazzsoloing, plus a list of noteworthy jazz pianists, a key to chord symbols, and a glossary of jazz terms used in the book. If you are not a competent blues pianist when you first pick up this book, you will be by the time youcomplete it! Includes access to online audio. / Jazz / Etude / Piano

Rhythm Section-(Sample solos by Mike Steinel)Welcome to the exciting world of jazz improvisation! Whether you are using this book as a supplement to the Essential Elements for Jazz Ensemble method book or just by itself this play-along book will help you get started creating your own improvised solos. The recordings feature professional jazz players performing well-known jazz classics and provide an excellent model for playing in a jazz style. Inaddition sample solos are provided as a guide for creating effective melodies. An added feature on the CD-ROM is the Amazing Slow Downer software program for changing the tempo of any of the recorded tracks - when used in yourcomputer ASD allows you to adjust the tempo to suit your needs as you progress through the book.Includes 10 blues classics: All Blues ? Bags' Groove ? Blue 'N Boogie ? Blue Monk ? Blues in Frankie'sFlat ? Blues in the Closet ? Cold Duck Time ? St. Louis Blues ? Straight No Chaser ? Tenor Madness.

Clayton-Hamilton Jazz Orchestra ? Grade 5Opening with a crash from the band and an extended drum solo the melody creeps in quasi-Art Blakey style. Small group statements are offset with full ensemble shouts andhalf-time sections are contrasted with an uptempo groove. This is from the recording ?Heart and Soul? by the Clayton-Hamilton Jazz Orchestra. Must have been some ?little old lady?!

As the title implies, this Michael Mossman original captures a Bolivian style utilizing various layers of sound and shifting moods. Trombones are featured first, but every section of the band gets a workout on this stunning piece. A stop-time section launches the tenor sax solo, and an open percussion feature sets up the powerful finish with the entire ensemble. (Recorded by the Phoenix Foundation Youth Jazz Orchestra, directed by Frank Reichert)

This medium blues standard has been recorded by a number of jazz artists and remains one of the best tunes of its genre. Featuring nice ensemble writing and a stop-time feel on the head this chart is a smooth addition to any program.

Key: F-This holiday classic has been recorded by countless jazz artists through the years. Arranged here in a medium tempo swing style Rick's chart will sound great with limited rehearsal time.

Key: F-This holiday classic has been recorded by countless jazz artists through the years. Arranged here in a medium tempo swing style Rick's chart will sound great with limited rehearsal time.

Originally recorded on the Miles Davis landmark recording Kind of Blue here is a swingin' and updated take on this all-time blues favorite. Tasty full ensemble interludes surround solo space for alto sax trumpet and bass. Thischart is a perfect choice for festivals or contests.

Recorded by Bruno Mars this contemporary rock tune is actually a throwback to an earlier time reminiscent of James Brown. Featuring an energetic pulse that never quits along with a catchy melody this chart is destined to become a showstopper! The solo section includes options for alto trumpet or trombone.

Composed and recorded by Stan Kenton in the 1940s Artistry in Rhythm became his signature and a true classic from the big band era. Paul Murtha has skillfully adapted and truncated this chart for younger players whilemaintaining the flavorand energy of the original. Solo piano starts things off followed by the iconic trombone solo in the medium Latin section. The exciting double-time swing section features the entire ensemble then the“maestoso” theme returns to closethings out. Impressive!