Quartet for Strings in G Minor Op. 13

String Quartets Complete Vol.2 is an impressive collection of 17 of Mozart's String Quartets includes works such as Adagio & Fugue in C minor for Strings K546 Flute Quartet No. 1 in D major K285 Flute Quartet No. 4 in A major K298 Oboe Quartet in F major K370 Serenade No. 13 in G major K525 'Eine kleine Nachtmusik' String Quartet No. 2 in D major K155 String Quartet No. 3 in G major K156 String Quartet No. 4 in C major K157 String Quartet No. 5 in F major K158 String Quartet No. 6 in B flat major K159 String Quartet No. 7 in E flat major K160 and more.

QUINTET in C Major for 2 Violins, Viola and 2 Violoncellos, Op. 163 QUARTETS for 2 Violins, Viola and Violoncello N°1 N°2 in C Major N°3 in B-flat Major N°4 in C Major N°5 in B-flat Major N°6 in D Major N°7 in D Major N°8 in B-flat Major, Op. 168 N°9 in G Minor N°10 in E-flat Major, Op. 125 No. 1 N°11 in E Major, Op. 125 No. 2 N°12 (Quartett-Satz) in C Minor N°13 in A Minor, Op. 29 N°14 in D Minor (Death and the Maiden) N°15 in G Major, Op. 161 TRIOS for Violin, Viola and Violoncello In B-flat Major In B-flat Major

Quartet No. 1 in G Major, K.80 Quartet No. 2 in D Major, K.155 Quartet No. 3 in G Major, K.156 Quartet No. 4 in C Major, K.157 Quartet No. 5 in F Major, K.158 Quartet No. 6 in B-flat Major, K.159 Quartet No. 7 in E-flat Major, K.160 Quartet No. 8 in F Major, K.168 Quartet No. 9 in A Major, K.169 Quartet No. 10 in C Major, K.170 Quartet No. 11 in E-flat Major, K.171 Quartet No. 12 in B-flat Major, K.172 Quartet No. 13 in D Minor, K.173 Quartet No. 14 in G Major, K.387 Quartet No. 15 in D Minor, K.421 Quartet No. 16 in E-flat Major, K.428 Quartet No. 17 in B-flat Major, K.458 Quartet No. 18 in A Major, K.464 Quartet No. 19 in C Major, K.465 Quartet No. 20 in D Major, K.499 Quartet No. 21 in D Major, K.575 Quartet No. 22 in B-flat Major, K.589 Quartet No. 23 in F Major, K.590

Work for Oboe Violin Viola and Cello. Parts available: CH56341.This quartet was commissioned by the Institute of Contemporary Arts and written in the autumn of 1967. It is dedicated to Lady Norton and is the second of LennoxBerkeley’s three works written with the oboist the late Janet Craxton in mind the other two being his Sonatina OP 61 and Sinfonia Concertante OP 84.The work begins with a fairly extended introduction leading without a breakinto an Allegro. The whole composition is based on the internal of a third (sometime major sometimes minor) which is heard in the opening phrase of the introduction and again in the main theme of the Allegro though here in atotally different context. The allegro is in more or less traditional sonata form. The middle movement is a kind of Scherzo growing out of a rhythmical figure for the strings and a rapid arpeggio (major and minor chords) forthe oboe. This is a Presto; a more relaxed middle section corresponding to the Trio in a classical work is followed by a much shortened version of the Scherzo. The last movement is brief but very slow all four instrumentstaking up in turn a gently rocking figure that moves to and fro between two notes always a major or minor third apart. The music becomes more animated but returns to the opening figure and dies away each instrument droppingout one after the other leaving the cello alone in the last bar.