Play Clarinet Today!: Clarinet Solo: Instrumental Album

In this comprehensive DVD master teacher and performer Andrea Bryk guides you through all the basics to play the Clarinet. Specially designed for the very beginner it's a quick and fun way to learn the parts and assembly of the instrument breathing and posture and the essentials of producing a good tone. This DVD can also be used as a supplement to the Play Clarinet! Level 1. Includes: Assembly and maintenance Producing sound Music reading Playing songs with a backup band Learn at your own pace and open the door to the world of Clarinet music!

The clarinet method op. 63 by Carl Baermann from 1867 is still a standard work in classical clarinet education today. The thoroughly revised new edition aims at reviewing the educational concept, which is still valid today, for modern lessons, adjusting the music and texts, and sensibly complementing the teaching contents.The editor who draws on many years of experience as a clarinettist in an orchestra and university lecturer of clarinet has succeeded in adapting the valuable teaching material to the requirements of today while maintaining the basic methodology. The result is a total of 7 volumes:Clarinet Method Vol. 1 and Vol. 2 (ED 21761, ED 21762)Clarinet Method Vol. 1 and Vol. 2, with 2 CDs each (ED 21761-50, ED 21762-50): The CDs contain the piano accompaniment for the performance pieces, with and without clarinetTune Book 1 and 2 (ED 21763, ED 21764): piano score of the method's performance pieces, with additional inserted clarinet partDaily Exercises (ED 21765): systematic scale, interval and chord exercises in all keys, complemented and published separately from the original methodDue to trilingual nature of all editions (German, English, French), they can be used universally.About the revision:The musical text is based on the first edition of the method. Only a few differences concerning the articulation as well as some misprints and typographical errors were revised. By deleting the historical fingering instructions for the German fingering system, the clarinet method not only has a clean and, compared to the original, more clearly structured layout, but can also be used universally. The content of the text and the performance directions of the original were linguistically modernized and occasionally extended by further ideas from the teaching practice, such as concepts for warming up, breathing exercises, literature suggestions or tips for daily practising. Further additions of scale and triad studies in all major and minor keys make this method a comprehensive and thorough work of study which not only serves as teaching material for young and adult beginners, but is also a valuable compendium of scale exercises and studies for advanced musicians and is ideal for training velocity and dexterity.The Clarinet Method Vols. 1 and 2 contain not only scales and technical fingering exercises but also Baermann's popular performance pieces, like Romanze (No. 14), which are ideal as performance pieces, yet at the same time train both technique and musical expressiveness. The systematic scale, interval and chord exercises in all keys, however, were removed and are published separately in the volume Daily Exercises (ED 21765) for reasons of clarity.The two textbooks are available with or without CDs. The editions with CDs contain two audio CDs each which were recorded live by the editor and which contain a classic audio version of each performance piece as well as a pure piano version for playing along. / Clarinette

A terrific tutor for the beginning clarinetist this book/CD pack teaches all the basics of playing and 5 hit songs: Chariots of Fire * Forrest Gump - Main Title (Feather Theme) * The Man from Snowy River (Main Title Theme) *Rock

The clarinet method op. 63 by Carl Baermann from 1867 is still a standard work in classical clarinet education today. The thoroughly revised new edition aims at reviewing the educational concept, which is still valid today, for modern lessons, adjusting the music and texts, and sensibly complementing the teaching contents.The editor who draws on many years of experience as a clarinettist in an orchestra and university lecturer of clarinet has succeeded in adapting the valuable teaching material to the requirements of today while maintaining the basic methodology. The result is a total of 7 volumes:Clarinet Method Vol. 1 and Vol. 2 (ED 21761, ED 21762)Clarinet Method Vol. 1 and Vol. 2, with 2 CDs each (ED 21761-50, ED 21762-50): The CDs contain the piano accompaniment for the performance pieces, with and without clarinetTune Book 1 and 2 (ED 21763, ED 21764): piano score of the method's performance pieces, with additional inserted clarinet partDaily Exercises (ED 21765): systematic scale, interval and chord exercises in all keys, complemented and published separately from the original methodDue to trilingual nature of all editions (German, English, French), they can be used universally.About the revision:The musical text is based on the first edition of the method. Only a few differences concerning the articulation as well as some misprints and typographical errors were revised. By deleting the historical fingering instructions for the German fingering system, the clarinet method not only has a clean and, compared to the original, more clearly structured layout, but can also be used universally. The content of the text and the performance directions of the original were linguistically modernized and occasionally extended by further ideas from the teaching practice, such as concepts for warming up, breathing exercises, literature suggestions or tips for daily practising. Further additions of scale and triad studies in all major and minor keys make this method a comprehensive and thorough work of study which not only serves as teaching material for young and adult beginners, but is also a valuable compendium of scale exercises and studies for advanced musicians and is ideal for training velocity and dexterity.The Clarinet Method Vols. 1 and 2 contain not only scales and technical fingering exercises but also Baermann's popular performance pieces, like Romanze (No. 14), which are ideal as performance pieces, yet at the same time train both technique and musical expressiveness. The systematic scale, interval and chord exercises in all keys, however, were removed and are published separately in the volume Daily Exercises (ED 21765) for reasons of clarity.The two textbooks are available with or without CDs. The editions with CDs contain two audio CDs each which were recorded live by the editor and which contain a classic audio version of each performance piece as well as a pure piano version for playing along. / Clarinette

Together with Ludwig van Beethoven Franz Schubert is considered to be the founder of romantic music in German-speaking countries. He mainly owes this reputation to the composition of more than 600 songs many of which even today are an integral part of every singers repertoire. For this album James Rae has selected some of Schuberts most beautiful melodies from both his vocal and instrumental works and arranged them for clarinet. Its expressive sound coupled with Schuberts unique melodies is a homage to the great composer and should enrich every clarinet players repertoire. Contents: : Heidenröslein · : An die Nachtigall · : An die Musik · :Das Wandern · : Ständchen · : Du bist die Ruh · : Entre-Acte aus 'Rosamunde' · : Ballett aus 'Rosamunde' · : Menuetto und Trio aus 'Symphonie Nr. 5' · : Marche Militaire · : Schubertiade (Coverfoto von Schmid)

The ultimate self-teaching method designed to offer quality instruction terrific songs and professional-quality audio with 71 full-demo tracks included to download. This series can be used by students who want to teach themselves or by teachers for private or group instruction. Simply follow the tips and lessons in the book as you listen to the teacher on the demo.

The Clarinet Concerto was completed less than two months before the composer's death in 1791 and is one of his greatest achievements. Mozart originally intended the work to be for basset horn but revised it for clarinet. Theversion that we have come to know and love today actually differs widely from the original. This is because it was written for clarinetist Anton Stadler who played with an extended bass compass that allowed Stadler to demonstratehis famed ability to play low notes. The piece had to be transposed higher in order to be played on the modern clarinet.