Play Clarinet Today! Beginner's Pack (Clarinet)

Solo Bass Clarinet-Claude Debussy's Syrinx for Bass Clarinet. Despite being written originally for Flute this transcription of Syrinx by Helen Paskins works beautifully for the Bass Clarinet; the timbre of theinstrument really resonates with the haunting melancholy of the melody. 'Syrinx was written in 1913 by Debussy for the flute as incidental music to Gabriel Mourey's play Psyché. It was first performed by anddedicated to Louis Fleury. It has become a staple of the flute repertoire and subsequently of the solo classical saxophone repertoire too. It works beautifully on the bass clarinet; the timbre of the instrument really resonateswith the haunting melancholy of the melody.  The story of Syrinx is from classical mythology and has inspired many wonderful works of art literature and music. It tells of a beautiful and chaste nymph who istransformed into water reeds that sing sweetly in the breeze as she attempts to escape the amorous advances of the Greek God Pan. Pan on hearing the enchanting melody of the reeds cuts them down to make pan pipes therebyunwittingly killing his love but keeping her with him forever.  For flautists Syrinx and the French flute tradition have played an important role in inspiring players to find and explore the full palette ofethereal and evocative tone colours. The subtle flexibility with which it is possible to craft the sound is a feature of wonderful flute playing today and from which I feel there is much we bass clarinettists can learn.' -Helen Paskins 2015 

Instrumental Play-Along. Now instrumentalists can play-along with some of today's top hits! These songbooks feature solo instrumental arrangements with professionally-recorded demonstration and backing tracks so after a little bit of practice, you can sound like you're playing with the band! Songs include: Anti-Hero (Taylor Swift) · As It Was (Harry Styles) · Easy on Me (Adele) · Flowers (Miley Cyrus) · Glimpse of Us (Joji) · Golden Hour (JVKE) · Hold My Hand (Lady Gaga) · I Ain't Worried (One Republic) · Lift Me Up (Rihanna) · Made You Look (Megan Trainor) · Until I Found You (Stephen Sanchez). Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.

Fifteen hit pop songs from today's charts for Clarinet in easy melody line arrangements.Complete with song background notes and playing hints and tips.Have fun playing along with the specially recorded CDfor a more professional performance.

Clarinet-Step into the spotlight and play along with the backing tracks on the specially recorded CD. Ten of today's best chart hits.

Six easy pieces. Par MULLER IVAN. Ivan Müller was born in Reval in Russia (now Tallinin, Estonia) on 3 December 1786 and died in Bückeburg (Germany) in 1854. In 1808/09 he performed widely as a clarinet virtuoso - in Berlin, Leipzig, Wien, Paris and many other places where he also presented the new ?clarinette omnitonique? in B flat which he had invented. The system of keys in use in Germany to this day is based on Müllers invention. As a composer Müller was an exponent of the early Romantic style and wrote numerous concertos for his chosen instrument as well as this Serenade for Clarinet and Piano (or Harp or Guitar). The editor Dieter Klöcker writes: ?These rather beautiful and accessible Romantic miniatures enjoyed great popularity in their day and I assume that even today they will meet with the approval of professional and amateur players alike.? / Niveau : facile - moyen / Date parution : 2023-05-06/ Répertoire / Clarinette et Piano

The Unbeaten Tracks series has made a profound mark on the music world with its volumes of specially commissioned pieces for intermediate-level players. The eight pieces in this volume are written in a kaleidoscopic mix of styles by some of today's most talented composers and are undoubtedly destined to become standard repertoire. There are also small 'Biopics' about each composer. These give titbits of information about the composer's inspiration and intention for their piece and offer musicians a greater insight into the music.

The Clarinet Concerto was completed less than two months before the composer's death in 1791 and is one of his greatest achievements. Mozart originally intended the work to be for basset horn but revised it for clarinet. Theversion that we have come to know and love today actually differs widely from the original. This is because it was written for clarinetist Anton Stadler who played with an extended bass compass that allowed Stadler to demonstratehis famed ability to play low notes. The piece had to be transposed higher in order to be played on the modern clarinet.

Third edition of the world's biggest songbook. This is a vast bumper collection, perfect for buskers, of 1001 all-time hit songs.Whatever your taste, there's guaranteed to be tonnes of songs you'll want to play, this book will last you years!Inside the spiral bound cover you will find a generous selection of hit songs, golden standards, jazz and blues numbers, classical pieces, hymns, gospel songs, stage, film and musical music! Arranged here in Melody line arrangements for Piano, Organ, Electronic Keyboards, Guitar and all C instruments, complete with lyrics and chord symbols. / Ligne Mélodique, Paroles Et Accords (Avec Grilles D'Accords)

Par SNIDERO JIM. Jazz Conception is a new and exciting way for players at all levels to learn the language of jazz! Each book features 21 solo etudes based on chord changes to standards and blues.The same 21 etudes transposed and adapted for the main jazz instruments. See and hear how a well known soloist phrases and articulates and play along with or without the soloist.Play along with one of todays finest, swinging New York rhythm sections: Mike LeDonne on piano, Dennis Irwin on bass, and Kenny Washington on drums. Start out fairly easy, then get progressively more difficult.Use the etudes as a bridge to solos of the masters that are usually more complicated and involved.Learn melodies and lines that will give you a solid jazz vocabulary and musicality.Use the book for private lessons, for self-study, or in any combination up to a full jazz ensemble, including flute and clarinet.If you are more advanced you may want to use the book to develop your sight reading abilities, for transcribing the etudes or for just having fun playing along with a great jazz rhythm section. Use as an improvisation study, learning how to construct a swinging, logical solo ? works especially well in combination with the Study Guide.The Jazz Conception Series is also perfectly suited for the class room. It can be used to develop younger students jazz style in a big band or small group. In an improvisation class the teacher can use the etudes as studies in improvisation. The Study Guide provides an analysis of each etude, along with practice assignments for each etude. / Jazz / Recueil / Trombone Basse

Alto Tenor Baritone Sax Trumpet or Clarinet-Performed by Bob Wilber tenor sax; Hilton Jefferson alto sax For Saxes Only is designed to give the jazz saxophonist (or clarinet or trumpet player) an opportunity to play with a top-flight sax section. Due to the comparative scarcity of big bands today this is the one area in which young players sorely lack experience. The problems of sight-reading intonation phrasing vibrato unisons subtone etc. which the player will encounter in working with this album are the same one would face playing with Ellington Basie or Goodman. If you haven't had the opportunity to work in a big band playing with this album should give you an idea of that special thrill one gets when theblend is perfect and everybody's swinging together! Includes printed musical score for E-flat and B-flat instruments and a compact disc featuring complete recordings (with alto sax as the solo instrument) and a second performance of the accompaniments only.

for Viola and Piano-Brahms had already announced his 'retirement' from composition when in the spring of 1894 he played chamber music with the cellist Robert Hausmann and the clarinettist Richard Mühlfeld. This encounter apparently renewed his enthusiasm for Mühlfeld?s much admired playing and inspired him to write two Clarinet sonatas in the summer of the same year. It remains unclear when exactly Brahms drafted Viola parts to his two sonatas. In any case the Viola and Clarinet versions of the works were first published by Simrock at the same time in 1895. Today there is no doubt about Brahms? authorship of the Viola parts. They include important differences fromthe Clarinet original in order to do justice to this string instrument.An important part of this edition is the extensive preface. Firstly it informs about the sonatas? origins their compositional process pre-publication performances their publication history as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors start from the premise that already a few decades after Brahms' death a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. On the basis of manifold sources which include memoirs by pupils and chamber music partners treatises and essays early instructive editions and historical recordings the editors deal with key issues in understanding Brahms' notation. By a section-by-section analysis of rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding Piano arpeggiation and dislocation string instrument fingering string instrument harmonics and vibrato the editors provide an indispensable assistance for a historically informed interpretation of the works.At the same time the edition offers an exciting and often surprising insight into musical interpretation of the German Romantic Era in general.A pioneering Urtext editionWith an unmarked Urtext partWith a second part including fingering and bowing based on the practices of contemporaries of BrahmsWith an extensive Performance Practice

16 contemporary pieces-Spectrum For Trumpet is a unique collection of contemporary works for Trumpet and Piano. The 16 pieces included have been specially commissioned from some of today’s leading composers and reflect current compositional trends. They range in difficulty from Grades 1 to 8 so there’s something here for players of all ages and abilities.Spectrum For Trumpet comes with a recording of the 16 pieces performed by trumpeter John Wallace compiler of this volume and pianist Simon Wright.The highly successful Spectrum series was established by ABRSM and Thalia Myers in 1996 and now includes volumes for Piano Piano duet Violin Cello Clarinet and String Quartet. The aim of the series remains unchanged: to commission some of the finest composers to write pieces of modest length and difficulty while preserving the essential characteristics of their compositional style.