Format : Book + CDLangue : Français
Cycle I La collection Par choeur : La mémoire est un mécanisme cérébral complexe. Il n'y a d'ailleurs pas une mémoire, mais des mémoires (lexicale, sémantique, sensorielle, épisodique...). Chez l'enfant qui apprend, l'enfant qui grandit, la mémoire lexicale et la mémoire sémantique sont tout particulièrement en construction. C'est le grand ' chantier ' du début de la vie, car il n'y a pas d'apprentissage sans mémoire. Et sans apprentissage la mémoire ne se construit pas. Vive le par coeur Oui, il est très important de cultiver chez l'enfant, dans un même élan, plusieurs composantes de la mémoire (le par coeur) et la compréhension, dans des activités les plus variées possible. C'est pourquoi dans ces ouvrages, le par coeur devient ' par choeur ' grâce à de courtes chansons, qui intègrent toutes une notion précise du programme de l'école élémentaire (règles du quotidien, de savoir-vivre, règles de français, de mathématiques, d'histoire). Apprendre en chantant est ici, non pas un pari (il est gagné d'avance) mais la volonté d'explorer une idée simple : apprendre en étant motivé, loin de l'ennui, grâce à la chanson et à la socialisation. Le CD inclus dans le livret contient les versions chantées par des enfants et les versions play-back. Chaque volume propose 8 ou 9 petits chants. Les notions à apprendre par coeur sont organisées en double-page avec les rubriques suivantes : le mot des enseignants, les paroles de la chanson, la partition, des idées pour aller plus loin, le mot de l'élève, le mot du musicien et du parolier, en sortant de l'école. Par choeur - Cycle 1 - La peur de l'école - Les jours de la semaine - Les mots de la politesse - Le respect d'autrui - L'hygiène - Se repérer dans l'espace - Les cinq sens - Les couleurs - Les êtres vivants Auteurs : Jean-François Coppalle, Guillaume Saint-JAmes et une équipe enseignante Livret-CD (24 pages - format 21 x 27 cm)
SKU: BA.BA07809-01
ISBN 9790006498154. 33 x 26 cm inches. Language: German. Text: Zell, Albrecht Jacob.
With their very accessible style and expressive interpretation of the words, these contemporary works continue in the tradition of classical and romantic song cycles and will form a form a welcome addition to every song recital.- Welcome contemporary cycles for song recitals- Expressive musical interpretation of the words- Important addition to the standard literature
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: CA.3100613
ISBN 9790007041755. Key: C minor / g minor. Language: German/English.
Bach composed the cantata Stay with us, for it draws on toward evening BWV 6 for Easter Monday 1725. In fact, it is certain that a chorale cantata had been planned for that feast day, but for some unknown reason, the annual cycle of chorale cantatas broke off just before Easter 1725. For BWV 6, Bach fell back on a text by an author whose texts he had already set numerous times in his first Leipzig annual cycle of cantatas (which are conspicuous by their ever constant structure and use of two chorale settings). From the gospel for Easter Monday, the story of the Emmaus disciples, only the disappearing daylight and the fear of being left alone are made the subject of discussion. A truly magnificent choral movement opens the cantata. The first chorale for soprano and violoncello piccolo, which Bach later included in his Schubler-Chorale, is also well-known outside of the cantata. Score and part available separately - see item CA.3100600.
SKU: CA.3118307
ISBN 9790007050382. Key: A minor. Language: German/English. Text: von Ziegler, Christiane Mariane. Text: Christiane Mariane von Ziegler.
The cantata Sie werden euch in den Bann tun [They will banish you] BWV 183 for Exaudi Sunday is one of the cantatas composed on texts by the Leipzig poetess Christiane Mariane von Ziegler with which Bach concluded his second annual cycle of cantatas after he had abandoned the annual cycle of chorale cantatas at Easter 1725. The cantata opens with Jesus's words from the Sunday gospel reading in an accompagnato recitative for bass - representing the vox Christi - accompanied by four oboes which, together with the strings, are also deployed in the cantata's second accompagnato recitative. The first of the virtuoso arias is accompanied by violoncello piccolo, the second by two oboes da caccia together with the string ensemble. The cantata concludes with an unusually animated final chorale. Score available separately - see item CA.3118300.
SKU: CA.3118300
ISBN 9790007050351. Key: A minor. Language: German/English. Text: von Ziegler, Christiane Mariane. Text: Christiane Mariane von Ziegler.
The cantata Sie werden euch in den Bann tun [They will banish you] BWV 183 for Exaudi Sunday is one of the cantatas composed on texts by the Leipzig poetess Christiane Mariane von Ziegler with which Bach concluded his second annual cycle of cantatas after he had abandoned the annual cycle of chorale cantatas at Easter 1725. The cantata opens with Jesus's words from the Sunday gospel reading in an accompagnato recitative for bass - representing the vox Christi - accompanied by four oboes which, together with the strings, are also deployed in the cantata's second accompagnato recitative. The first of the virtuoso arias is accompanied by violoncello piccolo, the second by two oboes da caccia together with the string ensemble. The cantata concludes with an unusually animated final chorale.
SKU: CA.3118314
ISBN 9790007050436. Key: A minor. Language: German/English. Text: von Ziegler, Christiane Mariane. Text: Christiane Mariane von Ziegler.
The cantata Sie werden euch in den Bann tun [They will banish you] BWV 183 for Exaudi Sunday is one of the cantatas composed on texts by the Leipzig poetess Christiane Mariane von Ziegler with which Bach concluded his second annual cycle of cantatas after he had abandoned the annual cycle of chorale cantatas at Easter 1725. The cantata opens with Jesus's words from the Sunday gospel reading in an accompagnato recitative for bass - representing the vox Christi - accompanied by four oboes which, together with the strings, are also deployed in the cantata's second accompagnato recitative. The first of the virtuoso arias is accompanied by violoncello piccolo, the second by two oboes da caccia together with the string ensemble. The cantata concludes with an unusually animated final chorale. Score and part available separately - see item CA.3118300.
SKU: CA.3113505
ISBN 9790007110642. Language: German/English.
Bach composed BWV 135 as the fourth cantata in the second annual cycle of Leipzig cantatas. The hymn Ach Herr, mich armen Sunder was written in the 16th century to the tune of Herzlich tut mich verlangen. The unidentified Leipzig librettist of the 2nd cycle of chorale cantatas made free use of this hymn as the basis of an exemplary cantata text. Score available separately - see item CA.3113500.
SKU: CA.3100614
ISBN 9790007041762. Key: C minor / g minor. Language: German/English.
SKU: CA.3118305
ISBN 9790007050375. Key: A minor. Language: German/English. Text: von Ziegler, Christiane Mariane. Text: Christiane Mariane von Ziegler.
SKU: CA.3118315
ISBN 9790007050443. Key: A minor. Language: German/English. Text: von Ziegler, Christiane Mariane. Text: Christiane Mariane von Ziegler.
SKU: CA.3118319
ISBN 9790007136956. Key: A minor. Language: German/English. Text: von Ziegler, Christiane Mariane. Text: Christiane Mariane von Ziegler.
The cantata Sie werden euch in den Bann tun [They will banish you] BWV 183 for Exaudi Sunday is one of the cantatas composed on texts by the Leipzig poetess Christiane Mariane von Ziegler with which Bach concluded his second annual cycle of cantatas after he had abandoned the annual cycle of chorale cantatas at Easter 1725. The cantata opens with Jesus's words from the Sunday gospel reading in an accompagnato recitative for bass - representing the vox Christi - accompanied by four oboes which, together with the strings, are also deployed in the cantata's second accompagnato recitative. The first of the virtuoso arias is accompanied by violoncello piccolo, the second by two oboes da caccia together with the string ensemble. The cantata concludes with an unusually animated final chorale. Score and parts available separately - see item CA.3118300.
SKU: CA.3113549
ISBN 9790007208097. Language: German/English.
Bach composed BWV 135 as the fourth cantata in the second annual cycle of Leipzig cantatas. The hymn Ach Herr, mich armen Sunder was written in the 16th century to the tune of Herzlich tut mich verlangen. The unidentified Leipzig librettist of the 2nd cycle of chorale cantatas made free use of this hymn as the basis of an exemplary cantata text. Score and part available separately - see item CA.3113500.
SKU: CA.3113512
ISBN 9790007208066. Language: German/English.
SKU: CA.3118313
ISBN 9790007050429. Key: A minor. Language: German/English. Text: von Ziegler, Christiane Mariane. Text: Christiane Mariane von Ziegler.
SKU: CA.3118661
ISBN 9790007209902. Key: G minor / c dorian. Text language: German/English.
The cantata Argre dich, o Seele, nicht BWV 186 is in a sense the companion work to the much better-known cantata Herz und Mund und Tat und Leben BWV 147. Both were composed in Advent 1716 as Bach's last two cantatas for the Weimar court, and both were arranged for another Sunday in Bach's first Leipzig cantata cycle by the addition of recitatives and a large-scale chorale movement, heard at the end of both parts. The sound of the Cantata BWV 186 is characterized by the four-part woodwind ensemble writing. The final chorale, heard twice, anticipates the opening choruses of the chorale cantatas from Bach's second cycle. Cantata BWV 186 for the 7th Sunday after Trinity is a considerably expanded reworking of a Weimar Advent cantata of 1716. Only the text survives of the Advent cantata, but Diethard Hellmann has been able to reconstruct the work from the later version (Carus 31.186). Score and part available separately - see item CA.3118600.
SKU: CA.3118664
ISBN 9790007209933. Key: G minor / c dorian. Text language: German/English.
SKU: CA.3100609
ISBN 9790007041724. Key: C minor / g minor. Language: German/English.
Bach composed the cantata Stay with us, for it draws on toward evening BWV 6 for Easter Monday 1725. In fact, it is certain that a chorale cantata had been planned for that feast day, but for some unknown reason, the annual cycle of chorale cantatas broke off just before Easter 1725. For BWV 6, Bach fell back on a text by an author whose texts he had already set numerous times in his first Leipzig annual cycle of cantatas (which are conspicuous by their ever constant structure and use of two chorale settings). From the gospel for Easter Monday, the story of the Emmaus disciples, only the disappearing daylight and the fear of being left alone are made the subject of discussion. A truly magnificent choral movement opens the cantata. The first chorale for soprano and violoncello piccolo, which Bach later included in his Schubler-Chorale, is also well-known outside of the cantata. Score and parts available separately - see item CA.3100600.
SKU: CA.3118662
ISBN 9790007209919. Key: G minor / c dorian. Text language: German/English.
SKU: CA.3113514
ISBN 9790007208080. Language: German/English.