Panis Dei

A violin method for children with a Spanish text supplement. Par SASSMANNSHAUS EGON. English-Spanish/ Méthode / Violon

A violin method for children aged four and older with a Spanish text supplement. Par SASSMANNSHAUS EGON. Note reading is introduced from the beginning, and accidentals are explained in the easiest way in the first volume. By the end of the first book, many English children?s songs using all fingers have been played and note values from whole to eighthnotes have been introduced. Even the easiest exercises are underlaid with text so that melodies can be perceived as a whole. The original German violin method was first published in 1976. The author Egon Sassmannshaus is one of the most experienced and renowned violin pedagogues in Germany . For the new English edition his son Kurt Sassmannshaus worked as co-author and adapted his father?s successful method for English-speaking children./ Méthode / Violon

Par SILVERMAN JERRY. Cette contrepartie axée sur la guitare de chansons d'Espagne : Piano/voix comprend 22 folksongs espagnols belles en anglais espagnol et chantantes. Chaque chanson est montré comme une ligne vocale avec accompagnement de guitare écrit en notation standard et comme un solo de guitare distincts. Arrangement de la guitare dans les sélections de notation et l'onglet standards comprennent : Lagrimas - Alala - La Pastora - Eres aguila real - Viva la coing Brigada - Los cuatro generales - Serranilla - Las palabras - amor mio - et plus encore. / Niveau : Débutant à Intermédiaire / Spanish - Songbooks / Tablatures / Guitare Tablatures

This innovative DVD teaches you how to play songs in the popular style called 'Norteno.? Using a 3-row button accordion, each song is clearly demonstrated in slow and normal tempo, with camera close-ups, so that you can quickly learn to play with confidence. You'll also learn ornaments, introductions, progressions and more. In Spanish. / Accordéon (Boutons) / 60 pages / niveau : Débutant / Dvd - Format: 7,5 X 5,25

With this three-volume DVD course you will learn the fundamentals of percussion and many exercises. In addition, you'll be able to play a great variety of Latin rhythms with timbales and shaker, including: cumbia, balada, bolero, vallenato, cha-cha, mambo, merengue, salsa and rock. In Spanish only. Este método es el segundo curso de nuestra exitante serie de percusión que consiste de tres partes. Aprenderás los fundamentos básicos de los timbales y una amplia variedad de ritmos latinos auténticos en una manera entretenida y fácil de seguir. Incluye técnicas prácticas, consejos indispensables y mucho más. Desde salsa a rock, ¡esta serie lo tiene todo! / Percussions / 60 pages / niveau : Débutant/Intermédiaire / Dvd - Format: 7,5 X 5,25

This follow-up course steps into more complex rhythms of cumbia, ranchera/country, ballad and much more. You'll also learn several techniques that will allow you to play along with a band. Spanish / Batterie

Panis Angelicus (Latin for 'Bread of Angels' or 'Angelic Bread') is the penultimate strophe of the hymn 'Sacris solemniis' written by Saint Thomas Aquinas for the Feast of Corpus Christi as part of a completeliturgy of the feast including prayers for the Mass and the Liturgy of the Hours. Panis Angelicus has often been set to music separately from the rest of the hymn. Most famously in 1872 César Franck setthis strophe for Tenor Voice Harp Cello and Organ and incorporated it into his Messe trois voix Op. 12.Panis Angelicus is now available masterfully transcribed for grade 5-6 solo Piano.

Includes versions for High Medium or Low Voice (G F or E flat) with Piano accompaniment. Performance note by Gordon Stewart.Preface:The words for Panis Angelicus are from a longer hymn text Sacris Solemnis written by St Thomas Aquinas in the thirteenth century for the newly established Feast of Corpus Christi and would originally have been sung to a plainchant. César Franck set this verse of seven lines in 1872. His deep religious feelings fashioned a memorable melody one which is within the scope of all singers - its range is only a seventh and if you follow the word patterns the breathing sits comfortably. It is in its way simple and direct but with the chance to use the voice to its full. The Latin words are not hard to sing but if you prefer to perform it in English the translation conveys the essential meaning. Franck originally wrote Panis Angelicus for Tenor Cello Harp Organ and Double Bass but it slips easily into the Keyboard arrangement. The colours of the original scoring are evident the Organ's sustained chords the semi-staccato notes for the Harp and the Cello's countermelody beginning in bar 38 (which could be transferred to another melodic instrument if that suits the occasion). Some discreet repetition of the long tied notes and doubling of the bass at the octave can give the Piano more resonance. The accompaniment probably works best with a minimum pedalling and an Organist's style of fingering. The dynamics ask for a triumphant final statement of the words 'pauper servus' in bar 53. It makes complete musical sense to make a diminuendo for the word 'humilis' in bar 56 leading to a thoughtful postlude.