Nightfall

SKU: CF.FAS110F

ISBN 9781491151785. UPC: 680160909285. 9 x 12 inches.

Featuring long phrases in a slow tempo, Interlude Nightfall is a?perfect composition to teach musicianship with young students using dramatic harmonies. Yukiko Nishimura's musical imagery provides a great opportunity for string orchestras to showcase their musical phrasing and expression.
This work features long phrases in slow tempo, and the harmonies are very dramatic. The music should not be too square. Conductors must pay special attention to how the orchestra expresses these long phrases and harmony changes. The intonations of each phrases are important as well. This work consists of three sections, the first of which starts at m. 5. It should be played with confident feeling, like risoluto. The second section from m. 29 is a kind of chorale, so all parts should sound well-combined, like an organ. The third section is virtually identical to the first section but can be played with greater emotion. Please enjoy the thick harmonies.
This work features long phrases in slow tempo, and the harmonies are very dramatic. The music should not be too square. Conductors must pay special attention to how the orchestra expresses these long phrases and harmony changes. The intonations of each phrases are important as well. This work consists of three sections, the first of which starts at m. 5. It should be played with confident feeling, like arisoluto.a The second section from m. 29 is a kind of achorale,a so all parts should sound well-combined, like an organ. The third section is virtually identical to the first section but can be played with greater emotion. Please enjoy the thick harmonies.
This work features long phrases in slow tempo, and the harmonies are very dramatic. The music should not be too square. Conductors must pay special attention to how the orchestra expresses these long phrases and harmony changes. The intonations of each phrases are important as well. This work consists of three sections, the first of which starts at m. 5. It should be played with confident feeling, like arisoluto.a The second section from m. 29 is a kind of achorale,a so all parts should sound well-combined, like an organ. The third section is virtually identical to the first section but can be played with greater emotion. Please enjoy the thick harmonies.
This work features long phrases in slow tempo, and the harmonies are very dramatic. The music should not be too square. Conductors must pay special attention to how the orchestra expresses these long phrases and harmony changes. The intonations of each phrases are important as well. This work consists of three sections, the first of which starts at m. 5. It should be played with confident feeling, like risoluto. The second section from m. 29 is a kind of chorale, so all parts should sound well-combined, like an organ. The third section is virtually identical to the first section but can be played with greater emotion. Please enjoy the thick harmonies.
This work features long phrases in slow tempo, and the harmonies are very dramatic. The music should not be too square. Conductors must pay special attention to how the orchestra expresses these long phrases and harmony changes. The intonations of each phrases are important as well.This work consists of three sections, the first of which starts at m. 5. It should be played with confident feeling, like “risoluto.” The second section from m. 29 is a kind of “chorale,” so all parts should sound well-combined, like an organ. The third section is virtually identical to the first section but can be played with greater emotion.Please enjoy the thick harmonies.

SKU: CF.FAS110

ISBN 9781491151419. UPC: 680160908912. 9 x 12 inches. Key: G minor.

Featuring long phrases in a slow tempo, Interlude Nightfall is a?perfect composition to teach musicianship with young students using dramatic harmonies. Yukiko Nishimura's musical imagery provides a great opportunity for string orchestras to showcase their musical phrasing and expression.
This work features long phrases in slow tempo, and the harmonies are very dramatic. The music should not be too square. Conductors must pay special attention to how the orchestra expresses these long phrases and harmony changes. The intonations of each phrases are important as well. This work consists of three sections, the first of which starts at m. 5. It should be played with confident feeling, like risoluto. The second section from m. 29 is a kind of chorale, so all parts should sound well-combined, like an organ. The third section is virtually identical to the first section but can be played with greater emotion. Please enjoy the thick harmonies.
This work features long phrases in slow tempo, and the harmonies are very dramatic. The music should not be too square. Conductors must pay special attention to how the orchestra expresses these long phrases and harmony changes. The intonations of each phrases are important as well. This work consists of three sections, the first of which starts at m. 5. It should be played with confident feeling, like arisoluto.a The second section from m. 29 is a kind of achorale,a so all parts should sound well-combined, like an organ. The third section is virtually identical to the first section but can be played with greater emotion. Please enjoy the thick harmonies.
This work features long phrases in slow tempo, and the harmonies are very dramatic. The music should not be too square. Conductors must pay special attention to how the orchestra expresses these long phrases and harmony changes. The intonations of each phrases are important as well. This work consists of three sections, the first of which starts at m. 5. It should be played with confident feeling, like arisoluto.a The second section from m. 29 is a kind of achorale,a so all parts should sound well-combined, like an organ. The third section is virtually identical to the first section but can be played with greater emotion. Please enjoy the thick harmonies.
This work features long phrases in slow tempo, and the harmonies are very dramatic. The music should not be too square. Conductors must pay special attention to how the orchestra expresses these long phrases and harmony changes. The intonations of each phrases are important as well. This work consists of three sections, the first of which starts at m. 5. It should be played with confident feeling, like risoluto. The second section from m. 29 is a kind of chorale, so all parts should sound well-combined, like an organ. The third section is virtually identical to the first section but can be played with greater emotion. Please enjoy the thick harmonies.
This work features long phrases in slow tempo, and the harmonies are very dramatic. The music should not be too square. Conductors must pay special attention to how the orchestra expresses these long phrases and harmony changes. The intonations of each phrases are important as well.This work consists of three sections, the first of which starts at m. 5. It should be played with confident feeling, like “risoluto.” The second section from m. 29 is a kind of “chorale,” so all parts should sound well-combined, like an organ. The third section is virtually identical to the first section but can be played with greater emotion.Please enjoy the thick harmonies.

SKU: HL.254555

UPC: 888680721701. 5.0x5.0x0.15 inches.

Lyrics take center stage in this beautiful new work. Word painting, an independent piano accompaniment and the steady beat of the tick-tock create a mood that suggests a more mature and experienced choir. Your young singers will love the chance to show and share these beautiful lyrics set to this haunting tune.

SKU: HL.50595197

A collection of pieces representing the best of the international crossover repertoire: Antonia (A. Zambrini); Come Sei Veramente (G. Allevi); Danny's Blues (E. Morricone); Dream Of The Forgotten Child (D.H. Lanz); It Was Always You, Helen (Ph.Glass); La Chute, Le Matin (Y. Tiersen); Metamorphosis One (Ph. Glass); Milonga Del Angel (A. Piazzolla); Moonrise (B. Crain); Nightfall (D.H. Lanz); One Summer's Day (J. Hisahishi); Rain (B. Crain); The Persuaders - Main Theme (J. Barry)

Band 2 des tollen internationalen Crossover-Mix fur leicht fortgeschrittene Pianisten.
Inhalt: Antonia (A. Zambrini); Come Sei Veramente (G. Allevi); Danny's Blues (E. Morricone); Dream Of The Forgotten Child (D.H. Lanz); It Was Always You, Helen (Ph. Glass); La Chute, Le Matin (Y. Tiersen); Metamorphosis One (Ph. Glass); MilongaDel Angel (A. Piazzolla); Moonrise (B. Crain); Nightfall (D.H. Lanz); One Summer's Day (J. Hisahishi); Rain (B. Crain); The Persuaders - Main Theme (J. Barry)

Sommaire: Antonia (A. Zambrini); Come Sei Veramente (G. Allevi); Danny's Blues (E. Morricone); Dream Of The Forgotten Child (D.H. Lanz); It Was Always You, Helen (Ph. Glass); La Chute, Le Matin (Y. Tiersen); Metamorphosis One (Ph. Glass); Milonga DelAngel (A. Piazzolla); Moonrise (B. Crain); Nightfall (D.H. Lanz); One Summer's Day (J. Hisahishi); Rain (B. Crain); The Persuaders - Main Theme (J. Barry).

SKU: BT.DHP-1033502-040

9x12 inches.

Sinfonietta consists of four movements that have no thematic or musical relationship with each other. Each movement has its own character and atmosphere, which displays a variety of qualities and possibilities of the modern concert band. The four movements are entitled The Landing; The Sword Dance; Nightfall by the River and Towards the Future. Together they build into a mini- symphony full of colour and contrasts.

Sinfonietta bestaat uit vier delen met elk een eigen karakter, de verschillende klankkleuren en mogelijkheden van het moderne harmonieorkest komen in dit werk uitstekend tot hun recht.

Sinfonietta besteht aus vier Sätzen, die in keinerlei thematischem oder musikalischem Zusammenhang zueinander stehen. Jeder Satz hat seinen eigenen Charakter und eine eigene Atmosphäre, in welcher sich die Vielfalt an musikalischen Farben und Möglichkeiten des modernen Blasorchesters entfalten kann. Die Sätze mit den klangvollen Titeln bilden eine Mini-Symphonie voller Klangfarben und Kontraste!

The Landing (“Les b tisseurs”) • Sword Dance (“La danse du sabre”) • Nightfall by the River (“La rivière la tombée de la nuit”) • Towards the Future (“Regards vers le futur”) : La ville d'Osaka vit de l’eau et vit avec l’eau. C'est pourquoi on la surnomme « la capitale de l’eau » (suito, en japonais) depuis les temps anciens. Le sous-titre s’imposait comme une évidence.Sinfonietta est une œuvre mystique et mystérieuse, sauvage et diabolique, raffinée et colorée, lyrique et virtuose, conventionnelle et originale. Cette petite symphonie se compose de quatre mouvements contrastés qui révèlent les larges possibilités del’Orchestred’Harmonie moderne.

SKU: CL.031-2206-01

A real, live Ballad that is accessible by the younger jazz ensembles. This beautiful feature for alto or trumpet at the play easy level. Minimal inprovisation is optional, and suggested lines are included. An outstanding choice for contest or concert.

SKU: HL.132840

UPC: 884088976743.

SKU: AP.1-ADV14906

UPC: 805095149067. English.

This intermediate-level reading book with accompanying CD (12 listening tracks; 12 play-along tracks) contains very melodic, fun-to-play blues lines and riffs in various styles and feels. The keys and tempos are comfortable. It's an excellent tool for learning what jazz soloing is all about. You can also improvise over the play-along tracks using the chords for the tracks shown in the book.

Titles: Tuning Notes * Blues for Michael Brecker * On the Spot * Sus Sounds * Goin' Home * Funky Blue * Blues Ascension * Four in Three * Diggin' In * Nightfall * Medieval Blues * Tradin' Ones & Twos * Shuffle Them Blues.