Music of John Dowland

Pendant des années, les guitaristes classiques ont bénéficié jouant de la musique de luth du compositeur anglais, John Dowland (1563-1626). Quarante de ses belles compositions sont inclus dans ce volume. Le livre est destiné pour le guitariste avec technique fingerstyle intermédiaire à avancé et peut être joué à la fois nylon et instruments à cordes acier. Afin d'aider à capturer le caractère unique de la musique de Dowland, luth renaissance tuning (capo sur le fret troisième avec la chaîne g d'écoute à fa dièse) est utilisé dans l'ensemble. Les progrès des morceaux plus ou moins afin d'augmenter la difficulté et soins spéciaux ont été prise pour s'assurer tout groupe de morceaux consécutifs peut être joué avec satisfaisant des résultats. Notation standard avec les fichiers audio téléchargeables compagnon onglet comprend gratuitement. / Guitare (Fingerpick) / 144 pages / niveau : Intermédiaire / Partition - Format: 11 X 8,5

Par DATESMAN KYLE. Perhaps the first 5-string banjo book of its kind, Renaissance and Elizabethan Music for Banjo consists entirely of music from these early periods and provides banjo players with \'growing material\'?that is, the opportunity to play in a number of different keys besides G major. This detail alone will expand your banjo horizon by requiring the use of unusual chord shapes. Written for classical banjo enthusiasts who want to further enhance their musicianship, some selections reveal one of the earliest aspects of music theory, that of modal scales. Various compositional forms and unfamiliar tempos are also introduced in arrangements that will help you become less dependent on the open fifth string. This type of music would be extremely difficult to learn by ear, so a book of tablatures should prove to be invaluable. Every piece is presented first in a vertical chord arrangement, which was the way it was originally intended? and then arranged in a linear horizontal style more familiar to modern players. Every tune is accompanied by performance notes supported by a helpful glossary. Written in tablature only with access to online audio, these pieces also make great finger-limbering exercises! Includes access to online audio. / Date parution : 2022-01-18/ Recueil / Banjo

During his lifetime John Dowland was one of the few English composers whose fame spread throughout Europe. He has never been entirely forgotten although his music was almost completely ignored during the whole of the eighteenth century and most of the nineteenth. The early twentieth century saw a dawning recognition among scholars and specialists of the rare quality of his work.This is a comprehensive and exhaustive collection of Dowland’s compositions for the Lute with critical commentaries lists of sources and biographical notes as thoroughly compiled and edited by Diana Poulton and Basil Lam.The music is presented in both keyboardnotation and Lute tablature.

Unsurpassed in his day as a lute virtuoso, John Dowland (1563–1626) today continues to delight singers, musicians, and music lovers alike. This collection of 45 songs includes all the works in Dowland's original third and fourth books of lute songs, the composer's contributions to his son's anthology of 1610, and a dance for solo guitar. Content : THE THRID AND LAST BOOKE I. Farewell too fair II. Time stands still III. Behold a wonder here IV. Daphne was not so chaste V. Me, me and none but me VI. When Phoebus first did Daphne love VII. Say Love if ever thou didst find VIII. Flow not so fast ye fountains IX. What if I never speed? X. Love stood amaz'd XI. Lend your ears to my sorrow XII. By a fountain where I lay XIII. Oh what hath overwrought XIV. Farewell unkind farewell XV. Weep you no more, sad fountains XVI. Fie on this feigning XVII. I must complain XVIII It was a time when silly bees could speak XIX. The lowest trees have tops XX. What poor astronomers are they XXI. Come when I call (for two voices and two lutes) A PILGRIMES SOLACE I. Disdain me still II. Sweet stay awhile III. To ask for all thy love IV. Love those beams V. Shall I strive with words to move (Mignarda, a galliard is Dowland's title for the solo lute version of the lyre Shall I strive with words to move. VI. Were every thought an eye VII. Stay Time awhile thy flying VIII. Tel me true Love (with chorus) The next three with treble and bass viols ofr violin and cello: IX. Go nightly cares X. From silent night XI. Lasso vita mia XII. In this trembling shadow XIII. If that a sinner's sighs A three-part work: XIV. Thou mighty God XV. When David's life XVI. When the poor cripple XVII. Where sin sore wounding XVIII. My heart and tongue were twins The next with chorus: XIX. Up merry mates XX. Welcome black night XXI. Cease these false sports THREE AYRES FROM A MUSICALL BANQUET Far from triumphing Court Lady if you so spite me In darkness let me dwell GALLIART TO LACHRIMAE A lute solo from A Pilgrimes Solace, transcribed for guitar

This treasury of part songs and sacred music for one to six voices will delight all lovers of medieval and Renaissance music. Containing a wealth of both religious and secular music from the 12th to the 17th centuries the collection covers a broad range of moods. Approximately half the songs are secular some from the popular tradition and others from the courtly poets and musicians surrounding such musically inclined monarchs. Some of the music contained is printed for the first time. Edited by Noah Greenberg

The Original First and Second Books including Dowland's Original Lute Tablature-Considered the greatest lute virtuoso and composer of the English school in the early 17th Century John Dowland (1563-1626) composed over 80 pieces of solo lute music. His peerless skills as an instrumentalist were hailed by poet Richard Barnfield who referred to Dowland as one '...whose heav'nly touch upon the lute doth ravish human sense.' As a composer Dowland displayed a versatility of mood with works ranging from the lighthearted to the deeply serious exquisitely melancholic vein in which he excelled.

For years classical guitarists have enjoyed playing the lute music of the English composer John Dowland (1563-1626). Forty of his beautiful compositions are included in this volume. The book is intended for the guitarist withintermediate to advanced fingerstyle technique and can be played on both nylon and steel string instruments. In order to help capture the unique character of Dowland's music renaissance lute tuning (capo on the third fret withthe G string tuned to F sharp) is used throughout. The pieces progress more or less in order of increasing difficulty and special care has been taken to be sure any group of consecutive pieces can be played with satisfyingresults. Standard notation only. Includes access to online audio.

John Dowland (1562-1626) has been rediscovered thanks mainly to a new album by the recording artist Sting which features the music of this great English Renaissance composer. Edited by scholar Dr. William Belan the music isprovided in contemporary notation as well as in individual parts as they were first presented.

Collection for Male Voices-This collection is a fantastic resource for introducing the music of the English Renaissance composer John Dowland to the male ensemble. The five well-known and representative works include Come Again Sweet Love Fine Knacks for Ladies His Golden Locks My Thoughts Are Wing'd With Hopes Sleep Wayward Thoughts.

Campion Dowland And The Lutenist Songwriters-This series which aims to cover the whole repertoire of English song is designed not merely as a practical guide for singers and teachers but also to be of use to the ever-increasing number of students wishing to study particular areas of the subject - the music the poetry or both.Each piece features a full description and commentary providing detailed information of the song's origin and nature. This is an invaluable anthology presenting the enormous repertoire available but unfortunately little known to those who should be most concerned - English singers themselves.This edition is a comprehensive guide to the songs of Campion Dowland and theLutenist composers.The description of each song includes its tonality range meter and duration.