The Collected Lute Music of John Dowland

Unsurpassed in his day as a lute virtuoso, John Dowland (1563–1626) today continues to delight singers, musicians, and music lovers alike. This collection of 45 songs includes all the works in Dowland's original third and fourth books of lute songs, the composer's contributions to his son's anthology of 1610, and a dance for solo guitar. Content : THE THRID AND LAST BOOKE I. Farewell too fair II. Time stands still III. Behold a wonder here IV. Daphne was not so chaste V. Me, me and none but me VI. When Phoebus first did Daphne love VII. Say Love if ever thou didst find VIII. Flow not so fast ye fountains IX. What if I never speed? X. Love stood amaz'd XI. Lend your ears to my sorrow XII. By a fountain where I lay XIII. Oh what hath overwrought XIV. Farewell unkind farewell XV. Weep you no more, sad fountains XVI. Fie on this feigning XVII. I must complain XVIII It was a time when silly bees could speak XIX. The lowest trees have tops XX. What poor astronomers are they XXI. Come when I call (for two voices and two lutes) A PILGRIMES SOLACE I. Disdain me still II. Sweet stay awhile III. To ask for all thy love IV. Love those beams V. Shall I strive with words to move (Mignarda, a galliard is Dowland's title for the solo lute version of the lyre Shall I strive with words to move. VI. Were every thought an eye VII. Stay Time awhile thy flying VIII. Tel me true Love (with chorus) The next three with treble and bass viols ofr violin and cello: IX. Go nightly cares X. From silent night XI. Lasso vita mia XII. In this trembling shadow XIII. If that a sinner's sighs A three-part work: XIV. Thou mighty God XV. When David's life XVI. When the poor cripple XVII. Where sin sore wounding XVIII. My heart and tongue were twins The next with chorus: XIX. Up merry mates XX. Welcome black night XXI. Cease these false sports THREE AYRES FROM A MUSICALL BANQUET Far from triumphing Court Lady if you so spite me In darkness let me dwell GALLIART TO LACHRIMAE A lute solo from A Pilgrimes Solace, transcribed for guitar

During his lifetime John Dowland was one of the few English composers whose fame spread throughout Europe. He has never been entirely forgotten although his music was almost completely ignored during the whole of the eighteenth century and most of the nineteenth. The early twentieth century saw a dawning recognition among scholars and specialists of the rare quality of his work.This is a comprehensive and exhaustive collection of Dowland’s compositions for the Lute with critical commentaries lists of sources and biographical notes as thoroughly compiled and edited by Diana Poulton and Basil Lam.The music is presented in both keyboardnotation and Lute tablature.

Patykula John (Trans.). Par PATYKULA JOHN. Cette collection de petite mais colorée comprend cinq pièces par trois compositeurs arrangés pour flûte et guitare. Le XVIIIe siècle est représenté par une Gavotte de l'un des compositeurs les plus connus de la période, Padre Giovanni Battista Martini (1706-1784). Deux mouvements sont prises par le célèbre cycle piano de Tchaïkovski, un Album pour les jeunes: ' Old French Song ' et ' Chanson napolitaine. ' Enfin, deux pièces par Enrique Granados prêtent une saveur espagnole à la collection: ' Oriental ' et ' Jota (Rondalla Aragonesa). ' Manifestement, la flûte prend les devants dans ces arrangements duo, avec le guitariste jouant un rôle de soutien actif. La combinaison de la guitare et les flûte fonctionne bien, et ces pièces pourraient servir à fournir un contraste bienvenu à des morceaux de piano accompagnés dans un récital ou un programme de concert. / Niveau : Intermédiaire / Classic - Ensemble-Mixed / Recueil / Guitare et Flûte Traversière

Par KEMBER JOHN. Presented in a variety of styles, these short pieces gieve each player an equal share of the melodic interest and are aimed at students of similar playing experience and standarts. The minimum of teacher assistance should be required. This series will prove a valuable addition to the repertoire as items of ensemble playing for concert performance as well as for friends of all ages to play together for enjoyment./ Recueil / 2 Flûtes Traversières et Piano

Ces mélodies américains sonore grands sur la flûte. Ils offrent également une excellent matériel pour développer les compétences en tonguing rapide, souffle-contrôle étendu et jouer à des notes élevées. Cette collection couvre plusieurs types de musique. Des millions d'Américains ont grandi chantant ' Attisket Atasket, ' 'Put Your Little Foot' et ' Paddywhack '. Immigrants apporté délices comme ' première nuit en Amérique 'et ' My Love Is en Amérique. ' John Philip Sousa a capturé l'Americana de son temps dans les marches pour tous les temps, tels que ' Le bel de la foire, ' ' Roi coton ' et ' Boy Scouts of America. ' Partout au pays, les Américains chante et sifflé ' Neuf cents milles, ' 'Gypsy Dave' et 'Pie in the Sky'. Une édition séparée enregistreur est disponible. / Flûte Traversière / 52 pages / niveau : Débutant/Intermédiaire / Partition - Format: 11 X 8,5

Grades 3-4-Collection of pieces specifically commissioned by the Associated Board to provide useful core material for its flute syllabus variety of rhythms styles and moods and the progressive introduction of new technical accomplishments will provide invaluable repertoire-building material for teachers

African-American And Jamaican Songs. Par KIMBERLING CLARK. Une collection unique pour la flûte : 46 solos pleine page, y compris les arrangements de spirituals, chansons folkloriques, airs de danse et de mélodies de compositeurs afro-américaine, plus cinq solos composé pour cette collection. Inclut des mélodies par Basile Barès, a. j. r. Conner, Henry Hart, j. w. Postlewaite. Fonctionnalités inédites précédemment solo de renom Philadpelphia musicien Francis Johnson, la composition la plus ancienne connue par un afro-américain, datant de 1815. Favoris incluent Amen, Banyan Tree, médecin Bird et Ev'ry temps, je me sens à l'esprit. Soutenu par des Notes historiques spécifiques mélodie accessible par Internet. --Quarante-six pleine page solos pour les flûte--Arrangements de mélodies de compositeurs plus connus de l'Amérique d'origine africaine, ainsi que des mélodies traditionnelles--Notes historiques spécifiques mélodie sur Internet / Niveau : Intermédiaire / World Music - Solos / Recueil / Flûte Traversière

John Dowland was unsurpassed in his day as a lute virtuoso and the composer of 88 lute songs. Since the early twentieth century Dowland's excellence as a songwriter has been well established; many of his compositions for lute- long shrouded in obscurity have become well known. This collection of 45 songs includes all the works in his third and fourth collection. Transcribed for voice and Guitar by David Nadal including Dowland's original lute tablature.

Renaissance Lute Repertoire-Lute Tablature Edition can be viewed as either a supplement to the popular Introduction to the Lute: for Lute and Guitar Players or as a standalone edition of 16th-century lute tablatures. Play from beautifully-typeset scores, music by John Dowland, Francesco da Milano, Vincenzo Galilei (father of the famous astronomer) and many others, including vihuela composers Narváez and Milán. Together, this collection provides a beautiful and extensive overview of music for the renaissance lute. This edition is in French lute tablature. There is a separate edition in guitar tablature, Renaissance Lute Repertoire-Guitar Tablature Edition.

Guitar Tablature Edition. Renaissance Lute Repertoire-Guitar Tablature Edition can be viewed as either a supplement to the popular Introduction to the Lute: for Lute and Guitar Players or as a standalone edition of 16th-century lute tablatures reset in guitar tab. Play from beautifully-typeset scores, music by John Dowland, Francesco da Milano, Vicenzo Galilei (father of the famous astronomer), and many others, including vihuela composers, Narváez and Milán. Together, this collection provides in guitar tab a beautiful and extensive overview of music for the Renaissance lute. TUNING: To get Renaissance lute tuning on a guitar, all you need to do is tune the 3rd string, G, down one semitone to F♯.That's it. Then just read the tab as normal. This edition is in guitar tablature. There is a separate edition in lute tablature, Renaissance Lute Repertoire-Lute Tablature Edition. / Niveau : Intermédiaire / Classique / Date parution : 2019-05-27/ Tablatures / Luth

Par . Come play music written by kings and clowns, Ladies and lawyers, dance masters, doctors, and troubadours. Welcome to the Middle Ages and Renaissance. Creativity flourished throughout the times that produced writers, Artists, and scientists such as Dante, Chaucer, Shakespeare, Michelangelo, da Vinci, and Galileo. That inventiveness is evident in the imaginative and eloquent music in this collection. Among the melodies are a Portuguese troubadour?s ?Song for a Friend? written almost 800 years ago, John Dowland?s ?Midnight?, silenced from the mid-1600's until the discovery of Margaret Board?s Lute Book in 1970, and a beautiful and haunting song written by a Scottish Lady. There areover 40 tunes in this beautiful collection. / Date parution : 2023-12-22/ Recueil / Flûte Traversière

Music played an enormous role in the works of William Shakespeare, while his own sonnets, poems and soliloquies have provided continuing inspiration for many composers through the years. The Novello Shakespeare Choral Collection, inspired by the 400th anniversary of the Bard's death in 2016, is an exciting anthology of choral works that are settings of Shakespeare's words. For choirs of all types and abilities, this collection has been edited by David Wordsworth so that all the pieces are fantastic both to sing and hear.The collection features some beautiful settings that have well and truly stood the test of time, such as Thomas Arne's Blow, Blow, Thou Winter Wind and Henry Leslie's How Sweet The Moonlight Sleeps. More recent settings from 20th century and contemporary composers include Ernest Moeran's Sigh No More, Ladies, Gary Carpenter's Lo, Here, The Gentle Lark and John Tavener's Fear No More and Look In Thy Glass.Not only this, the Shakespeare Choral Collection boasts several works that were specially commissioned, including John Joubert's Be Not Afeard, Richard Sisson's Light Thickens and Pawel Lukaszewki's Weary With Toil, I Haste Me To My Bed. Some pieces have never appeared before in print, such as those by Kevin Olsen, Bernard Hughes and John Gardner. These songs truly are a joy to perform, with some relatively simple arrangements that are purely fun to sing, while some more complex settings that will be thoroughly rewarding for choirs and audiences alike.A total of 26 fantastic works comprise The Novello Shakespeare Choral Collection, which would work as a wonderful concert programme on its own, or could provide a wealth of options for choirs looking to expand their repertoire with a range of unique settings. Also included is a fascinating introduction by editor David Wordsworth, and notes describing each piece.Words written by indisputably the greatest writer in the English language can only be matched with music by composers of talent and renown such as these. The Novello Shakespeare Choral Collection is an essential anthology of stunning settings of beautiful words which will be performed and enjoyed for many years to come. / Choeur Mixte (SATB)