Mozart, Wolfgang Amadeus : Viennese Sonatinas

Par MOZART WOLFGANG AMADEUS. Although Mozart’s earliest Lieder date from his boyhood, most of his approximately thirty Lieder were composed during his years in Vienna. Many of them were written for publication in almanacs and song collections or for his circle of friends. The texts range from sentimental verse found in popular novels and instructive poetry by contemporary Viennese and north-German writers to patriotic ditties, which refer to current political events, especially the war with the Turks./ Répertoire / Voix

Par MOZART WOLFGANG AMADEUS. Wolfgang Amadeus Mozart's horn concertos: the Mozart expert Henrik Wiese edits the central work genre of Viennese classicism according to the current status of international Mozart research. Mozart wrote the Horn Concerto K. 417 - like the other works of this genre as well - for his horn-playing friend Joseph Leutgeb. The jokes which the composer made at Leutgeb's expense are wellknown. For example, he called the dedicatee a 'donkey” in the autograph, and, as Henrik Wiese evidences in his preface, Mozart also occasionally enjoyed a bit of tomfoolery with the soloist in the musical text as well. Otherwise the editor's task was anything but amusing. The main source - the autograph score - is incomplete: missing are the close of Movement I as well as the entire slow middle movement. For these two sections, Wiese used a copy of the score from the archive of the publisher Johann André. The unusual circumstance that Mozart generally left the horn part almost unmarked recurs in the Concerto K. 417 and was deliberately maintained in the Urtext edition./ Répertoire / Ensemble à Vent

Les plus grandes ?uvres pour Piano de Wolfgang Amadeus Mozart, arrangées pour les pianistes commençants. Biographies incluses / Classique / Partition /

Viennese Sonatas 1781-1788 with fragments and variations-This new publication in two volumes contains all the completed works by Wolfgang Amadeus Mozart for Violin and Piano (BA5761 BA5762). Several works by Mozart which are not found in competing editions are presented in the new Bärenreiter Edition with the Urtext of the New Mozart Edition: Sonatas 6–9 Sonatas 26–31 the Andante and Allegretto in C major K. 404 as well as the three sonata fragments K. 372 403 and 402 completed by Maximilian Stadler. All this with the Urtext of the New Mozart Edition and in the large format 24 3 x 31 cm plus a new preface by the Mozart scholar Dietrich Berke. Not just some but all the works for Violinand Piano Urtext violin part plus an additional violin part prepared with fingerings and bowings Large format 24 3 x 31 cm New informative preface by Mozart scholar Dietrich Berke 'The result is impressive and should have a widerspread appeal among scholars and performers alike… Thankfully Bärenreiter have made it far easier for amateurs students and professional musicians alike to choose their own course and free themselves from such intervention.' (The Concort Summer 2007) '... a highly researched performing edition that will be of great interest to all violonists ...' (ESTA – News Views“ Spring 2006)

for Piano and Violin-Wolfgang Amadeus Mozart's Sonatas For Piano And Violin. Late Viennese Sonatas.

The choral collection Mozart · Haydn contains sacred music of two famous pairs of composers from the Viennese classical school: father and son Leopold and Wolfgang Amadeus Mozart, and the brothers Joseph and Johann Michael Haydn. Works selected for this collection include Latin and German settings, canons, motets and movements from the Ordinary of the Mass for a cappella choir or with keyboard accompaniment. The choice of works has been made not only with a view to the broadest possible practical use, but also to providing a selection ranging in difficulty from easy to moderately difficult. This compilation of both famous and little-known works offers a broad insight into therepertoire of church music from the Viennese classical school./ Répertoire / SSA-TTB

The choral collection Mozart · Haydn contains sacred music of two famous pairs of composers from the Viennese classical school: father and son Leopold and Wolfgang Amadeus Mozart, and the brothers Joseph and Johann Michael Haydn. Works selected for this collection include Latin and German settings, canons, motets and movements from the Ordinary of the Mass for a cappella choir or with keyboard accompaniment. The choice of works has been made not only with a view to the broadest possible practical use, but also to providing a selection ranging in difficulty from easy to moderately difficult. This compilation of both famous and little-known works offers a broad insight into therepertoire of church music from the Viennese classical school./ Répertoire / SATB

An achievable masterwork in the Viennese Classical style, Dr. Liebergen's edition presents the option of featuring a vocal quartet on selected passages. One Latin phrase and welcome repetition minimize woodshedding and allow musicianship to be the focus in concert or adjudication. / Choeur Mixte (SATB)