Lat. 1.Laetentur Caeli - 2.Non Nobis, Domine - 3.Celebraro te,Domine / Travaux Pour Choeurs
SKU: HL.244242
UPC: 888680729073. 8.25x11.75x0.055 inches.
Nico Muhly's Malmesbury Motets arranged for SATB chorus and Viola da Gamba. Commissioned for the choir of Malmesbury Abbey, Wiltshire by Revd Canon Neill Archer (vicar) and Dr Annie Davis (Lay Precentor). First performed on 26 & 27 November 2016 at the Advent Carol Services at Malmesbury Abbey, by the Abbey Choir, directed by John Hughes and Rebecca Saunders. Duration approximately: 8 minutes.
SKU: HL.244247
UPC: 888680729110. 6.75x9.75x0.077 inches.
SKU: CA.204110
ISBN 9790007074272.
The six collections of Vierstimmige Motetten und Arien published by Johann Adam Hiller offer a selection of motets, mostly from the second half of the 18th century. They show us the products of a new age of achievement in which the motet was again able to flourish after this genre had led only a shadowlike existence for more than a century. The editor of those collections, Johann Adam Hiller, was active as a composer of Singspie, editor of various musical periodicals, leader of the Gewandhaus concerts, University Director of Music, musical director of the Neukirche, and finally, from 1789, Thomaskantor in Leipzig. Upon Hiller's assumption of the office of Thomaskantor the older motets were replaced in Leipzig church services by contemporary compositions. Printed texts which have been preserved show that Hiller's collections were used widely. A Critical Report from the editor, Uwe Wolf, with additional information concerning the motets and their composers, will be published to cover all the collections.
SKU: FZ.615
ISBN 9790540006150. 24.00 x 33.00 cm inches.
This facsimile of an original by Andre Campra is part of our French Classical Music from 1650 to 1800 collection. Sheet music for voice: Motets for I, II, III voices with continuo Book II of Andre Campra. Edition: Paris, Ballard, 1700. The original preface gives a translation of the latin texts of the motets. Andre Campra's petits motets are undoubtedly the best of his compositions. Preface by: Philippe Lescat: bibliographical notice,Jean Saint-Arroman: ornamentation, accidentals, terminology, notation, temperament. Sheet music for voice in facsimile of a copy in the Inguimbertine Library of Carpentras (Vaucluse - France). The French Classical Music from 1650 to 1800 collection includes approximately 200 sheets music for soloists or chamber music ensembles, plus a collection of major motets and another collection of operas. The French Classical Music from 1650 to 1800 collection is supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Anne Fuzeau Classique propose period copies of classical sheet music.
SKU: CA.3150100
ISBN 9790007186357.
This part of the complete edition contains: Cantatas and Motets (2 slip cases) vol. 1-16: Cantatas BWV 1-199 vol. 17: Motets and Wedding chorales With the Bach vocal project, we have published Johann Sebastian Bach's complete sacred vocal music in a high-quality complete edition: This up-to-date Bach Edition - over 12,500 pages of score - contains all the cantatas, oratorios, passions, motets and masses. An edition in the tried and tested Carus quality - and the only modern Bach edition for which complete performance material is available for sale! Reader-friendly and handy format (like a vocal score) Outstanding legibility through clear presentation of the musical image and precise printing on the tried and tested Carus music paper Robust and practicable binding High-quality slip case for practical storage User-friendly structure of the volumes Rapid location of desired work: each cantata volume contains an overview of the cantatas in the church year.
SKU: CA.204140
ISBN 9790007095628.
The fourth volume of Johann Adam Hiller's editions of motets and arias continues where the previous volumes left off, with further motets by Graun, Hiller, Homilius and Rolle. Once again the motets of Theodor Christlieb Reinhold are represented. Reinhold was Kantor at the Dresden Kreuzkirche during the time Bach was Thomaskantor in Leipzig. This volume concludes with four senstive choral arias by the early Bach admirer Christian Friedrich Penzel after psalm texts which appeared at that time as poetic translations by Johann Andreas Cramer.
SKU: FZ.3276
ISBN 9790230632768. 23.50 x 32.50 cm inches.
This facsimile of an original by Nicolas-Antoine Lebegue is part of our French classical music collection. Edition : Paris, C. Ballard, 1687. These motets, quite short and presenting few difficulties, are an excellent introduction to the French vocal repertory of the second half of the 17th century. Preface by: Philippe Lescat: Lebegue's works. Jean Saint-Arroman: bibliography of the motets - comparison of the sources. Motet for 2 soprano voices and continuo: O crux ave (page 11). All the other motets are for 1 soprano voice and continuo. Motets in which the right hand part of the organ is written between the sung phrases: Veni Sancte Spiritus (page 1) - O Rex gloriae (page 14) - Parasti in conspectu (page 18) - Vidi speciosam (page 24) - O salutaris hostia (page 35) - Anima Christi (page 39) - Ave verum (page 44) - Salve Regina (page 49) - Regina Coeli (page 56) - Exultet Omnium (page 60) - Domine salvum fac Regem (page 65) - Domine salvum fac Regem (page 68). Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the Schonborn Castle's Library of Wiesentheid (Germany). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: GI.G-10679
ISBN 9781622776443.
This collection of motets for SA(T)B voices is the ideal supplement for advanced choral conducting and rehearsal methods courses. Each brief motet incorporates musical characteristics that require conductors to execute a variety of skills and techniques, including dynamic changes, cues and preparations, tempo changes, legato and staccato patterns, the use of the left hand, and more. These original motets feature fragments of standard Latin text with relatively simple but musically interesting construction, flexible tenor and bass voicing, and optional piano accompaniment—making them well suited for standalone performance in church and school settings as well. A brief note for conductors precedes each work, and the booklet concludes with a concise but masterful guide to score study as well as an evaluation rubric for student conductors. A beautiful and versatile collection of motets for any context! Richard Nance brings over forty-five years of teaching experience with public school, church, community, and collegiate choirs to the composition of this collection of motets. He has many years of experience teaching conducting and music methods courses at Pacific Lutheran University, and his choirs have regularly performed at conferences sponsored by ACDA, NAfME, and NCCO. He has also published several choral works and has a featured series with Walton Music.
SKU: BR.DV-7929-02
The seven motets found in the Yale University Music Library in 1994 are believed to have been written by Telemann in his early years, possibly in the decade between 1712 and 1721, when Telemann was Church Music Director in Frankfurt/Main.
ISBN 9790200411348. 7.5 x 10.5 inches. German.
The seven motets found in the Yale University Music Library in 1994 are believed to have been written by Telemann in his early years, possibly in the decade between 1712 and 1721, when Telemann was Church Music Director in Frankfurt/Main. The collection consists of four chorale motets and three works in which the texts are set section by section. The division in two books (DV 7929/30) reflects their orientation on the church year.
SKU: CA.204150
ISBN 9790007096083.
Part 5 of the collections of four-voiced motets and arias published by Johann Adam Hiller represents a continuation of the previous volumes: It contains works by two great master of the motet, Homilius and Rolle, as well as, for the first time, motets by Neefe (known as Beethoven's teacher), the Kantor from Merseburg, Johann Gottfried Weiske, and by Johann Weilhelm Hasler, a composer and organist born in Erfurt.
SKU: CA.2102400
ISBN 9790007167745.
The compositions of Guillaume Bouzignac (ca. 1587 to sometime after 1643) were important for the development of French sacred music before the time of Jean-Baptiste Lully. Nonetheless his work, surrounded by mystery, has survived in only four manuscripts containing only eleven motets which are ascribed by name to Bouzignac. The present edition contains four a cappella motets for the Christmas season. These are sacred stories, brief scenes, in which the soprano voice sings in dialog with the other voices of the choir.
SKU: CA.2330200
ISBN 9790007183769.
The three Latin Motets from the late 1880s have long been a standard repertoire of British choirs and have often been recorded on CD. And yet, although the Anglo-Irish composer Charles Villiers Stanford is no longer unknown in Germany, they remain an insider's tip. The motets are true miniatures of a cappella music. Due to their fine motivic structure, effective antiphonal groupings, and clear harmonics, they produce tremendous sound effects in a small space. Separate editions are available.
SKU: BR.DV-7930-02
The seven motets found in the Yale University Music Library in 1994 are believed to have been written by Telemann in his early years.
ISBN 9790200471540. 7.5 x 10.5 inches. German.
SKU: ST.MB38
ISBN 9790220210433.
Locke's tour de force, 'Be thou exalted Lord', much admired by Samuel Pepys, is included here with nine other English anthems and six Latin motets to make a complete edition of the composer's works on sacred texts for four or more voices. String parts for four of the motets are available through the Made-to-Order Service.
SKU: HL.49021933
ISBN 9790001195553. UPC: 841886020917. 7.5x11.0x0.044 inches. English.
The fact that Pascal Martine is a real expert in the field of sacred choral music shows once again in the 'Three Motets' for mixed a-cappella choir (SATB) by the Mainz-based composer and (choir) teacher. The three sacred motets on verses by the English bishop and hymn writer Reginald Heber (1783-1826) are characterized by a very individual dense and atmospheric musical language. Thus, they musically dwell on the contemplative character of the three English-language poems perfectly which is typical especially of the two prayers 'Evening Hymn' and 'O most merciful'. The four-part songs are mainly homophonic and perfect for church services.
SKU: HH.HH590-FSP
ISBN 9790708213055.
The ten motets (Concerti sacri) for solo voice, violins and continuo making up his Op. 3 (1703) are among his most attractive compositions, standing on the borderline between seventeenth-century bel canto and the progressive trends represented by Alessandro Scarlatti and, later, Antonio Vivaldi. The two motets for bass voice concluding the set delight through their euphony and the sheer swagger of Aldrovandini’s writing for the voice.
SKU: CA.204160
ISBN 9790007096090.
The final part from 1791 took on a new direction, as was reflected in the formulation of the title: Four-part Latin and German choral settings for use by choirs in churches and schools. The first part, or the motet collection, part VI, from Johann Adam Hiller, Ducal Music Director of Kurland, Cantor of St. Thomas School and Music Director of both of the main churches in Leipzig. (additional parts were not published). The volume precedes a foreword, in which Hiller relates why he composed and published the present pieces. Of special interest is the great amount of information about church music and liturgical practice of this time, which he in part could shape, but in the face of whose traditions he also sometimes felt powerless. So this foreword belongs among the most important documents on the living practice of Protestant church music in the last years of the 18th century.
SKU: BR.CHB-5343
ISBN 9790004412732. 7.5 x 10.5 inches. German.
Johann Kuhnau's extant vocal works will be fully complete in the Breitkopf & Hartel catalogue in coming years. These are cantatas as a rule, but at least works with instrumental accompaniment. The Three Motets in this volume are therefore unique, including in addition to the well known Tristis est anima mea, also the two other extant Kuhnau motets Ach Gott, wie lasst du mich verstarren, as well as Gott hat uns nicht gesetzt zum Zorn. Each one, of five parts (with the tenor or canto part doubled), these masterpieces round out the picture of Johann Kuhnau, Johann Sebastian Bach's predecessor as St. Thomas cantor. Really interesting. Kuhnau shows a real feeling for the texts he is setting, with effective chromaticism in the doleful 'Tristis est anima mea'.(Jeremy Jackman, Choir & Organ).
SKU: ST.B370
ISBN 9790220203053.
This volume is devoted to Byrd's Latin sacred works which have survived only in manuscript sources. Its contents range from those motets such as Alleluya. Confitemini Domino judged to be among the composer's earliest, to works of the 1560s - Ad Dominum cum tribularer for example - and two later cantus firmus respond motets that may also be dated to this period.
