SKU: HL.1115725
ISBN 9781705179864. UPC: 196288105763.
After the immense success of Mosaic vol. 1 and 2 now vol. 3 is available. The same team of 13 composers from all over the world, coming together, joining their knowledge of music and piano education and composing solo piano worksfor the intermediate player (grades 3-5).
SKU: HL.1115742
ISBN 9781705180037. UPC: 196288105930.
The fourth instalment of the successful series Mosaic, has grown. Now featuring 18 composer from all over the world, the variety, but also educational value of the collection has been promoted further.
SKU: HL.355648
SKU: HL.355647
SKU: HL.50491965
METODO PER CHITARRA - VOLUME 1.
SKU: BT.PWM4901
Concerto for String Orchestra - the magnum opus of Grayna Bacewicz (1909-1969), the outstanding composer and violinist - was composed in 1948 and at once became one of the most frequently performed works of this Polish artist. This masterpieceof neoclassicism fascinates as much by its invention and virtuosic briliance as its harmonious combination of formal elements of a traditional nature with new tonal ideas. The form of the three-movement Concerto oscillates between that of the baroqueconcerto grosso and the early classical sonata cycle. The neoclassical tendency is evident, above all, in the articulation of the musical structure in keeping with the rigours of periodicity and the manner of developing thematic threads derived fromthem, while the concertato character of particular movements and the generally linear texture indicate baroque connections. The first movement (Allegro) - in the form of an early classical sonata allegro - begins with a subject with energeticfigurations, emblematic for the whole piece and based on a constant, pendulum-like semiquaver movement anchored securely on D. It is precisely because of the nature of this subject that Bacewiczs work has been compared to the Brandenburg Concertosby Jan Sebastian Bach The second movement (Andante), while retaining its concertato charakter, is, at the same time, an example of the composers ability to create emotionally serene lyrical moods, and her sense of cantilena derived from the spiritof romantic song (a motto-subject presented at the beginning by cello solo). In this movement it is both the process of evolution and the instrumental colouring which constitute the constructional agents forming here a self-containedvalue. In thethird movement (Vivo) the composer returns to her favourite type of music, understood as an expression of pure motion in the form of figural motives with infinite transformational possibilities. The spontaneity of the music, the constant mutabilityof the tonal situations, and the sophisticated, acerbic harmonies - as Witold Lutosawski described them - form a colourful mosaic built in the structural skeleton of a sonata rondo. Concerto for String Orchestra is not only proof of thestylizing tendency of the composer but also of an unerring intuition concerning the technical and expressive possibilities inherent in a string instruments ensemble. [Magorzata Gsiorowska, translated by Ewa Cholewka].
SKU: AY.PN3048PM
ISBN 9790543573284.
The first thing that appears in a Sonatas' volume is the thematic index, which reproduces the first bars of all of them. In my Sonata I have tried to reproduce an accumulative scheme of some imaginary sonatas' first bars, as a kind of fragmented mosaic made by minimal elements. Composed in Kristiansand (Norway) during Summer 1995, it was premiered by Humberto Quagliatta, at the Hamburg (Germany) Hochschule fur Musik, on October 20th, same year.
SKU: GI.001112
English.
The unique watercolor style of San Antonio artist G. E. Mullan is noted for its lyrical line set against an ordered and complex geometry of interdependent shapes. His technique creates a visual excitement that involves the viewer and invites close study of the excellence of the work. His religious subjects incorporate the historical traditions of the Santos figures of Mexico and the Southwest, the illuminated manuscripts of Western Europe, and the icons and mosaics of the Byzantine style. 5in. x 7in. Notecard.
SKU: GI.001116
The unique watercolor style of San Antonio artist G. E. Mullan is noted for its lyrical line set against an ordered and complex geometry of interdependent shapes. His technique creates a visual excitement that involves the viewer and invites close study of the excellence of the work. His religious subjects incorporate the historical traditions of the Santos figures of Mexico and the Southwest, the illuminated manuscripts of Western Europe, and the icons and mosaics of the Byzantine style. 4in. x 9in. Notecard.
SKU: GI.001128
SKU: GI.001117
SKU: GI.001124
SKU: GI.001120
SKU: GI.001100
SKU: GI.001130
SKU: GI.001119
SKU: GI.001105