Mendelssohn B F. - String Quartets Op. 44, 1-3

20 Easy to Intermediate Pieces from four Centuries. Par NEUMANN EVA-MARIA (Arr.). Making music in a quartet uniquely nurtures young string players’ musical development, ensemble playing, listening to each other, and intonation. So, what could be more obvious than introducing the scoring of this genre, often referred to as chamber music’s supreme discipline, as early as possible. Indeed, composers have all along advised the classical string quartet’s outstanding compositions, but they are hardly easy to play for beginners. Here, with the present collection, is where Eva-Maria Neumann comes in. The two volumes include A total of 20 easy to intermediate arrangements of pieces from Bach to Bartók, together with specifically composed ones in string-quartet friendly keys - Reading scores and individual parts - additionally, individual part for violin III instead of viola - Tips on warming up, intonation, bowing, fingering, tempos, dynamics, and playing musically - Specific instructions for the individual pieces - Lists of supplementary original literature The pieces are also effective as scored for chorus./ Recueil / Quatuor à Cordes

This collection of Easy String Quartets includes 5 pieces suitable for players Grade 1-3. The pieces cover a wide range of musical periods and European styles from Baroque to Romantic from Italy to Austriaand England to give young players a broad spectrum while acquainting them with the basics of playing chamber music. The compositions included are: Allegretto Op. 72 No. 3 (Mendelssohn) Allegro Op. 72 No. 1(Mendelssohn) Chaconne (King Arthur) (Purcell) Ecossaise In B Minor (Schubert) and Gavotte In A (Martini). Arranged for 2 or 3 Violins Viola and Cello by Watson Forbes. Includes Parts Only.

String Quartets op. 41-Although Schumann?s first attempts at composing for this supreme form of chamber music in 1838/39 were only fragments the three String Quartets Op.41 in a minor F major and A major were written inone go in June/July 1842. At the first private performances the audience was enthusiastic and it was Mendelssohn?s praise in particular that occasioned Schumann to dedicate the new works to him. The composer wroteto his publisher in an appropriately confident manner: ?Be assured I have spared no pains in creating something very decent indeed I sometimes think it is my best?. As is generally known today Schumann?sOpus 41 forms part of the core repertoire for Quartet players.