Melodic Structures - DVD

On Fiddle Tunes Mandolin-This book presents standard Fiddle tunes in basic form then shows you how on a phrase-by-phrase basis the tunes can become vehicles for your own improvisations. It is designed to open the door to creating spontaneousvariations or improvisations based on the melodic structure unique to each tune. Each tune in the book is presented first in its basic form then with four variations. The variations are printed directly beneath the melody withthe corresponding measures aligned so that you can easily compare them to the original melody and to each other. The accompanying audio features Mandolin and rhythm Guitar on separate channels so you can turn off the lead andplay along with the rhythm or vice versa. Intermediate in difficulty.

Learn to channel improvisational impulses into great solos with this amazing book and CD by outstanding jazz performer and educator, Mark Dziuba. Topics are thoroughly explained and organized into three main categories: instruction in the harmonic and melodic structures of jazz, discussions of practical application, and conceptual issues. Complex subjects are taught with an engaging and friendly style, so things like melodic and rhythmic motifs, phrasing, development, guide tones, chromaticism and functional harmony are easy and enjoyable to learn. This is a must-have book for all jazz guitarists that will be used for years to come. 144 pages. / Guitare

Par FISCHER CLARE. Contains jazz elements without being jazz. Some of the melodic structures are quite bluesy./ Répertoire / Quatuor avec Piano

Designed to motivate and inspire students Guitar Sherpa's innovative learning systems employ a hands-on contextual format. Students 'play' their way through Guitar Sherpa curriculum rather than working through tedious examples and exercises.Trey Alexander winner of Guitar Player's Guitar Superstar award opens up his big bag of improvisational theoretical and technical chops to reveal the blazing techniques and high-level concepts that he has cultivated over years of intensive study live performances and a tenacious dedication to his craft.Atomic Rock guides your development of the essential skills needed to succeed in today's modern rock arena. You'll learnfretboard navigation concepts and a variety of right and left hand techniques to facilitate easy movement both vertically and horizontally across the neck. Trey also drills down on a wide range of improvisational skills that will help you develop strong melodic statements and distinctive rhythmic grooves.Atomic Rock covers a broad range of modern rock concepts including Trey's award-winning 'Modern Equivalent'. This course is designed to expose you to the variety of contemporary grooves rhythmic patterns techniques phrasing and theoretical approaches that today's rock Guitarist must master. You'll work through ballads up-tempo power grooves and jazz rock styles and also study expressive devices such as legato tapping sweep-picking and the use of harmonics to enhance a tune's melodic structure avoiding shred for shred's sake.Atomic Rock is a hands-on playing course - you'll be rockin' out from the very first lesson and will quickly develop a raging addiction to your Atomic Rock practice sessions. Hands-On Learning Tools included with Atomic Rock Guitar: Text Lesson Guide Standard Notation Guitar Tab Power Tab Files Power Tab Software Practice Rhythm Tracks Bonus Material. Secure PIN enclosed in DVD package for quick and secure download of learning tools.

Guitar Edition. Par MC GANN JOHN. Ce livre présente des airs de violon standard en forme de base, puis vous montre comment, sur une base de phrase par phrase, les mélodies peuvent devenir des véhicules pour votre propre improvisations. Il est conçu pour ouvrir la porte à la création des variations spontanées ou improvisations, basées sur la structure mélodique unique à chaque morceau. Chaque morceau dans le livre présente tout d'abord dans sa forme de base, puis avec quatre variations. Les variations sont imprimées directement sous la mélodie avec les mesures correspondantes alignés, afin que vous pouvez comparer facilement les à la mélodie originale et les uns aux autres. Le CD d'accompagnement comprend la guitare et guitare rythmique sur les canaux distincts, vous pouvez désactiver le plomb et jouer avec le rythme, ou vice versa. / Niveau : Intermédiaire / Bluegrass and Country - Improvisation / Recueil / Guitare Flatpick et Plectre

An inspirational song for graduation or anytime The Best That I Can Be moves ever upward both in melodic structure and in mood. Written in pop ballad style this song is taken from the musical Let's Hear It for theHeroes. Pride dignity and inner strength – this moving tribute to self-worth is perfect for all students.

With it's intriguing melodic structure and harmonies God Only Knows by the Beach Boys is one of their most widely recognizable tunes to date.These harmonies may be challenging at first for the amateur choir but the reward is in the end product — a fun and catchy tune for your summer concert.Arranged for SATB choir with Piano accompaniment by Jonathan Wikeley.

Within Three-Part Harmony. Par HAAGE JOHANNES. This book focuses on the intersection of melody and harmony. While valuable for all instrumental and choral composers and arrangers, it specifically explores ways to move melodic voices independently within three-part harmony on the guitar. All you need to benefit from this book is the ability to read standard notation on the guitar. Working through this book will improve fretboard knowledge and help you write better melody-chord arrangements.For the first time in print, VOICE MOTION presents a condensed, comprehensive list of all the possible ways for three voices to move in 2nds or 3rds within the context of common 7-note or heptatonic scales. With graphic illustrations that instantly reveal the nature of the motion (see front cover), the versatility of this list is unparalleled in modern music publishing.VOICE MOTION contains not only the essential list of all possible moves, in close and open (drop-2) voicing, but also:Begins with a complete course on diatonic three-voice chords and continues with a structured presentation of the ways to move voices within them.Introduces a unique harmonic toolbox which can be used at any stage of a musician?s personal artistic development.Provides an overview of heptatonic harmony and melodic movement which can be used when writing for or playing three voices in any harmonic situation.Vastly expands the reader?s chord vocabulary while demonstrating a clear method for learning to move any harmonic voice independently, in any inversion.Definitively explores all relevant heptatonic scales, their modes and three-part chord structures as well as presenting many examples, exercises and etudes to demonstrate their practical application.Presents a fretboard diagram and C major diatonic and chromatic scale exercises in notation and tab to clarify note locations on the guitar.Offers a special section applying the book?s principles to keyboard instruments.Includes access to online audio of select exercises and etudes plus three of the author?s original compositions demonstrating the techniques shown in this 316-page book. / Date parution : 2022-09-20/ Etude / Guitare

Clavier Essentials est destiné à tous les qui veulent apprendre à jouer avec succès les claviers en unités d'enseignement méthodiquement calculés à l'aide de chansons populaires et des conseils utiles, bien que tutorat ou l'étude privée. Il est destiné aux débutants de tout âge, mais, par exemple, les joueurs de vent, de chanteurs ou de guitaristes qui veulent devenir musicales ' initiés ' et qui bien que joue du clavier voir aussi une introduction à la composition, harmonie, improvidation, etc.. Sur le clavier en particulier, avec sa structure clairement arrangé, régulière des touches, échelles, cordes et les relations harmoniques sont présentées plus clairement et systématiquement que sur tout autre instrument. Musiciens avec connaissances antérieures peuvent participer au volume 2 ou 3. / Clavier

The clarinet method op. 63 by Carl Baermann from 1867 is still a standard work in classical clarinet education today. The thoroughly revised new edition aims at reviewing the educational concept, which is still valid today, for modern lessons, adjusting the music and texts, and sensibly complementing the teaching contents.The editor who draws on many years of experience as a clarinettist in an orchestra and university lecturer of clarinet has succeeded in adapting the valuable teaching material to the requirements of today while maintaining the basic methodology. The result is a total of 7 volumes:Clarinet Method Vol. 1 and Vol. 2 (ED 21761, ED 21762)Clarinet Method Vol. 1 and Vol. 2, with 2 CDs each (ED 21761-50, ED 21762-50): The CDs contain the piano accompaniment for the performance pieces, with and without clarinetTune Book 1 and 2 (ED 21763, ED 21764): piano score of the method's performance pieces, with additional inserted clarinet partDaily Exercises (ED 21765): systematic scale, interval and chord exercises in all keys, complemented and published separately from the original methodDue to trilingual nature of all editions (German, English, French), they can be used universally.About the revision:The musical text is based on the first edition of the method. Only a few differences concerning the articulation as well as some misprints and typographical errors were revised. By deleting the historical fingering instructions for the German fingering system, the clarinet method not only has a clean and, compared to the original, more clearly structured layout, but can also be used universally. The content of the text and the performance directions of the original were linguistically modernized and occasionally extended by further ideas from the teaching practice, such as concepts for warming up, breathing exercises, literature suggestions or tips for daily practising. Further additions of scale and triad studies in all major and minor keys make this method a comprehensive and thorough work of study which not only serves as teaching material for young and adult beginners, but is also a valuable compendium of scale exercises and studies for advanced musicians and is ideal for training velocity and dexterity.The Clarinet Method Vols. 1 and 2 contain not only scales and technical fingering exercises but also Baermann's popular performance pieces, like Romanze (No. 14), which are ideal as performance pieces, yet at the same time train both technique and musical expressiveness. The systematic scale, interval and chord exercises in all keys, however, were removed and are published separately in the volume Daily Exercises (ED 21765) for reasons of clarity.The two textbooks are available with or without CDs. The editions with CDs contain two audio CDs each which were recorded live by the editor and which contain a classic audio version of each performance piece as well as a pure piano version for playing along. / Clarinette

Par OKAZAKI MILES. This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins with the properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetrical scales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadic syntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in 'Symmetrical Picking, ' a method based on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse against pulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds of illustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described in this passage (page 154): 'Even in this small area there is a lot of material, potentially a lifetime of study. The amount of information can feel overwhelming to students at any level. For this reason, the book is designed for self-directed practice, with an emphasis on what the player 'could' do, rather than what the player 'should' do. The principle is to develop your own learning process, rather than following someone else's. The ability to make choices is essential in finding a personal approach to the instrument. Pick and choose the studies that seem interesting - there should be enough variety to accommodate a wide range of personalities. If any particular concept or exercise has been useful as the starting point for a new creative direction, then the book has done its job. Its purpose is not to push any dogma, method, or style, but to open the door to options for guitarists of any background that are looking for new perspectives. This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins withthe properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetricalscales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadicsyntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in 'Symmetrical Picking, ' a methodbased on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse againstpulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds ofillustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described/ Méthode / Guitare

The creative guide to mastering the Guitar, Fretboard Fluency teaches you the sequential patterns, interval skips, triads and arpeggios that turn scales into useable melodic tools for soloing. It will help you to develop your musical ears while also building excellent technique and creative solos.Fretboard Fluency also gets you intimately acquainted with the Guitar neck by teaching you how to play every important scale, in every key in every position on the fretboard. By using just five scales you will open up the whole fretboard to instantly access every scale or mode anywhere on the Guitar.This book trains your ears and brain to be in charge of your fingers, while also developing your internal 'dictionary' of creative, melodic approaches. The patterns, structures and approaches you will learn help you to find new and creative ways to express yourself when soloing.Fretboard Fluency covers:Melodic SequencesIntervalsTriadsArpeggiosCreativityThe CAGED System for All ScalesTechnique and FluencyPractical Application and Much More / Guitare