Format : Poster
SKU: HL.14028681
UPC: 884088810481. 8.5x11.0x0.094 inches.
Composer's Note Second Meeting was written in January 1992. The first performance took place in Stockholm in February (Bengt Rosengren, oboe and Stefan Bojsten, piano). The work belongs to a planned series of virtuoso duos, ââ¬Åmeetingsââ¬Â. The first one (from 1982) is written for clarinet and harpsichord. Formally, Second Meeting is very close to a familiar ââ¬Åtheme and variationsââ¬Â category, although there are seven themes, or melodies, all quite closely related. In the autumn of the same year I decided to write a version of the piece for oboe and a small orchestra, trying to remain reasonably faithful to the original (a la Ravel, perhaps). The orchestral version is called Mimo 1). Esa-Pekka Salonen.
SKU: M7.AHW-1901
The 'Charlie Parker Yardbird Originals' were originally published in 1954 by my dad, Dr. Charles Colin. In his memoir, 'Reflections II', he includes the colorful story of how it came to be that he met Charlie Parker and would publish this early work. Using most of Pop's lingo, here is a synopsis of that story: 'In the 40's - early 50's 'I' had eight studios on the second floor at 111 West 48th Street with several outstanding teachers. One of whom was Jimmy Abato who played bass clarinet with the Met. Between lessons, Jimmy relaxed at Jim and Andy's, a bar frequented by the top studio and recording artists where they would all meet for a few congenial moments in between sessions. One day Jimmy was chatting with Charlie Parker who confided that he was going through difficult times and was looking for a way to earn some cash. Jimmy, knowing that pop was into music publishing, suggested that Parker and he meet with the idea that he write a few Be Bop tunes that could be printed in book form. Even though Bebop was not yet in the mainstream or necessarily accepted by the music world, pop had great admiration and confidence in 'Charlie Parker' and was willing to make the considerable investment.' Each of the 5 tunes is presented here transposed into B-flat, C, and E-flat, alongside a piano accompaniment. Take a look at the sample pages to the left and then click above to get a physical copy sent directly to your door.
