8 Lyrical Pieces

Three characterful lyrical and enjoyable solos written in the salon style of the late 19th-century and allowing the solo double bass to sing throughout the range of the instrument. Tulacek studied composition with Dvorak and his music echoes the Czech nationalist style always melodic tuneful and graceful. Newly typeset in 2009 this edition also includes piano accompaniments for both solo and orchestral tunings. 'This music displays the old-fashioned sentimental romanticism typical of the salon music of the early 20th-century. All three deliciously lyrical pieces are in simple ABA song form.' (ISB) Grade 8 - Trinity-Guildhall /ABRSM Rudolf Tulacek was one of the leading Czech double bassists of his generation and was a respected and influential teacher at the Janacek Academy of Music in Brno. He was born in Jicin Bohemia on 25 August 1885 and began to study the double bass at the age of eleven having already studied flute and violin. So rapid was his progress that he soon became a member of the Jicin Municipal Orchestra and in 1901 entered the Prague Academy of Music to study with Frantisek Cerny one of the Czech capital's leading bassists and teachers. Tulacek graduated in 1907 with the highest commendations from his professors performing the Geissel Concerto at his public graduation concert and in 1909 was offered the post of Solo Bassist in the Zagreb Opera Orchestra. From 1920 he was also a Professor at the Zagreb State Academy of Music and subsequently became Concert-Master of the Zagreb Philharmonic. His many recitals attest to his perfect technique supreme musicality and complete command of the instrument and concerts included music by Cerny Dvorak Geissel Kukla Láska Misek Simandl Stein and Tenaglia alongside his own compositions. In 1937 Tulacek became Professor of Double Bass at the Brno Academy of Music and in 1948 became the first Double Bass Professor at the newly founded

These seven pieces can be performed as a complete work as they appear in the score. They can also be performed as free-standing pieces. Total duration 20 minutes.These seven piano pieces were written as an attempt to gointo the tradition of romantic and impressionist character pieces like Grieg's Lyrical Pieces or Debussy's Preludes: small relatively simple pieces with a motto and usually with one prevailing sentiment like amusical short story.

A set of twenty fun pieces for the early Clarinet student complete with a pull-out booklet of Piano accompaniments. All pieces are designed not only to offer fun and variety to your lessons but to challenge the technical details of your playing. You will find unusual counting and rhythms staccatos and rests and more lyrical pieces that require careful phrasing and dynamics.This blend of popular and classical melodies is an excellent opportunity to develop the beginnings of your own repertoire and to gain vital early experience in accompanied performance.

Par VAUGHAN WILLIAMS RALPH. Two pieces for Violin and Piano. These two brief and lyrical pieces were first published in 1923, but it is probable that they were written before 1914. Dedicated to Dorothy Longman. / Niveau : Elémentaire / Répertoire / Violon et Piano

Pastorale Et Arlequinade for Woodwind trio of Flute Oboe and Piano was written by Eugène Goossens. Difficult to play it is divided into two distinct pieces: the Pastoral (Andante con motto) and the Harlequinade (Allegro). The Piano which starts the Pastoral on its own during six measures is joined by the Flute and followed seven measures later by the Oboe. This first is quite slow with sounds reminiscent of the countryside. To the contrary the Harlequinade begins with the Flute and Oboe which are then followed by the Piano. More cheerful from the beginning it features a dialogue between the Flute the Oboe and thePiano. These very lyrical pieces are a delight to play and to listen to and should definitely be programed for a recital. Eugène Goossens was an English composer renowned by his peers who also worked for the Sydney Symphony Orchestra. He was knighted in 1955.

The best solos from the In Recital® series, all under one cover. Book 1 features 13 pieces: eight original solos, three folk tunes, and two classical arrangements. There is a wide-range of styles: lyrical pieces from Melody Bober, Mary Leaf, and Elizabeth Greenleaf- a rag from Jason Sifford- a jazz piece from Christopher Goldston- and a gospel number from Edwin McLean. Some have optional duet parts. Free downloadable recordings assist in preparation and serve as a motivational tool. / Piano

The ?Flower Duet? is from the 1883 opera Lakme by Leo Delibes. Normally sung by 2 women Sylvia has arranged this lovely song for solo harp. Although you may not be familiar with the title of his lyrical pieces you have probably heard it in commercials for companies such as Ghirardelli Chocolate and British Airways. The sheet music includes two 2-page versions both in the key of A (3 sharps). They are basically the same except that oneis for lever harps tuned to C and the other requires a B-flat. Fingerings are included as well as lever and pedal changes. For intermediate players. Playable on lever harps and pedal harps.

Early to Mid-Elementary Level-Enter an enchanted musical world with these 6 wonderful lyrical pieces written especially for the elementary student. All but the final piece feature excellent teacher accompaniments. Each comes with short imaginative descriptions. Titles: Castle in the Clouds - The Enchanted Kingdom - Floating Flowers - The Playful Unicorn - Royal Waltz - The Wizard's Wand.

Trois Danses Anciennes Pour Piano Op.95 N°1. Par CHAMINADE CECILE. Ten Lyrical Pieces For Piano Duet/ Recueil / Piano 4 Mains

105 Orchesterstudien aus den Werken Johann Sebastian Bachs-Excerpts from Bach's cantatas masses concertos and more all selected and edited by Evelyn Rothwell for the accomplished Oboe soloist. These difficult passages are for Oboe Oboe D'amore and Oboe Da Caccia and will help to develop your technical control while playing lyrical pieces from Bach's many famous works.

Ian Venables’ setting of four poems of A.E. Housman originally scored for tenor solo string quartet and piano here arranged for tenor and piano. Lyrical pieces of intermediate difficulty sometimes elegiac sometimes angry. Written in 2004 but very much in the English song tradition of Finzi Gurney and Warlock these are therefore ideal recital companions to those composers.

HLSPL Composer Showcase Intermediate Level-Eugénie Rocherolle's newest Spanish style collection of intermediate piano solos is sure to delight with its impressive fiery and sweetly lyrical pieces. Original solos include: Alegrias (Joyous Festival) · Anoranzas (Yearnings) · Danza de Amor · El Toreador · Fiesta! · Las Senoritas.