Little Partita on Mc Kee

Leichte Vortragsstucke. To every pupil, the first concert is a special experience. The period of intensive preparation, the mixture of trepidation and joyful anticipation, the concentration during the performance, the applause of the audience and the pride after the successful performance. Such impressions will all stick in the pupil's mind and quite often influence his or her entire future development. The choice of the 'right' performance piece is of vital importance: It should be neither too long nor too short, make a strong impression and give great pleasure in practising. The edition My First Concert includes 25 easy and appealing pieces for descant recorder and piano ranging across five centuries; most of these are original recorder pieces, along with a few arrangements. The collection includes not only Renaissance, Baroque and early Classical works, but more recent compositions too, notably various genres from the field of popular music. Pieces range from little dance movements first published by Attaingnant and Susato, with sonata movements by Telemann and Loeillet through to jazzy tunes. Some of these easy pieces will suit players who have had two years of tuition. Slightly more demanding pieces can then be tackled in later lessons. This book offers a wide selection of repertoire for auditions, concert performances and youth music competitions; it offers an ideal complement to any recorder tutorial method. The accompanying CD will give an impression of how the music can sound, making it easier to start practice. With the separately recorded piano accompaniment, pieces can be played even when no pianist is available./ Recueil / Flûte à Bec et Piano

Wide selection of fine pieces, many difficult to find elsewhere. Included are harpsichord toccatas, Capriccio on the Departure of His Most Beloved Brother, Aria Variata 'alla Maniera Italiana' and the 6 Little Preludes, as well as many lesser-known compositions — over 40 in all.Content :Toccata in F-sharp Minor, BWV 910Toccata in C Minor, BWV 911Toccata in D Major, BWV 912Toccata in D Minor, BWV 913Toccata in E Minor, BWV 914Toccata in G Minor, BWV 915Toccata in G Major, BWV 916Prelude and Fugue in A Minor, BWV 895Fugue n A Major, from Prelude and Fugue, BWV 896Fugue in A Minor, BWV 897 (doubtful)Prelude and Fughetta in D Minor, BWV 899 (doubtful)Prelude and Fughetta in E Minor, BWV 900Fantasia and Fugue in D Minor, BWV 905 (doubtful)Fantasia and Fughetta in B-flat Major, BWV 907 (doubtful)Fantasia and Fughetta in D Major, BWV 908 (doubtful)Concerto and Fugue in C Minor, BWV 909 (doubtful)Fantasia in G Minor, BWV 920 (doubtful)Fantasisa in C Minor, BWV Anh. 86 (incomplete)Prelude (Fantasia) in C Minor, BWV 921 (doubtful)Prelude in B Minor, BWV 923 (doubtful)Seven Little Preludes, BWV 924-930 (from the Clarvier-B?ein vor Wilhelm Friedemann Bach)Six Little Preludes, BWV 933-938Five Preludes, BWV 939-943Fugue in A Minor, BWV 944Fugue in A Major, BWV 949 (doubtful)Fugue in B Minor on a Theme by Albinoni, BWV 951Fugue in C Major, BWV 952 (doubtful)Fugue in C Major, BWV 953 (from the Clavier-B?lein vor Wilhelm Friedemann Bach)Fugue in B-flat Major, BWV 954 (arr. from J. A. Reincken's Hortus musicus)Fugue in B-flat Major, BWV 955 (arr.of an organ fugue by J. C. Erselius)Fugue in E Minor, BWV 956 (doubtful)Fugue in G Major, BWV 957 (doubtful)Fugue in A Minor, BWV 958Fugue in A Minor, BWV 959Fughetta in C Minor, BWV 961 (doubtful)Prelude, Fugue and Allegro in E-flat Major, BWV 998 (for lute or keyboard)Suite in A Minor, BWV 818Suite in E-flat Major, BWV 819Ouverture in F Major, BWV 820Suite in B-flat Major, BWV 821Suite in F Minor, BWV 823 (incomplete)Partie in A Major, BWV 832Partita in C Minor, BWV 997 (for lute or keyboard)Partita in E Major, BWV 1006a (for lute or keyboard; arr. Of Violin Partita No. 3, BWV 1006)Sonata in D Major, BWV 963Sonata in D Minor, BWV 964 (arr. Of Violin Sonata No. 2, BWV 1003; doubtful)Sonata in A Minor, BWV 965 (arr. from Reincken's Hortus musicus)Sonata in C Major, BWV 966 (arr. from Violin Reinchken's Hortus musicus)Adagio in G Major, BWV 968 (arr. from Violin Sonata No. 3, BWV 1005; doubtful)Three Minuets, BWV 841-843 (from the Clavier-B?ein vor Wilhelm Friedemann Bach)Aria variata alla maniera italiana [Air varied in the Italian manner], BWV 989 Capriccio sopra la lontananza del suo fratello dilettissimo [Capriccio on the departure of his most beloved brother], BWVCapriccio in E Major, BWV 993

Arranged For Mandolin-This book contains the first three of J.S. Bach's solo Violin Sonatas and Partitas arranged for Mandolin. The goal of the material is to make learning these challenging pieces easier. Mandolin tablature isincluded throughout the book. Mandolinists who have little or no experience reading standard notation will find this to be an essential learning tool. For good reason there has been widespread interest in learning thesepieces in the Mandolin community. The pieces were originally written for Violin. As a result Bach's use of string crossing patterns and open-string pedals work brilliantly on the Mandolin.Also as solo works theyare a useful addition to anyone's performing repertoire. Lastly even if never performed learning all or some of these is wonderful for building Mandolin technique. Violinists often say that if you can play the Bach SoloSonatas and Partitas you can play anything-the same is certainly true for Mandolinists.

Chaconne. Par LERDAHL FRED. Chaconne (2016), for string quartet, was commissioned by the Daedalus Quartet to celebrate its 15th anniversary. The commission was supported by New Music USA, made possible by annual program support and/or endowment gifts from Pennsylvania Council on the Arts, Helen F. Whitaker Fund, and Aaron Copland Fund for Music. My music has a substantial history with Daedalus. I composed the Third String Quartet (2008) for them, and subsequently they performed my three string quartets on several occasions and recorded them brilliantly on Bridge Records (Bridge 9352: Music of Fred Lerdahl, vol. 3). Chaconne is in one movement lasting 19 minutes. It is effectively my fourth string quartet. Quartets 1-3 form a unified cycle lasting 70 minutes. When I finished the cycle, I thought I would never write again for the medium; yet I could not resist the opportunity of working again with Daedalus. The issue was how to compose another string quartet unrelated to the earlier cycle. The solution came from my solo cello piece There and Back Again (2010), which was based on a four-bar variation pattern from a 17th-century chaconne. Unlike the asymmetrical phrases and expanding variations of much of my music, the chaconne form requires symmetrical phrases and strictly periodic variations. I wished to work again with these symmetries but on a larger scale. Chaconne also differs in character and expression from the three-quartet cycle. The cycle is inward and intense, a kind of psychological excavation. Chaconne is, for the most part, transparent and playful. Many of its textures emerge from little canons, not completely unlike the rounds that children sing. Any composer who writes in chaconne form (one thinks above all of the last movement of Bach’s D minor violin partita and the finale of Brahms’s Fourth Symphony) is confronted with the challenge of how to create a larger form out of a constantly repeating pattern. My Chaconne grows from paired antecedent-consequent phrases, each variation lasting eight bars. The 50 variations group into three large rotations, forming three arcs of tension and relaxation, with subtle parallel connections across the rotations. Notwithstanding my attraction to chaconne form, I purposefully disguised its symmetries and periodicities in order to build an overall dramatic shape. Fred Lerdahl/ Répertoire / Quatuor à Cordes

Faksimile der Originalhandschrift-J. S. Bach's Notebook for Anna Magdalena(1725).This hardback facsimile edition bound in green with gold trimmings and bearing the initials ???A.M.B.??? and ???1725??? on the front cover presents one of the greatest albums of household music. It is primarily the personal album of Anna Magdalena Bach (1701-1760) daughter of the court and military trumpeter Johann Caspar Wilcke a trained musician and court singer and second wife to Johann Sebastian Bach. The album contains partitas (two in Bach's own hand probably intended as a tribute to his wife) minuets polonaises marches and short pieces by Johann Sebastian Bach hischildren and a few visitors to the Bach home. The volume also contains little vocal pieces songs and chorales as well as exercises in harmony and thoroughbass realisations.The pieces are arranged chronologically (except for the last section) and several members of the Bach family helped with the copying - only Wilhelm Friedemann's hand is absent. The majority of the pieces (28 works) are in Anna Magdalena's hand and the volume provides a tantalising glimpse into the everyday world of this musical family.Documenta Musicologica II 25; Format 26cm x 20cm.Afterword (Ger-Eng-Fr); 140 pages facsimile; 24 pages text.

Collection de 47 ?uvres de J.S.Bach des concertos aux musiques de chambre, en passant pas les Cantates et ?uvres pour clavier.Partitions pour piano solo du niveau intermédiaire à celui d'avancé. / Classique / Partition /

Les plus grandes ?uvres pour Piano de la période Baroque, arrangées pour les pianistes commençants. Biographies incluses / Classique / Partition /

Un célèbre collection des meilleurs ouvrages classiques de cette série très réussie d'anthologies, y compris un CD avec des performances de tous les morceaux. Comme d'habitude, chaque pièce a été soigneusement présenté pour piano solo, avec un choix de chefs-d'oeuvre reconnus, y compris Air de Bach On AG String, Entertainer Joplin et Debussy Clair De Lune pour vous d'apprendre, maître, et en profiter. / Piano