Classical Piano Solos - Second Grade

Jazz Piano Solos Series Volume 52-24 bebop favorites are included in this collection with chord names. Includes: Bohemia After Dark - Boneology - Cattin' - Disorder at the Border - Eclypso - 52nd Street Theme - Grand Central - Hallucinations - Jay Bird - Lester Leaps In - Move - Ow - Parisian Thoroughfare - Second Balcony Jump - The Serpent's Tooth - Steeplechase - Witches Pit - and more.

Popular Piano Solos 4 Books in One!-John Thompson's Modern Course plus Popular Piano Solos 4 Books in One! with CD Author: John Thompson John Thompson's Modern Course for the Piano is a musically appealing method that is popular and well-loved throughout the world. Since its first publication in 1937 this method has been used by millions of students today they are concert pianists pop stars church musicians composers and teachers. In the Modern Course series you will find original music by Thompson as well as skillful arrangements of folk songs and classical masterpieces that have been universal favorites for years. It provides a clear and complete foundation in the study of the piano that enables thestudent to think and feel musically. This amazing compilation includes the First and Second Grade books as well as all 23 pieces from the Popular Piano Solos series that correlate directly with the method. A CD with orchestrated arrangements of the popular songs is also included. Contains: Edelweiss â?¢ Fly Me to the Moon â?¢ Go the Distance â?¢ It's a Small World â?¢ Love Me Tender â?¢ Memory â?¢ My Heart Will Go On â?¢ The Rainbow Connection â?¢ This Is It â?¢ and more!

Transcriptions et analyses par Armand Reynaud et Jérémy Brun

Je suis honoré d'écrire quelques mots à propos d'un des plus grands pianistes, Kenny Barron. Il a été une figure importante de la scène New Yorkaise durant quarante ans et il fait partie de l'élite des pianistes de jazz dans le monde.
J'ai tout d'abord rencontré Mr Barron en 1977 dans un haut lieu du duo piano/basse, au Bradley's, dans Greenwich Village. Je l'ai entendu à Cincinnati (dans la ville où j'habitais) en 1974 avec le Quartette de Yusef Lateef et fus très impressionné. Au Bradley's, il était chaleureux et a été très encourageant avec moi, pianiste de 21 ans récemment arrivé à Big Apple (New York). Le moment venu, il me laissa m'asseoir avec son bassiste, le grand Buster Williams - ce fut un réel plaisir.
Lorsque j'ai commencé à réaliser des CD pour le bénéfice de Classical Action : Performing Arts Against AIDS, dans le début des années 90, je lui ai demandé de participer au second enregistrement Fred Hersch and Friends : The Duo Album en jouant un duo avec moi. Cette organisation collecte des fonds vraiment nécessaires pour les services de personnes atteintes du Sida et la prévention. Kenny, sans attendre, donna de son temps et joua magnifiquement. Il apparaît aussi sur le disque suivant, The Richard Rodgers Centennial Solo Jazz Piano Album .
Nous avons également joué à deux pianos à New York au Town Hall et deux fois au Jazz Standard, pour mon plus grand plaisir. C'est un partenaire merveilleux et compréhensif, disposé à tout essayer. Bien qu'il soit difficile de l'identifier, et je ne veux le mettre dans aucune sorte de boîtes, je perçois son style comme étant en grande partie influencé par McCoy Tyner (les lignes longues et claires) et Tommy Flanagan (le phrasé et l'utilisation de l'espace). Il a réussi à obtenir le statut rare de maître du jazz par la vertu de sa longévité, sa profondeur et sa musicalité. Nous partageons tous les deux une passion pour la musique de Monk, Strayhorn et de l'American Popular Songbook et nous sommes tous les deux de grands partisans de l'idée de rendre ce que nous avons absorbé en enseignant aux jeunes pianistes et en devenant leurs mentors.
En plus, il a une personnalité chaleureuse et engageante - il est d'un grand soutien, a un grand sens de l'humour et une attitude posée. Je suis très heureux que ce livre puisse apporter un éclairage sur le parcours du pianiste Kenny Barron - je suis sûr que cela sera d'une grande valeur musicale et historique pour tous ceux qui suivent l'évolution du piano jazz. / Jazz / Partition /

Upper Intermediate Level-This second edition features 27 contemporary and classic wedding favourites including: 'All I Ask of You' 'Ave Maria' 'Endless Love' 'From This Moment On' 'Grow Old with Me' 'In My Life' 'Longer' 'The Lord's Prayer' 'Seasons of Love' 'Sunrise Sunset' 'Unchained Melody' 'You Raise Me Up' and more.

NFMC 2016-2020 Piano Hymn Event Primary D Selection-This series of sacred solos includes favorite hymns gospel songs spirituals and sacred music from classical repertoire. The selections have been made to appeal to students of all ages and also with regard to popularity in many different churches. Some of the hymn tunes may be known with different titles and lyrics. Selections with two verses are arranged so that the second verse is in a different key. Level 3 includes: All Hail the Power of Jesus' Name - Amazing Grace - Ave Maria - Blessed Assurance - Blest Be the Tie That Binds - Come Ye Thankful People Come - Fairest Lord Jesus - God of Our Fathers - Holy Holy Holy - Lead On O King Eternal - Lonesome Road - My Heart EverFaithful - Stand Up Stand Up for Jesus - Sweet Hour of Prayer - This Is My Father's World.

The best solos from the In Recital® series all under one cover. Book 2 includes 12 sensational selections ten original pieces including blues rags and Latin styles by Kevin Olson Edwin McLean and Robert Schultz. Original pieces by Christopher Goldston Mary Leaf and Elizabeth Greenleaf also add to the mix. There is even one folk song and one classical piece. New musical concepts are introduced such as tied notes legato and staccato articulations accents and first and second endings. Most pieces call for limited hands-together playing. Students play in a variety of keys using accidentals instead of key signatures.

In the late eighteenth and nineteenth centuries, the parlor was a room set aside for particular functions. Before the advent of the radio, it was the place where formal presentations were staged, including amateur and semi-professional concerts. This classical guitar solo collection for the intermediate to advanced player offers nine engaging and lyrical European and North American favorites of this bygone era. All of the solos are presented in standard notation only and played on authentic reproductions of period instruments on the book?s online companion recording. Author Joseph Mayes plays works by well-known guitarist-composers Carulli, Coste and Giuliani as well as the lesser-known but deserving ?Kathleen Mavoureen?Romanza? by Frederick N. Crouch arranged by Charles de Janon, and Felix Arndt?s ?Nola,? one of the era?s most popular ragtime piano themes, here transcribed and arranged by William Foden and the author. Includes access to online audio.

The second in our group of easy trombone solos with piano accompaniment. More wonderful solos culled from the popular international and classical repertoire in custom arrangements for the beginning trombonist looking to learn the art of playing in ensemble conditions. Includes a high-quality printed music score and stereo CD (with accompaniments only). Accompaniment: Harriet Wingreen piano

A second volume chock-full of charming pieces drawn from traditional and classical repertoire for clarinet and piano. Suitable for first-year through third-year students this album will make practicing a true joy! Includes a high-quality printed music score and a compact disc featuring stereo piano accompaniments to each piece. Accompaniment: Harriet Wingreen piano