Klaviersonaten II - Complete Piano Sonatas II (SCHUBERT FRANZ)

Complete Piano Sonatas II-Piano works were at the centre of Alexander Scriabin's compositional output. As an outstanding pianist he began writing mainly miniatures for his instrument in the style of Romantic Piano pieces. But it was also Scriabin who unlike any other composer of his generation contributed to the continuation of the sonata tradition. Particular milestones in his output were Sonatas nos. 4 and 5 of 1903 and 1907 in which we hear forms and harmonies not heard previously. When these works are occasionally given the name 'Poème' Sonatas this indicates that they stem from the time and allude to the compositional context of Scriabin'sdaring Orchestral works 'Le Divin Poème' and 'Le Poème de l´exstase'. The editor Christoph Flamm is an expert in Russian music particularly Piano music. His research for example into Nikolai Medtner and the editions based on these findings are regarded as standard works. For his Bärenreiter edition of Scriabin's Sonata no. 5 Christoph Flamm has drawn on sources which were until recently regarded as lost or could only be consulted with great difficulty. Scriabin's Complete Piano Sonatas will be published in 4 volumes. - Urtext edition based on the latest source research. - With facsimiles which also give information about the rediscovered sources. - Detailed foreword (Ger/Eng) and critical commentary (Eng).

Complete Piano Sonatas I-The Piano Sonatas are regarded as the central works of Alexander Scriabin’s compositional output. No other composer after Beethoven reshaped this genre so radically thereby reinvigorating the tradition of the sonata. Scriabin’s desire not simply to continue the existing tradition but to surpass it is evident as early as his first sonatas. These are exciting works from the pianist’s perspective and in their abundance of expression and wealth of imagination. Up to the third sonata Scriabin developed a distinctive feeling for structural coherence and cyclical unity which at the same time revealed poetic qualities.Thisvolume contains the earlier works; sonatas officially published during the composer’s lifetime as No. 1 op. 6 No. 2 (Sonate-Fantaisie) op. 19 and No. 3 op. 23 as well as the sonatas written during his youth in G-sharp minor (1886) and E-flat minor (1887-89). The edition also includes the virtually unknown fragment of a sonata in C-sharp minor (1887) and the reconstructed parts of a sonata in G-sharp minor (1892) never previously published.The editor Christoph Flamm draws on autograph manuscripts first printed editions and on Russian editions of the 1920s. For the first time the recordings of Sonatas nos. 2 and 3 which Scriabin made in 1908 on paper rolls for the Hupfeld company Leipzig are also taken into account.- Urtext edition reflecting the latest scholarship and taking previously unknown sources into account.- Includes all fragmentary works some published for the first time.- Detailed foreword Ger/Eng) and critical commentary (Eng).

The Complete Piano Sonatas composer: Franz Schubert editor: Martino Tirimo fingering: Martino Tirimo Edited from the sources and provided with commentary and fingering Urtext Instrumentation: Piano Publisher: Wiener Urtext Edition Volume number: Band 2 Difficulty: Intermediate-difficult Edition: Urtext Series: Wiener Urtext Edition Edition description: 1. Auflage 280 Pages - Paperback/Soft Cover ISMN: 979-0-50057-224-4 ISBN: 978-3-85055-552-4 Order number: UT 50221 Sonate Nr. 9 fis-Moll D 571 Sonate Nr. 10 H-Dur D 575 Sonate Nr. 11 C-Dur D 613 Sonate Nr. 12 f-Moll D 625 Sonate Nr. 13 A-Dur Sonate Nr. 14 a-Moll D 784 Sonate Nr. 15 C-Dur D 840 Sonate Nr. 16 a-Moll D 845 Anhang: Sonate cis-Moll D 655 (Fragment) Sonate e-Moll D 769A (Fragment)

Beethoven?s 32 Piano Sonatas are often referred to as the ?New Testament of Music? (Hans von Bülow). Since the publication of our complete edition in two volumes experts have praised it as being themost reliable Urtext edition. Its contents: an almost inexhaustible wealth of pianistic musical flights of inspiration predominantly high profile works the Sonatas ?Pathétique? ?Moonlight? ?Storm? ?Appassionata? ?Waldstein? ?Hammerklavier?. Even if one will never (be able) to play them all the acquisition of the ?New Testament? is always worthwhile whether clothbound paperbound or as a studyedition in Henle Urtext.