Johann Sebastian Bach: So Teach Us Lord: Soprano: Vocal Work

Clavierübung III/Schübler-Choräle/Canonische Veränderungen ü. Vom Himmel hoch-Breitkopf Urtext edition of Johann Sebastian Bach's Complete Organ Works. Music text faithful to the sources and reflecting the current status of Bach research. Developed for musical practice through the cooperation of scholars and performers. Contains all of Bach's Keyboard works that require an independent pedal manual. Contains all authentic early versions and fragmentarily transmitted or dubious works that can be attributed to Bach with a fair amount of certainty. Features comprehensive introductions extensive source descriptions and text-critical notes. Featuressupplementary material illustrated synoptically on CD-ROM (in printable quality) Brochure in large format (32 x 25 cm) and compact music engraving clear easy to read with convenient page turns. With repertoire works musicians often have the choice between editions conceived for practical music-making and others that are more scholarly in concept. This also applies to the Organ works of Johann Sebastian Bach which are available today in various editions. Among them is that of Heinz Lohmann which Breitkopf & H?rtel began publishing in 1967 and whose concept strove for an amalgamation of practice and Urtext. Current Urtext status historically informed edited with performers in mind:More than 40 years later the demands made on a new Urtext edition of Bach's Organ works are as stringent as ever before. Next to the results of scholarly research on Bach and the sources aspects of a historically informed performance practice are increasingly claiming our attention today. Also important for study teaching and concert performance are in addition to the above-mentioned demands such external criteria as format paper convenient page turns and an easily legible layout that helps the user quickly grasp the musical context. The new edition beginning in 2010 also contains all Keyboard works with pedal and the 'dubious works' that are hardly dubious anymore.This edition of Johann Sebastian Bach's Organ works wants to do justice to these demands. Next to the core contents of

Präludien und Fugen I - mit CD-ROM-Breitkopf Urtext edition of Johann Sebastian Bach's Complete Organ Works. Music text faithful to the sources and reflecting the current status of Bach research. Developed for musical practice through the cooperation of scholars and performers. Contains all of Bach's Keyboard works that require an independent pedal manual. Contains all authentic early versions and fragmentarily transmitted or dubious works that can be attributed to Bach with a fair amount of certainty. Features comprehensive introductions extensive source descriptions and text-critical notes. Featuressupplementary material illustrated synoptically on CD-ROM (in printable quality) Brochure in large format (32 x 25 cm) and compact music engraving clear easy to read with convenient page turns. With repertoire works musicians often have the choice between editions conceived for practical music-making and others that are more scholarly in concept. This also applies to the Organ works of Johann Sebastian Bach which are available today in various editions. Among them is that of Heinz Lohmann which Breitkopf & H?rtel began publishing in 1967 and whose concept strove for an amalgamation of practice and Urtext. Current Urtext status historically informed edited with performers in mind:More than 40 years later the demands made on a new Urtext edition of Bach's Organ works are as stringent as ever before. Next to the results of scholarly research on Bach and the sources aspects of a historically informed performance practice are increasingly claiming our attention today. Also important for study teaching and concert performance are in addition to the above-mentioned demands such external criteria as format paper convenient page turns and an easily legible layout that helps the user quickly grasp the musical context. The new edition beginning in 2010 also contains all Keyboard works with pedal and the 'dubious works' that are hardly dubious anymore.This edition of Johann Sebastian Bach's Organ works wants to do justice to these demands. Next to the core contents of

Eight Little Three-part Pieces. Par BACH JOHANN SEBASTIAN. Johann Sebastian Bach wrote the present short, three-voice pieces for cembalo. Minuet BWV 929 comes from the collection entitled Small Preludes and Fughettas and was probably written as teaching material. The Minuet and the Polonaise from the Notebook for Anna Magdalena Bach are examples of the Bach family's domestic music. Gavotte II (ou la Musette) and Gavottes I and II come from the English Suites, while a further gavotte was sourced from the French Suite No. 5. The Recorder Trio à la Carte series presents attractive pieces for recorder trio that cover a wide stylistic spectrum encompassing arrangements and original compositions from the classical and entertainment repertoire. It also combines the instruments of the recorder family in various ways. Recorder Trio à la carte opens up new paths that feature high quality, professional-standard recorder literature which motivates young players, sounds good and appeals to listeners. • Spirited dances by J. S. Bach in stylish arrangements for an enjoyable venture into the world of Baroque music • Suitable for students of all ages at intermediate-level and beyond • A beautiful addition to the J.S. Bach recorder repertory/ Recueil / 3 Flûtes à Bec SAB/STB

Zwei- und dreistimmige Inventionen-Johann Sebastian Bach’s Inventions and Sinfonias better known as two- and three-part inventions were an integral part of the teaching repertoire used in the composer’s piano lessons. And they still are! For piano pupils there is no getting away from them for their basic demands that is ‘to learn to play in tune’ and ‘to achieve to play in a cantabile style’ are still valid. The new edition of the Wiener Urtext Edition follows consistently Bach’s autograph fair copy. Ornamented versions from copies by Bach’s pupils providing an insight into Bach’s ornamentation have been printed separately; any mixing of the differentversions has been deliberately avoided. A suggestion has been made by means of an example for the realization of the ornament signs of Sinfonia No. 5. The notes on interpretation and the critical remarks provide information on further aspects of the performance practice. They are to be considered as suggestions and encouragement to study works the execution of which had not been laid down to the last detail thus opening up a wide range of creative possibilities for teaching.

With fingerings by Renate Kretschmar-Fischer. The popular work known today as the Italian Concerto was published as Part 2 of Johann Sebastian Bach’s Clavier-Übung in 1735 together with the Overture in B minor (BWV 831). Publications of music were a rarity in those days and it stands to reason that Bach would select only pieces he found superior and representative. Originally written for a two-manual Harpsichord this music with its terrace dynamics alternating between Piano and Forte also reveals its full beauty when played on a modern piano with the soloist vying with an imaginary orchestral tutti. Thisedition presents the Urtext of the »New Bach Edition« at the cutting edge of Bach scholarship. The fingerings have been added by Renate Kretschmar-Fischer an internationally renowned pianist and teacher offering valuable suggestions for study and lessons. Rounding off this volume is an informative introduction discussing the work’s genesis source tradition as well as fingering on the modern Piano. Urtext edition without fingering available as BA5194.

O Teach Us So To Count Our Days a figured Chorale from Cantata 186 by J.S. Bach. Words by J. Montgomery and B. Hall Kennedy. Organ arrangement by Walter Emery.

Par KREBS JOHANN LUDWIG. Like his teacher, Johann Sebastian Bach, Johann Ludwig Krebs also composed a four-part Clavier-Übung. The second part of his Clavier-Übung, the twelve-movement Suite in C, was published between 1744 and 1756. While stylistically Kreb’s organ music was still oriented towards the work of his teacher, his piano music was marked by the musical changes which were occurring around 1750./ Répertoire / Clavecin ou Piano ou Orgue

From Bach's The Well-Tempered Clavier Book II comes this fine adaptation for strings arranged by Robert Longfield. The piece stays true to the original version throughout. An excellent way to teach your ensemble one of the baroque classics.

Kyrie-Gloria-Messe-Johann Christoph Altnickol's Missa in D for SATB.The Missa in d composed around 1750 is one of the few surviving compositions of Altnickol. He was the student and later son-in-law of Johann Sebastian Bach. The wealth of forms and at the same time the clarity of this composition show the influence of his teacher but above all it shows the expression of an individual style of church music. With its contrapuntal mastery and musical depth this Kyrie-Gloria Mass presented here in a first edition represents a high point in this widely disseminated genre.