Format : Sheet music
An extremely expressive and beautiful piece Ave Maria has been a traditional favorite for church performance. This timeless masterpiece is an adaptation of Bach’s famous Prelude No.1 In C by Charles Gounod for Voice. Available here for High Voice with Piano accompaniment.
SKU: M7.AHW-306
Carmelo Barranco's transcription of 'Bach Dances for the Trumpet and Piccolo Trumpet' includes excerpts of Bach's Minuettos, Gavottes, Polonaise, Bourees, Sarabands, Hymns, and Marches. This is a rare and intriguing book because it is laid out in such a way as to allow for performance of these works on both the Bb/C trumpet as well as the piccolo trumpet. Younger players can enjoy the challenge of performing these pieces in a comfortable range, while advanced players can work up to the top of the staff on the A piccolo, very suitable to the time period and intention of the music.
SKU: M7.AHW-411
These duets are wonderful in every way! Mr Barranco has chosen excellent musical selections which are so playable and attractive for the horn. He has adhered to the original musical notation as much as possible while ensuring beautiful, fluid, interesting and eminently playable lines for both players. The range is excellent - neither too high nor too low - and the lines are close enough to each other to make a very pleasant and satisfying playing and listening experience. The phrasing and articulations work so well for horn players but are also pleasing to the listener who may know the original work.
SKU: UT.MAG-268
ISBN 9790215326798. 9 x 12 inches.
The study of Johann Sebastian Bach’s compositions on the harp has a long history. The first who understood its importance for educational purposes was Robert Nicolas Charles Bochsa, who inserted some fugues of Bach and Haendel in his monumental method for the harp op. 60, accompanied by detailed fingerings. However, it was from the beginning of the 20th Century that the great harp teachers began to work extensively on Bach’s repertoire. Among the most illustrious examples we can mention Henriette Renié, who published two volumes of transcriptions, one containing ten preludes and one ten short pieces, Alfred Kastner who worked on the Two–part Inventions, Marcel Grandjany with his famous studies based on partitas and sonatas for solo violin, or Annie Louis David, who published two important volumes of preludes and fugues taken from The Well-Tempered Clavier, not to mention all those who transcribed just a single piece for concert purpose.As is known, the Notebook for Anna Magdalena (Notenbüchlein für Anna Magdalena Bach), consists of two small manuscript volumes, the first compiled in Köthen in 1722 and the second in Leipzig three years later. The first contains only compositions by Johann Sebastian, while the second also includes pieces by other authors such as Couperin, Hasse and Carl Philipp Emanuel Bach.The idea of ​​collecting in a volume some of the simplest compositions contained in the Notebook was born mainly from the desire to introduce even the youngest students to Bach’s music, in an easy and progressive way, so as to start as soon as possible at make them familiar with polyphonic writing and the use of embellishments, introduced here in a simplified version.
SKU: M7.AHW-197
After retiring from the Metropolitan Opera Orchestra, Carmelo Barranco dedicated himself to transcribing the works of Johann Sebastian Bach for horn. In this edition, he has compiled Bach's 15 Inventions into trios for horn. This music will be perfect for graduation recitals or other performances, or just as a way to challenge yourself and friends.
SKU: HL.14003070
JS Bach's Choral prelude for Organ, Wachet Auf, has become a favourite of wedding couples for processional or recessional music because of its joyous liveliness and beauty. The cantata Wachet Auf BWV 140 contains a Biblical warning to be alert for the arrival of salvation, but Bach seems to have chosen to wake his sleepers with delightful sounds.The arranger, Charles Macpherson, was an Organist at St Paul's Cathedral in London and a professor of composition at the Royal Academy of Music. He has made his interpolations clear by the use of brackets.