4 Inventionen

7 Inventionen Bach, Johann Sebastian [Édi:] im Schlaa, Doris Type de produit: Partition(s) d'exécution Instr./Parties: Flûte à bec soprano, Flûte à bec alto (fa, sol) Instrumentation: S-Bfl, A-Bfl Edition: 1986 Pages/Format: 16 S. - 23,2 x 30,3 cm Mots-clés: Barock

Epigramme älterer Dichter, Musik nach Inventionen von Johann Sebastian Bach. Par ZIMMERMANN HEINZ WERNER. / Répertoire / 10 Parties Mixtes et Piano

nach den/ based on the „Zweistimmige Inventionen“ BWV 772-786 . Par BACH JOHANN SEBASTIAN. Editeur(s) d'origine: David, Ferdinand/ Répertoire / Violon et Alto

Zwei- und dreistimmige Inventionen-Johann Sebastian Bach’s Inventions and Sinfonias better known as two- and three-part inventions were an integral part of the teaching repertoire used in the composer’s piano lessons. And they still are! For piano pupils there is no getting away from them for their basic demands that is ‘to learn to play in tune’ and ‘to achieve to play in a cantabile style’ are still valid. The new edition of the Wiener Urtext Edition follows consistently Bach’s autograph fair copy. Ornamented versions from copies by Bach’s pupils providing an insight into Bach’s ornamentation have been printed separately; any mixing of the differentversions has been deliberately avoided. A suggestion has been made by means of an example for the realization of the ornament signs of Sinfonia No. 5. The notes on interpretation and the critical remarks provide information on further aspects of the performance practice. They are to be considered as suggestions and encouragement to study works the execution of which had not been laid down to the last detail thus opening up a wide range of creative possibilities for teaching.

Der Geburtstag der Infantin. Par SCHREKER FRANZ. Der Geburtstag Der Infantin/ Répertoire / Piano 4 Mains

Hans Abrahamsen's Concerto For Piano And Orchestra was composed in 1999 by commission for the BIT-20 Ensemble. A complex and multi-layered work opening with highly minimal material and very slowly building to an ecstatic frenzy across the four movements. As the piece progresses Abrahamsen has also included some significant nods towards composers Gyorgy Ligeti (a former teacher of the composer) and Gustav Mahler.The work was premiered at the Ultima Festival in Oslo in 2000 with Anne Marie Abildskov as soloist. I Allegro Volante e nervoso II Adagio innocente e semplice III Tempo de grandegioia IV Fluente ma tranquillo Programmenote: ???The piano concerto starts entirely as I usually start with this filigree in the piano and many simultaneous layers ??? Hans Abrahamsen has explained ???The beginning is music that could continue almost minimalistically ad infinitum. But it doesn???t. Instead it has a seizure after just thirty seconds. It literally comes to a halt!???There is no programmatic structure behind the four-movement course of the concerto but a romantically minded listener may be tempted to interpret the development from a quick stalling of the familiar through the introduction (by the lyrical second movement) of something much more ???innocent and simple??? as it says - something feminine one feels like adding - to the third movement???s flashing firework display of a scherzo which draws the curtain aside for a liberating rush of joy as life after the advent of love. However the undersigned assumes full responsibility for this interpretation.The piano soloist is the undisputed main character in the concerto and plays almost constantly in the first three movements. It is only in the fourth movement that she takes a break and listens. ???The piano stirs up an anthill??? is Hans Abrahamsen???s own description ???and it becomes almost operatic! It is as if the music is about to fall right out over the edge of the abyss at the drastic general

Composer : Bach, Johann Sebastian Edition : Score and parts Arranger : Link, Wolfgang