An unusual collection of music arranged for Descant (Soprano) Recorder containing over fifty pieces from over 300 years of music.

An outstanding collection of recorder solos including 'The Willow Song' and 'Summer Is Icumen In'. Forty-seven easy arrangements of airs and dances from the 10th to the 16th century. Chord symbols.

Recorder Quartets (Playing Score)-A new collection of quartets for descant treble tenor and bass recorders by John Pitts. This varied selection of quartets includes Latin American dances hit show tunes folk and classical favourites blues and ragtime pieces and some original compositions by John Pitts. Challenging and wide-ranging the collection is aimed at the more advanced recorder group. In all the pieces all players have a chance to feature. Separate parts are availableseparately code CH65109.

TWV 50: 31-42. Par TELEMANN GEORG PHILIPP. / Date parution : 2022-05-31/ Recueil / 4 Flûtes à Bec [SATB]

Par WOODCOCK ROBERT. La version originale du concerto no 3 du compositeur anglais Robert Woodcock est écrite pour la flûte en ré, dite « flûte de sixte ». Pour la présente édition, l?accompagnement a été transposé afin de permettre de jouer la partie soliste sur flûte à bec soprano en ut actuellement d?usage. Les instrumentistes pourront se faire accompagner en live au piano ou utiliser les enregistrements de l?accompagnement disponibles en ligne au format MP3. Cet accompagnement est proposé dans une version lente et dans une version de tempo intermédiaire enregistrées au piano pour s?entraîner, ainsi que dans une version orchestrale au tempo original. / Date parution : 2022-05-17/ Répertoire / Flûte à Bec Soprano et Piano

Par VIVALDI ANTONIO. / Date parution : 2022-03-03/ Répertoire / Flûte A Bec Sopranino et Piano

7 Canzons ? Tarquinio Merula
Sonata concertate, from Libro terzo, op. 12
for 2 recorders (violins) and b.c.
Edited by Joachim Arndt and Claudia Schweitzer, score and parts
Perfectly structured and joyful chamber music of Early Italian Baroque
/ Partitions classique / Bois / Flûte à bec / MIEROPRINT

Six Recorder Sonatas. At the beginning of the 18th century, the recorder enjoyed great popularity as a solo instrument for amateurs. Among these were also the princesses of the English court, for whose musical entertainment and training Handel?s six recorder sonatas were probably written in 1725/26. Only four of them appeared shortly thereafter in print and thus also reached a broader audience; the other two were first discovered for the recorder in the 20th century. Thanks to their melodic and rhythmic incisiveness, the pieces, whose recorder parts are relatively easily mastered, number among the most beautiful written for this instrument. Owing to wide-ranging bass lines and copious figures, the continuo instrument requires a rather well-versed player. In the score of the Urtext edition, Ullrich Scheideler provides a moderate continuo realisation; the additionally available performance score (HN 1574) with figured basso part offers the advanced musician latitude for his/her own improvisation.