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Intermediate Theory, Level 3
$6.99
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By James Bastien. Bastien Piano. Level: Level 3. Music Book. Published by Neil A. Kjos Music Company.
Instrumentation :
Piano solo
Publisher :
Kjos Music Company
Level :
Sheet music extract
Intermediate Theory, Level 3
$ 6.99
Sheet music extract
Intermediate Theory, Level 3
$ 6.99
Song List
:
Major, Minor, Augmented, Diminished Triads
Triads of Minor Scales
Relative Minor Scales
Ornaments: Trills
Figured Bass for Triads and Inversions
Repetition, Sequence
Ornaments: Trill, Turn
Modulation
Texture in Music: Polyphonic, Homophonic
Primary and Secondary Triads
Sonatina Form
Chord Progressions
Final Review
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Intermediate Harmony Answer Book
Music Theory
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Intermediate/advanced
Frederick Harris Music Company
By Grace Vandendool. Theory. Theory. Level: Intermediate Harmony (Grade 4 Harmon...
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By Grace Vandendool. Theory. Theory. Level: Intermediate Harmony (Grade 4 Harmony). Book. 136 pages. Published by The Frederick Harris Music Company.
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Contemporary Music Theory - Level One
Music Theory
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Harrison Music Education System
A Complete Harmony and Theory Method for the Pop and Jazz Musician. By Mark Harr...
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A Complete Harmony and Theory Method for the Pop and Jazz Musician. By Mark Harrison. Piano. Size 9x12 inches. 312 pages. Published by Harrison Music Education Systems
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Intermediate Theory, Level 1
Piano solo
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Kjos Music Company
By James Bastien. For Piano. Bastien Piano. Bastien Intermediate Piano Course. T...
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By James Bastien. For Piano. Bastien Piano. Bastien Intermediate Piano Course. Theory. Level: Level 1. Music Book. Published by Neil A. Kjos Music Company.
(1)
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By Heather Rathnau. Edited by Heather Rathnau. For General Music Theory. This edition: all instruments. Music theory for a student that has completed the Grade Three workbook; Also a great level to start an older beginner in 7th or 8th grade. Focuses on the keys of C, G, D, A, E and F Major and introduces the 8th note. Level: Early Intermediate level. Workbook. 60 pages pages. Published by Theory Time Partners.
(1)
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Contemporary Music Theory - Level Two
Music Theory
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A Complete Harmony and Theory Method for the Pop and Jazz Musician. By Mark Harr...
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A Complete Harmony and Theory Method for the Pop and Jazz Musician. By Mark Harrison. Piano. Size 9x12 inches. 372 pages. Published by Harrison Music Education Systems.
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Theory Time Grade Seven Workbook
Music Theory
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By Heather Rathnau. Edited by Heather Rathnau. For General Music Theory. This edition: all instruments. Music theory for a student that has completed the Grade Six workbook; includes an introduction to natural minor, double sharp and double flat, simple and compound meter. Level: Intermediate level. Workbook. 56 pages pages. Published by Theory Time Partners.
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Theory Time Grade Five Workbook
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Master Theory - Book 2 (Lessons 31-60)
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(Intermediate Theory Workbook) Written by Charles S. Peters, Paul Yoder. Format:...
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(Intermediate Theory Workbook) Written by Charles S. Peters, Paul Yoder. Format: instructional book. With instructional text and musical examples. General Theory. 9x12 inches. Published by Neil A. Kjos Music Company.
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Basics of Keyboard Theory: Level III (early intermediate)
Piano solo
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Intermediate
J. Johnson Music Publications
By Julie Mcintosh Johnson. For piano. Basics of Keyboard Theory. Level: Level II...
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(2)
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Basics of Keyboard Theory: Level V (intermediate)
Piano solo
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J. Johnson Music Publications
By Julie Mcintosh Johnson. For piano. Basics of Keyboard Theory. Level: Level V ...
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Basics of Keyboard Theory: Level VI (late intermediate)
Piano solo
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J. Johnson Music Publications
By Julie Mcintosh Johnson. For piano. Basics of Keyboard Theory. Level: Level VI...
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Basics of Keyboard Theory: Level IV (intermediate)
Piano solo
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J. Johnson Music Publications
By Julie Mcintosh Johnson. For piano. Basics of Keyboard Theory. Level: Level IV...
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By Julie Mcintosh Johnson. For piano. Basics of Keyboard Theory. Level: Level IV (intermediate). Workbook. Published by J. Johnson Music Publications.
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Keyboard Theory: Preliminary Level
Piano solo
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Frederick Harris Music Company
By Grace Vandendool. Theory. Basic Rudiments. Level: Preliminary Rudiments. Book...
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By Grace Vandendool. Theory. Basic Rudiments. Level: Preliminary Rudiments. Book. 149 pages. Published by The Frederick Harris Music Company.
(3)
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Intermediate Theory, Level 2
Piano solo
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Intermediate
Kjos Music Company
By James Bastien. Bastien Piano. Level: Level 2. Music Book. Published by Neil A...
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Sound Advice: Level Six
Musical course - Solfege
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Frederick Harris Music Company
By Brenda Braaten And Crystal Wiksyk. This edition: 1st. Theory and Ear Training...
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Theory Time Teachers Edition Volume II
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Level: Early Intermediate & Intermediate.
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Beginner Viola Theory for Children, Book Two
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Mel Bay
By Melanie Smith. For Viola. Theory and harmony. All Styles. Level: Beginning-In...
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Beginner Cello Theory for Children, Book Two
Cello
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By Melanie Smith. For Cello. Theory. All. Level: Beginning-Intermediate. Book. S...
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Intermediate Theory Level 2: Piano: Theory
Kjos Music Company
James Bastien's Intermediate Theory 2 contains exercises and material for use af...
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James Bastien's Intermediate Theory 2 contains exercises and material for use after completing the 'Bastien Piano Library' theory course.
5.95 GBP - Sold by Musicroom UK
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Intermediate Theory Level 3: Piano: Theory
Kjos Music Company
Exercises and material for use after completing the 'Bastien Piano Library' theo...
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Exercises and material for use after completing the 'Bastien Piano Library' theory course.
5.95 GBP - Sold by Musicroom UK
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Salvador Segui: Ejercicios De Dictado Musical Volume 3: Theory
Español
Music Theory
Unión Musical Ediciones
Salvador Segui Perez (1939-2004) was a Spanish musician academic and composer ...
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Salvador Segui Perez (1939-2004) was a Spanish musician academic and composer who studied in Spain Italy and France. For many years he was the professor of music theory and later director at the Valencia conservatory. Ejercicios De Dictado Musical - Volume 3 is a collection of 100 progressive dictation exercises for one two three and four voices suitable for intermediate and advanced level students of music theory and sight-singing. It also contains a selection of exercises suitable for Conservatoire audition practice.
17.99 GBP - Sold by Musicroom UK
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The Rhythm Changes Guide: Theory
Music Theory
Sher Music Company
The Rhythm Changes Guide. The Rhythm Changes Guide takes the reader from the abs...
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The Rhythm Changes Guide. The Rhythm Changes Guide takes the reader from the absolute essentials to advanced improvisational concepts, all supplemented with examples from legendary players. Includes 20 Etudes in all transpositions with backing tracks by a live NY rhythm section, exploring the rich tradition of Rhythm Changes and its harmonic possibilities. 70 pages of tradition-derived improvisation concepts and exercises, with dozens of examples from legendary players like John Coltrane, Sonny Rollins, Hank Mobley, Don Byas, Michael Brecker, and many others. Features strategies for both diatonic and chromatic improvisation and unexplored concepts for improvisation such as Schenkerian theory. Useful for beginners, intermediate-level performers, professionals, and musicians interested in diverse styles such as bebop, hardbop, modern contemporary, etc.
15.99 GBP - Sold by Musicroom UK
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Minor Blues Harmonica (BARRETT DAVID)
Harmonica
-
Easy
Mel Bay
Par BARRETT DAVID. Minor Blues Harmonica includes introductory material for new ...
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Par BARRETT DAVID. Minor Blues Harmonica includes introductory material for new players on holding the harmonica, achieving a single note, and common techniques that sound great on the instrument. Not-so-new players will enjoy learning new songs at their current skill levels. Intermediate players will benefit from learning to play in 3rd Position to broaden their options while performing. Players at a more advanced level will learn to play in minor keysâ'a challenge for harmonica players, but less difficult in 3rd Position. In this book we'll explore the killer sounds that 3rd Position has to offer, focusing on the following areas: 1) New players will learn to play single notes and movingaround the harmonica with good tone. 2) Learning to improvise in 3rd Position in an intuitive way, even for beginners. 3) Learning 'study†songs to play by yourself and at blues jams. These songs also provide valuable licks to help develop your own improvisational vocabulary. 4) An overview of music theory to help you understand what's technically going on. (This is at the end of the book, so it's not required in order to play the examples.) 5) A chapter for the more advanced players to learn how to play the lower octave of the harmonica in 3rd Position (requires good bending skills). You'll need a C Major Diatonic Harmonica for this book and recording. Recordings of all the examples are played by author David Barrett. Includes access to online audio. / Niveau : Facile / Pédagogie / Etude / Harmonica Diatonique
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Helen Yeo: Classic Musical Moments with Theory In Practice: Piano: Theory
Piano solo
Rhythm MP
Grade 4. This book is a compilation of timeless classics, simplified and aimed t...
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Grade 4. This book is a compilation of timeless classics, simplified and aimed to build the skills, agility and tonal control of intermediate pianists, in order to assist the transition into late intermediate level. Theory exercises are included after each song, for the pianist to make a practical/theory connection.
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Willmott Bret - Complete Book Of Harmony, Theory And Voicing - Guitar
Guitar
-
Intermediate/advanced
Mel Bay
Media Type : Book Level : Intermediate-Advanced Musical Genre : All Styles Serie...
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Media Type : Book Level : Intermediate-Advanced Musical Genre : All Styles Series : Complete Number of pages : 248 This is a very comprehensive text that combines theory, harmony and voicing material with emphasis placed on voice leading. Although this book's primary focus is on four-note chord voicings on the middle strings of the guitar, much of the knowledge conveyed here can be appreciated and used by all jazz musicians, not only guitarists. Topics covered include: Tensions, Voice Leading Chord Scales, Enharmonic Chordal Substitutions, Fourth Voicings, Chromatic Guide Lines, Triad Over Bass Voicings, and much more! The best part of this book, however, is the unique and practical way the author takes modern harmonic concepts and shows you how to apply them in real music situations! Written for the intermediate to advanced music theory enthusiast who wishes to master this facet of music.
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Flash Cards For Every Day - Level 1: Piano: Theory
Piano solo
FJH
Theory-Welcome to Flash Cards For Every Day. This series includes two packs of 1...
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Theory-Welcome to Flash Cards For Every Day. This series includes two packs of 120 cards each that will improve students' skills with reading musical symbols and terms key signatures and rhythm. The Level 1 pack is designed for the elementary to late elementary student while the Level 2 pack is designed for the late elementary to early intermediate student. There are 5 categories within each pack.Green Cards: note values rests and time signatures.Blue Cards: notes on the staff (bass clef and treble clef)Red Cards: key signaturesWhite Cards: musical symbols andterminologyYellow Cards: intervals
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Heather Hammond Karen Marshall: The Intermediate Pianist Book 1: Piano:
Piano solo
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Intermediate
Faber Music Limited
This piano course has been specifically written to help students progress throug...
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This piano course has been specifically written to help students progress through the tricky intermediate stages of learning the Piano. Through carefully chosen repertoire quick studies key technical information and musicianship activities students will develop the skills that they require. Note-reading will be improved technique developed and a greater understanding of style and music theory will be gained. The Intermediate Pianist Book 1 is suitable for Grade 3 level pianists and forms part of the Piano Trainer series. This series was the winner of the 2018 Music Teacher Awards for Excellence Best Print Resource
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Heather Hammond Karen Marshall: The Intermediate Pianist Book 3: Piano:
Piano solo
Faber Music Limited
This piano course has been specifically written to help students progress throug...
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This piano course has been specifically written to help students progress through the tricky intermediate stages of learning the Piano. Through carefully chosen repertoire quick studies key technical information and musicianship activities students will develop the skills that they require. Note-reading will be improved technique developed and a greater understanding of style and music theory will be gained. The Intermediate Pianist Book 3 is suitable for Grade 5 level pianists and forms part of the Piano Trainer series. This series was the winner of the 2018 Music Teacher Awards for Excellence Best Print Resource
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Heather Hammond Karen Marshall: The Intermediate Pianist Book 2: Piano:
Piano solo
Faber Music Limited
This piano course has been specifically written to help students progress throug...
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This piano course has been specifically written to help students progress through the tricky intermediate stages of learning the Piano. Through carefully chosen repertoire quick studies key technical information and musicianship activities students will develop the skills that they require. Note-reading will be improved technique developed and a greater understanding of style and music theory will be gained. The Intermediate Pianist Book 2 is suitable for Grade 4 level pianists and forms part of the Piano Trainer series. This series was the winner of the 2018 Music Teacher Awards for Excellence Best Print Resource
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Guitar Theory & Technique: Guitar Solo: Theory
Guitar
[Book + CD]
Hal Leonard
This hands-on method teaches readers the most important guitar playing technique...
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This hands-on method teaches readers the most important guitar playing techniques and essential music theory concepts guiding beginnning to intermediate players to the advanced level. Covers rock blues Latin funk jazz country and other styles teaching arpeggios tapping sweep picking and much more. Step-by-step lessons cover harmony & rhythm concepts sight-reading scales and playing techniques. The CD contains 57 demo tracks.
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BigTime Piano Music from China: Piano: Instrumental Album
Piano solo
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Intermediate
Faber Piano Adventures
Level 4. BigTime Piano Music from China is a striking selection of original Chin...
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Level 4. BigTime Piano Music from China is a striking selection of original Chinese compositions perfect for intermediate students (Level 4 and above). Thematically, the music explores a veritable zoo of animals from the real-life panda to the mythical dragon, in addition to traveling the rolling hills of a shepherd and playing a lighthearted game of hide and seek. Colorful introductory notes, vital performance tips, and analytical theory questions aid the student's musical journey, while duet improvisations and a composition exercise provide creative play. Songs include: Dragon Lantern Dance · The Giraffe · Hide and Seek · The Little Monkey · Little Monkey on a Bicycle · The Panda · The Peacock · Shepherd's Song.
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Intermediate Acoustic Guitar 2 - With Dvd
Guitare
Alfred Publishing
This revised book and DVD package is great for guitarists who know the basics an...
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This revised book and DVD package is great for guitarists who know the basics and are ready to take the next step. Learn everything from harmonics and funk strumming to swing, Celtic, bluegrass, and Delta blues styles. Master the upper positions of the fretboard using major scales, triads, and pentatonic scales. Learn alternate tunings and perform examples in the styles of the masters. The new DVD is hosted by guitar virtuoso Jared Meeker and includes essential demonstrations and performances. If you have completed Beginning Acoustic Guitar or you are an advanced beginner, Intermediate Acoustic Guitar takes you to the next level. Second Edition Features * Updated examples in the styles of acoustic guitar masters * New companion DVD demonstrating the examples in the book * Improved instruction on acoustic guitar techniques and theory, covering flatpicking, fingerstyle, and strumming / Guitare
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David Turnbull: Singing Time! Grade 4: Voice: Vocal Tutor
Bosworth
This book contains everything you need to progress to intermediate singing level...
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This book contains everything you need to progress to intermediate singing level including over 20 songs which can be used in your ABRSM Grade 4 exam with plenty of help and theory information throughout. There are also sections on warming-up and sight singing.
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Nancy Faber Randall Faber: Level 3A - Sightreading Book: Piano: Instrumental
Piano solo
Hal Leonard
Hal Leonard Student Piano Library Showcase Solos - Early Elementary-This early-i...
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Hal Leonard Student Piano Library Showcase Solos - Early Elementary-This early-intermediate sightreading book presents carefully crafted variations of 3A Lesson Book pieces. The student gains confidence with the familiar and challenge in perceiving the new.Sighteading goes ?beyond the notes? to recognition of musical patterns: the Alberti Bass accompaniment chunking rhythm patterns in 3/8 and 68 time the triplet in various time signatures and expanded intervals through the 7th. Musical art provides theory review.
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Peaceful Piano Solos: Piano: Instrumental Album
Piano solo
[Sheet music]
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Intermediate
Hal Leonard
A collection of 30 pieces-Relax at the piano with this exceptional collection of...
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A collection of 30 pieces-Relax at the piano with this exceptional collection of satisfying and profoundly beautiful pieces to play. These intermediate-level pieces are suitable for the majority of pianists wanting to unwind with a tranquil selection. Peaceful Piano Solos includes something for everyone to relax to from much-loved Film
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Contemporary Piano Masters: Piano: Instrumental Album
Piano solo
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Intermediate
Hal Leonard
This exceptional collection draws upon works from 20 of the world?s greatest pia...
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This exceptional collection draws upon works from 20 of the world?s greatest piano composers. This book is suitable for the intermediate-level pianist and offers engaging and inspiring pieces to elevate and expand their repertoire. Includes beautiful pieces by Ludovico Einaudi, Yiruma, Dustin O?Halloran, Joe Hisaishi, Yann Tiersen and may more!
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Contemporary Piano Masters for Easy Piano: Piano: Instrumental Album
Piano solo
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Easy
Hal Leonard
This exceptional collection draws upon works from 20 of the world?s greatest pia...
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This exceptional collection draws upon works from 20 of the world?s greatest piano composers. These pieces have been specially arranged for easy piano, giving the beginner-intermediate level pianist engaging and inspiring pieces to enjoy. Includes beautiful pieces by Ludovico Einaudi, Yiruma, Dustin O?Halloran, Joe Hisaishi, Yann Tiersen and may more!
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Jazzin' The Blues (COROZINE VINCE)
Piano solo
Mel Bay
Par COROZINE VINCE. Designed to introduce the young intermediate-level pianist t...
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Par COROZINE VINCE. Designed to introduce the young intermediate-level pianist to playing the blues, Jazzin' the Blues presents fifteen original blues compositions in various keys, styles and grooves together with downloadable recordings of 40 of the 50 examples in the book. The audio tracks are presented both with and without the lead piano part, so the student can play along with a professional rhythm section which includes piano, vibraphone, alto flute, drums, and bass.Historical and performance notes are provided with each blues composition. The author enlisted the skills of jazz pianist Charlie Freeman in editing the book and providing fingering for both the treble and bass piano parts,making these pieces more accessible to novice players. If your knowledge of blues theory or terminology is lacking, this is the book for you! Author Vince Corozine thoroughly explores and demonstrates: blues and pentatonic scale theory, blue notes, grace notes, pedal-points, tremolos, trills, syncopation, anticipation, delayed beats, slash chords, boogie-woogie left-hand patterns, walking bass, stride piano style, straight eighths, swing eighths, passing tones, rolled chords, riffs, 'filler' chords, substitutions, and comping styles. This book also includes essential blues chord theory as well as tips on tasteful chord voicing presented in the context of accompanying a soloist (comping): in addition, the chord progressions represented by the written notation are carefully annotated in every example in the book. The Appendix includes helpful tips on comping, practice, and jazz soloing, plus a list of noteworthy jazz pianists, a key to chord symbols, and a glossary of jazz terms used in the book.If you are not a competent blues pianist when you first pick up this book, you will be by the time you complete it! Includes access to online audio. Designed to introduce the young intermediate-level pianist to playing the blues, Jazzin' the Blues presents fifteen original blues compositions in various keys, styles and grooves together with downloadable recordings of 40 ofthe 50 examples in the book. The audio tracks are presented both with and without the lead piano part, so the student can play along with a professional rhythm section which includes piano, vibraphone, alto flute, drums, andbass. Historical and performance notes are provided with each blues composition. The author enlisted the skills of jazz pianist Charlie Freeman in editing the book and providing fingering for both the treble and bass pianoparts, making these pieces more accessible to novice players. If your knowledge of blues theory or terminology is lacking, this is the book for you! Author Vince Corozine thoroughly explores and demonstrates: blues andpentatonic scale theory, blue notes, grace notes, pedal-points, tremolos, trills, syncopation, anticipation, delayed beats, slash chords, boogie-woogie left-hand patterns, walking bass, stride piano style, straight eighths, swingeighths, passing tones, rolled chords, riffs, 'filler' chords, substitutions, and comping styles. This book also includes essential blues chord theory as well as tips on tasteful chord voicing presented in the context ofaccompanying a soloist (comping) - in addition, the chord progressions represented by the written notation are carefully annotated in every example in the book. The Appendix includes helpful tips on comping, practice, and jazzsoloing, plus a list of noteworthy jazz pianists, a key to chord symbols, and a glossary of jazz terms used in the book. If you are not a competent blues pianist when you first pick up this book, you will be by the time youcomplete it! Includes access to online audio. / Jazz / Etude / Piano
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Fundamentals (OKAZAKI MILES)
Guitar
[Sheet music]
Mel Bay
Par OKAZAKI MILES. This book is designed to be useful for guitarists at any skil...
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Par OKAZAKI MILES. This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins with the properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetrical scales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadic syntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in 'Symmetrical Picking, ' a method based on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse against pulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds of illustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described in this passage (page 154): 'Even in this small area there is a lot of material, potentially a lifetime of study. The amount of information can feel overwhelming to students at any level. For this reason, the book is designed for self-directed practice, with an emphasis on what the player 'could' do, rather than what the player 'should' do. The principle is to develop your own learning process, rather than following someone else's. The ability to make choices is essential in finding a personal approach to the instrument. Pick and choose the studies that seem interesting - there should be enough variety to accommodate a wide range of personalities. If any particular concept or exercise has been useful as the starting point for a new creative direction, then the book has done its job. Its purpose is not to push any dogma, method, or style, but to open the door to options for guitarists of any background that are looking for new perspectives. This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins withthe properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetricalscales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadicsyntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in 'Symmetrical Picking, ' a methodbased on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse againstpulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds ofillustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described/ Méthode / Guitare
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Melanie Spanswick: Play It Again: Piano Book 2: Piano: Instrumental Tutor
Piano solo
Schott
The Perfect Way To Rediscover The Piano-Did you used to play the piano? Would yo...
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The Perfect Way To Rediscover The Piano-Did you used to play the piano? Would you like to play again? Play it again: Piano uses real pieces from the piano repertoire to teach specific techniques and tips getting you playing fluently once again. This is the second book which is for the more confident ?former? piano player or for those continuing their journey from Book 1. The level of pieces in this second book progresses from around UK grades 5 to 8 (intermediate to late advanced). ?I used to play the piano??Aimed at ?returning? players who have spent some time away from the keyboard Play it again: Piano gives you the confidence to revisit this fulfilling pastime and go beyond what you previously thoughtyou could achieve.Each of the 21 pieces in Book 2 is accompanied by two full pages of easy-to-understand practice tips all designed to get your fingers speeding comfortably across the keys once again! There are more comprehensive Piano Technique and Theory sections at the front and back of each book so you can also delve deeper to regain a fuller understanding of music and technique. A refresher course for all abilities each book is arranged in 4 progressive sections with Book 1 moving from ?Elementary? to ?Intermediate? and Book 2 taking you from ?Late Intermediate? to ?Late Advanced?. Dip in and out wherever your level of playing suits: this two-book course starts with simple and elegant miniatures and concludes with the famously showy Prelude in C-sharp minor by Rachmaninoff! Confident pianists could start with Book 2 but there is a wealth of delightful repertoire and valuable practice tips in Book 1 it?s always useful to go ?back to basics?. From Schumann to shuffles. Baroque Classical and Romantic works sit alongside Jazz Ragtime contemporary or traditional pieces at every level so each lesson brings something different and you?ll learn to play in a range of styles some of which may be new to your fingers. If you often find yourself saying ?I used to play the piano?? but wish you still did then Play it again:
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David Barrett: Minor Blues Harmonica: Harmonica: Instrumental Collection
Harmonica
[Sheet music + Audio access]
Mel Bay
Minor Blues Harmonica includes introductory material for new players on holding ...
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Minor Blues Harmonica includes introductory material for new players on holding the harmonica achieving a single note and common techniques that sound great on the instrument. Not-so-new players will enjoy learning new songs at their current skill levels. Intermediate players will benefit from learning to play in 3rd Position to broaden their options while performing. Players at a more advanced level will learn to play in minor keys a challenge for harmonica players but less difficult in 3rd Position. In this book we???ll explore the killer sounds that 3rd Position has to offer focusing on the following areas: 1) New players will learn to play single notes and moving aroundthe harmonica with good tone. 2) Learning to improvise in 3rd Position in an intuitive way even for beginners. 3) Learning ???study??? songs to play by yourself and at blues jams. These songs also provide valuable licks to help develop your own improvisational vocabulary. 4) An overview of music theory to help you understand what???s technically going on. (This is at the end of the book so it???s not required in order to play the examples.) 5) A chapter for the more advanced players to learn how to play the lower octave of the harmonica in 3rd Position (requires good bending skills). You???ll need a C Major Diatonic Harmonica for this book and recording. Recordings of all the examples are played by author David Barrett. Includes access to online audio.
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Janet Davis: Banjo Picking Pattern Chart: Banjo
Banjo
Mel Bay
Over 190 licks and picking patterns at your fingertips for the 5-string banjo! ...
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Over 190 licks and picking patterns at your fingertips for the 5-string banjo! Quickly and easily select picking patterns by chord to substitute in songs you already play or combine patterns of your choice to create your ownarrangements. The licks are organized and grouped by type use and by chord for on the spot improvising arranging and for changing a song you already know to make it 'yours!' This easy to follow Picking Patterns Chartincludes: traditional bluegrass licks and popular variations roll patterns and variations melodic style patterns common up the neck licks back up licks and moveable patterns for any chord 'famous' patterns by chord licksidentified from songs moveable patterns by shape licks for specific chords pick up notes to begin a song and popular endings. This easy to follow layout is organized for study as well. Students who follow this chart inorder from the first lick to the last will find that it also teaches ?lick? theory as it pertains to the identification development and applications of licks in a brief easy to understand method. A suggested exercise on howto improvise completes the chart. This chart fills a gap in understanding and applying banjo licks for all level players. It builds on the knowledge base of 5-string banjo students with an easy to follow layout by patterntype and technique. . . AND is fun and easy to use! For all levels especially the intermediate player Standard G tuning Key of G.
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Helen Yeo: Classic Musical Moments Grade 3: Piano: Instrumental Album
Piano solo
Rhythm MP
Piano Solos with Theory in Practice-This book is a compilation of timeless class...
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Piano Solos with Theory in Practice-This book is a compilation of timeless classics simplifi ed and aimed to build the skills agility and tonal control of early intermediate pianists in order to assist the transition into intermediate level. Theory exercises are included after each song for the pianist to make a practical/theory connection.
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Fabio Albertosi Michele Papadia Florindo Terrani: Pianoforte e tastiere - vol.
Easy Piano
Ricordi
Unità didattiche-The ?Scuola primaria di musica? (Primary Music School) series ...
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Unità didattiche-The ?Scuola primaria di musica? (Primary Music School) series is one of the most complete publishing initiativesdedicated to modern music on the market today. Each volume is a complete course taking the students from anabsolute beginner level to the intermediate level including playing techniques theory and practice.? A rich assortment of teaching materials means that students can also use the books on their own: scores charts tables and teaching CDs. Each volume in the series is dedicated to a specifi c instrument and is split into 2 books each with its own catalogue code: the fi rst book (Unità didattiche UD - Teaching Units ?TU?) is the main coursebook while the second book (Brani d?insieme BI - All Together ?AT?) contains a collection of useful ensemblepieces.? Each volume in the series contains anecdotes brief historical notes and a section dedicated to the fi lmographyfeaturing the instrument. The CD accompanying the volume contains the tracks for each exercise and someexamples of the music discussed in the volume.INTERMEDIATE LEVEL
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