Intermediate Theory, Level 2

James Bastien's Intermediate Theory 2 contains exercises and material for use after completing the 'Bastien Piano Library' theory course.

Salvador Segui Perez (1939-2004) was a Spanish musician academic and composer who studied in Spain Italy and France. For many years he was the professor of music theory and later director at the Valencia conservatory. Ejercicios De Dictado Musical - Volume 3 is a collection of 100 progressive dictation exercises for one two three and four voices suitable for intermediate and advanced level students of music theory and sight-singing. It also contains a selection of exercises suitable for Conservatoire audition practice.

Par BARRETT DAVID. Minor Blues Harmonica includes introductory material for new players on holding the harmonica, achieving a single note, and common techniques that sound great on the instrument. Not-so-new players will enjoy learning new songs at their current skill levels. Intermediate players will benefit from learning to play in 3rd Position to broaden their options while performing. Players at a more advanced level will learn to play in minor keysâ'a challenge for harmonica players, but less difficult in 3rd Position. In this book we'll explore the killer sounds that 3rd Position has to offer, focusing on the following areas: 1) New players will learn to play single notes and movingaround the harmonica with good tone. 2) Learning to improvise in 3rd Position in an intuitive way, even for beginners. 3) Learning 'study” songs to play by yourself and at blues jams. These songs also provide valuable licks to help develop your own improvisational vocabulary. 4) An overview of music theory to help you understand what's technically going on. (This is at the end of the book, so it's not required in order to play the examples.) 5) A chapter for the more advanced players to learn how to play the lower octave of the harmonica in 3rd Position (requires good bending skills). You'll need a C Major Diatonic Harmonica for this book and recording. Recordings of all the examples are played by author David Barrett. Includes access to online audio. / Niveau : Facile / Pédagogie / Etude / Harmonica Diatonique

Media Type : Book Level : Intermediate-Advanced Musical Genre : All Styles Series : Complete Number of pages : 248 This is a very comprehensive text that combines theory, harmony and voicing material with emphasis placed on voice leading. Although this book's primary focus is on four-note chord voicings on the middle strings of the guitar, much of the knowledge conveyed here can be appreciated and used by all jazz musicians, not only guitarists. Topics covered include: Tensions, Voice Leading Chord Scales, Enharmonic Chordal Substitutions, Fourth Voicings, Chromatic Guide Lines, Triad Over Bass Voicings, and much more! The best part of this book, however, is the unique and practical way the author takes modern harmonic concepts and shows you how to apply them in real music situations! Written for the intermediate to advanced music theory enthusiast who wishes to master this facet of music.

This piano course has been specifically written to help students progress through the tricky intermediate stages of learning the Piano. Through carefully chosen repertoire quick studies key technical information and musicianship activities students will develop the skills that they require. Note-reading will be improved technique developed and a greater understanding of style and music theory will be gained. The Intermediate Pianist Book 1 is suitable for Grade 3 level pianists and forms part of the Piano Trainer series. This series was the winner of the 2018 Music Teacher Awards for Excellence Best Print Resource

This piano course has been specifically written to help students progress through the tricky intermediate stages of learning the Piano. Through carefully chosen repertoire quick studies key technical information and musicianship activities students will develop the skills that they require. Note-reading will be improved technique developed and a greater understanding of style and music theory will be gained. The Intermediate Pianist Book 2 is suitable for Grade 4 level pianists and forms part of the Piano Trainer series. This series was the winner of the 2018 Music Teacher Awards for Excellence Best Print Resource

Level 4. BigTime Piano Music from China is a striking selection of original Chinese compositions perfect for intermediate students (Level 4 and above). Thematically, the music explores a veritable zoo of animals from the real-life panda to the mythical dragon, in addition to traveling the rolling hills of a shepherd and playing a lighthearted game of hide and seek. Colorful introductory notes, vital performance tips, and analytical theory questions aid the student's musical journey, while duet improvisations and a composition exercise provide creative play. Songs include: Dragon Lantern Dance · The Giraffe · Hide and Seek · The Little Monkey · Little Monkey on a Bicycle · The Panda · The Peacock · Shepherd's Song.

This book contains everything you need to progress to intermediate singing level including over 20 songs which can be used in your ABRSM Grade 4 exam with plenty of help and theory information throughout. There are also sections on warming-up and sight singing.

A collection of 30 pieces-Relax at the piano with this exceptional collection of satisfying and profoundly beautiful pieces to play. These intermediate-level pieces are suitable for the majority of pianists wanting to unwind with a tranquil selection. Peaceful Piano Solos includes something for everyone to relax to from much-loved Film

This exceptional collection draws upon works from 20 of the world?s greatest piano composers. These pieces have been specially arranged for easy piano, giving the beginner-intermediate level pianist engaging and inspiring pieces to enjoy. Includes beautiful pieces by Ludovico Einaudi, Yiruma, Dustin O?Halloran, Joe Hisaishi, Yann Tiersen and may more!

Par OKAZAKI MILES. This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins with the properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetrical scales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadic syntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in 'Symmetrical Picking, ' a method based on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse against pulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds of illustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described in this passage (page 154): 'Even in this small area there is a lot of material, potentially a lifetime of study. The amount of information can feel overwhelming to students at any level. For this reason, the book is designed for self-directed practice, with an emphasis on what the player 'could' do, rather than what the player 'should' do. The principle is to develop your own learning process, rather than following someone else's. The ability to make choices is essential in finding a personal approach to the instrument. Pick and choose the studies that seem interesting - there should be enough variety to accommodate a wide range of personalities. If any particular concept or exercise has been useful as the starting point for a new creative direction, then the book has done its job. Its purpose is not to push any dogma, method, or style, but to open the door to options for guitarists of any background that are looking for new perspectives. This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins withthe properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetricalscales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadicsyntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in 'Symmetrical Picking, ' a methodbased on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse againstpulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds ofillustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described/ Méthode / Guitare

Minor Blues Harmonica includes introductory material for new players on holding the harmonica achieving a single note and common techniques that sound great on the instrument. Not-so-new players will enjoy learning new songs at their current skill levels. Intermediate players will benefit from learning to play in 3rd Position to broaden their options while performing. Players at a more advanced level will learn to play in minor keys a challenge for harmonica players but less difficult in 3rd Position. In this book we???ll explore the killer sounds that 3rd Position has to offer focusing on the following areas: 1) New players will learn to play single notes and moving aroundthe harmonica with good tone. 2) Learning to improvise in 3rd Position in an intuitive way even for beginners. 3) Learning ???study??? songs to play by yourself and at blues jams. These songs also provide valuable licks to help develop your own improvisational vocabulary. 4) An overview of music theory to help you understand what???s technically going on. (This is at the end of the book so it???s not required in order to play the examples.) 5) A chapter for the more advanced players to learn how to play the lower octave of the harmonica in 3rd Position (requires good bending skills). You???ll need a C Major Diatonic Harmonica for this book and recording. Recordings of all the examples are played by author David Barrett. Includes access to online audio.

Piano Solos with Theory in Practice-This book is a compilation of timeless classics simplifi ed and aimed to build the skills agility and tonal control of early intermediate pianists in order to assist the transition into intermediate level. Theory exercises are included after each song for the pianist to make a practical/theory connection.