Impromptu No. 4 in A-flat Major, Op. 90, D 899

The most famous and popular edition of Chopin's works prepared by I. J. Paderewski, L. Bronarski and J. Turczyński. The edition has been based primarily on Chopin's autograph manuscripts, copies approved by him and first editions. The principal aim of the Editorial Committee has been to establish a text which fully reveals Chopin's thoughts and corresponds to his intentions as closely as possible. The full version of this edition includes 21 volumes. - Impromptu A flat major, Op. 29 - Impromptu F sharp major, Op. 36 - Impromptu G flat major, Op. 51 - Impromptu C sharp minor, Op. posth. (66)

This collection contains 46 pieces: Ballade No. 1 in G Minor, Berceuse, 3 ecossaises, 5 etudes, Fantaisie-Impromptu, Marche Funèbre from Sonata No. 2, 8 mazurkas, 7 nocturnes, 3 polonaises (including the enormously popular Militaire), 9 preludes, Scherzo No. 2 in B-flat Minor, and 6 waltzes (including the Minute Waltz). Content : Ballade No. 1 in G Minor, Op. 23 Berceuse in D-flat Major, Op. 57 Three Ecossaises, Op. 72, No. 3 1. D Major 2. G Major 3. D-flat Major Five Etudes C Minor, Op. 10, No. 12 (Revolutionary) E Major, Op. 10, No. 3 G-flat Major, Op. 10, No. 5 (Black Key) G-flat Major, Op. 25, No. 9 (Butterfly) A-flat Major, Op. 25, No. 1 (Harp) Fantasie-Impromptu in C-sharp Minor, Op. 66 Eight Mazurkas B-flat Major, Op. 7, No. 1 A Minor, Op. 7, No. 2 A Minor, Op. 17, No. 4 B Minor, Op. 33, No. 4 G Minor, Op. 67, No. 2 C Major, Op. 67, No. 3 A Minor, Op. 68, No. 2 F Major, Op. 68, No. 3 Marche Funèbre from Sonata No. 2 in B-flat Minor, Op. 35 Seven Nocturnes B-flat Minor, Op. 9, No. 1 E-flat Major, Op. 9, No. 2 D-flat Major, Op. 27, No. 2 G Minor, Op. 37, No. 1 C Minor, Op. 48, No. 1 F Minor, Op. 55, No. 1 E Minor, Op. 72, No. 1 Three Polonaises A Major, Op. 40, No. 1 (Militaire) F-sharp Minor, Op. 44 A-flat Major, Op. 53 (Heroic) Nine Preludes, Op. 28 No. 1 in C Major No. 2 in A Minor No. 4 in E Minor No. 6 in B Minor No. 7 in A Major No. 15 in D-flat Major No. 20 in C Minor No. 22 in G Minor No. 24 in D Minor Scherzo No. 2 in B-flat Minor, Op. 31 Six Waltzes E-flat Major, Op. 18 (Grande Valse brillante) A Minor, Op. 34, No. 2 (Grande Valse brillante) D-flat Major, Op. 64, No. 1 (Minute Waltz) C-sharp Minor, Op. 64, No. 2 A-flat Major, Op. 69, No. 1 E Minor, Op. Posthumous

This superb volume brings together in one authoritative playing edition one of the most important segments of Faure's works for piano: all of his nine preludes five Impromptus and four Valse-Caprices. Each of these distinctive compositions reveal Faure's lyrical melodic gifts and innovative harmonies. Pianists of intermediate and advanced skills will find in this volume a unique opportunity to explore one of the most gifted and influential composers of the French School.

This easy step-by-step method emphasizes correct playing habits and note reading through interval recognition. Level 6 concepts include: a review of major and minor triads; diminished and augmented triads; the diminished seventh chord; a special style of pedaling; the key of F sharp Minor; the E Major scale; the key of C sharp minor; the A flat Major scale; thirty-second notes; and dotted sixteenth notes. This book also contains an important daily scale routine and a dictionary of musical terms. For reinforcement of each principle as it is introduced, supplementary material is carefully coordinated, page for page, at each level of instruction. Correlated supplemental books for Level 6 include: Ear Training * Recital * Theory and Top Hits! Solo. Songs include: Ay-Ay-Ay * Shenandoah * Barcarolle (Morovsky) * Blue Rondo * A Classy Rag * Deep River * Dry Bones * Fascination (Marchetti) * Festive Dance * Fur Elise (Beethoven) * Hungarian Dance * Jazz Ostinato in C-Sharp Minor * La Folia (Theme and Variations) * Menuet, French Suite No. 6 (Bach ) * Music Machine (Palmer) * Prelude in D Minor (Clementi) * Scherzo (Kabalevsky) * Solfeggio (C. P. E. Bach) * Theme from Symphony No. 6 (Tchaikovsky) * Toccata (Palmer) * Variations on Canon in D (Pachelbel) * Waltz Impromptu (Kullak)

This edition, combining some of the most beautiful piano works by Schubert, contains 14 pieces that will challenge late intermediate to early advanced pianists. Individual performance notes are included for each piece along with other editorial markings and suggestions. To assist in the development of an informed performance, Dr. Baylor has also included a list of recommended reading and listening examples. 112 pages. Comb-bound. / Piano

Intermediate to Upper Intermediate Level. Par . 'Upon embarking on this project, I had little idea of what I would find. There were, of course, the 'usual suspects:' women composers whose name and whose music have stood the test of time and are familiar to many. There were also those whose names ring a bell but whose music does not. The real unknowns were, well, the unknowns. How many women composers whose music is worth studying and listening to were out there? (...) When selecting, I searched for the following: beautiful interesting compositions that students can benefit from and will love learning, teachers will enjoy teaching, and audiences will appreciate; a variety to styles, composers, and nationalities; showcasing as many composers as possible, while striking a balance between well-known, lesser know, and unknown composers.' - Immanuela Gruenberg, in the Preface. These brand new collecions come in two volumes, with book 1 arranged for upper elementary to early intermediate pianists, and Book 2 arranged for intermediate to upper intermediate level pianists. / Date parution : 2023-06-01/ Recueil / Piano

The quartet in a minor is one of the chamber music works with which Schubert wanted to “pave the way to the great symphony” in spring 1824. At the same time he was paving his way to a wider audience as the“Rosamunde” Quartet was the first and only string quartet that was not only publicly performed in Schubert’s lifetime but also published in parts. It is fortunate for us that this was the case because theautograph of this much-loved quartet is missing today and the only source for the work is the first edition. And this is precisely where the challenge lies as the parts exhibit some inaccuracies regarding the articulation anddynamics. They have had to be carefully resolved something which our new Urtext edition has done in an exemplary fashion. Its name can be traced back to Schubert’s incidental music to the play Rosamunde which can be heardat the beginning of the Andante. Quite a few people might however be reminded of the Impromptu in B flat major op. post. 142 no. 3 in which Schubert later once again took up the beautiful melody.

Description Sonatina Album For The Piano A collection of favourite sonatinas, rondos and pieces. Songlist Adagio In E Minor [Haydn, Franz Joseph] Allegro In F [Haydn, Franz Joseph] Andante Grazioso In B Flat [Haydn, Franz Joseph] Andante In C Major [Haydn, Franz Joseph] Fantasia In A Minor Op.16 No.1 [Mendelssohn, Felix] From Impromptu Op.142 No.3 [Schubert, Franz] From Sonata In A Major Op.120 [Schubert, Franz] Prelude In C Major (Twelve Short Preludes) [Bach, Johann Sebastian] Rondo In C Op.51 No.1 [Beethoven, Ludwig Van] Rondo In D [Mozart, Wolfgang Amadeus] Scherzo In B Flat Major Op.Posth [Schubert, Franz] Sonata In G Op.49 No.2 [Beethoven, Ludwig Van] Sonatina In C [Haydn, Franz Joseph] Sonatina In C [Mozart, Wolfgang Amadeus] Sonatina In C Op.20 No.1 [Kuhlau, Friedrich] Sonatina In C Op.36 No.1 [Clementi, Muzio] Sonatina In C Op.36 No.3 [Clementi, Muzio] Sonatina In C Op.55 No.1 [Kuhlau, Friedrich] Sonatina In C Op.55 No.3 [Kuhlau, Friedrich] Sonatina In D Op.36 No.6 [Clementi, Muzio] Sonatina In F Op.20 No.3 [Kuhlau, Friedrich] Sonatina In F Op.36 No.4 [Clementi, Muzio] Sonatina In G Minor Op.49 No.1 [Beethoven, Ludwig Van] Sonatina In G Op.20 No.1 [Dussek, Jan Ladislaw] Sonatina In G Op.20 No.2 [Kuhlau, Friedrich] Sonatina In G Op.36 No.2 [Clementi, Muzio] Sonatina In G Op.36 No.5 [Clementi, Muzio] Sonatina In G Op.55 No.2 [Kuhlau, Friedrich] Variation On 'Vien Qua Dorina Bella' Op.7 [Weber, Carl Maria Von]

Piano Reduction including solo part. Par DENISOV EDISON. The catalogue of Edison Denisov's works includes 16 concertos. It was a genre to which he returned time and again throughout his life, from the Concerto for Cello and Orchestra of 1972 to the Double Concerto for Flute, Clarinet and Orchestra of 1996. In Denisov's music the role of the soloist, or rather the protagonist, is extraordinarily important, not so much for its virtuosity as for its confessional character. The solo part is a monologue distinguished by poetic diction and a very personal message from the composer. The dramaturgical conception of the Concerto for Saxophone and Orchestra, a reworking of the Viola Concerto of 1986, draws on traditional sonata form, thereby reaffirming the ubiquitous classicism in Denisov's thought. In this late work, we find all the typical features of his style: sinuous melodic lines layered into dense contrapuntal textures, and an interplay of orchestral colours, with pure sonorities contrasting with complex mixtures of sounds. It is a perfect dramaturgy that governs the evolution of the music to the very end. The first movement assumes the role of a sonata-allegro, with the standard formal sections of exposition, development, recapitulation and coda. The second movement is an Adagio for strings. The third takes the form of a little contrasting intermezzo that introduces both new thematic material and a new range of colours. Here tunefulness gives way to pointillism enriched with sonic effects. The only movement with a virtuosic solo part, its nervousness and inner tension set it worlds apart from the second and fourth movements that surround it. The fourth movement assumes the traditional form of a final set of variations. It is the dramaturgical and semantic heart of the concerto. The theme of the variations is Franz Schubert's Impromptu in B-flat major, op. 142, which in this case is 'born' from the celesta as the product of a dodecaphonic string cluster. This finale represents Denisov's homage to his great mentor, Schubert's music being for him a symbol of eternal and universal beauty. 'The attentive listener', Denisov stressed, 'will recognise that the Impromptu theme is already suggested very slowly in the course of the three preceding movements, not only thematically, but also psychologically. That's what makes the appearance of the Schubert theme sound so natural.' The variations relate to the variation genre less in their form than in their spiritual and conceptual metamorphoses. It is, one might say, 'music round about Schubert'. (Ekaterina Kouprovskaia-Denisova)/ Répertoire / Saxophone Alto et Piano

On the 200th anniversary of Robert Schumann's birth an ambitious project is coming to a close: For the first time since Clara Schumann's Complete Edition of 1879 93 all of the works for Piano solo are appearing as oneeditorial project.Spanning almost ten years of painstaking work all of the Schumann titles published by G. Henle Publishers have undergone a careful revision. The Schumann expert Ernst Herttrich has closely examined eachedition and also dedicated himself to those works that were previously missing from the catalogue.The result is being published in this new collection comprising six volumes as well as study editions in a slipcase. Theyreplace the former four volumes (HN108-HN115). Arranged clearly according to opus numbers it includes not only all of Schumann's Piano works revised to reflect the latest scholarly findings but also informative accompanyingtexts alternative versions and much more besides.Contents:Abegg Variations op. 1Papillons op. 2 Paganini-Studies op. 3 Intermezzi op. 4 Impromptus op. 5 (1833/1850) Davidsbündlertänzeop. 6 Toccata op. 7 (1830/1834)Fantasy Pieces op. 12 (with Appendix: posthumous piece) Paganini-Studies op. 10 Sonata f sharp minor op. 11 Allegro b minor op. 8 Carnaval op. 9Symphonic Etudes op. 13 Piano Sonata with Early Version: Concert sans Orchestre f minor op. 14 Scenes from Childhood op. 15 Kreisleriana op. 16 Fantasy C major op. 17 Arabesque op. 18 Flower Piece (Blumenstück) op. 19Humoresque B flat major op. 20 Novelettes op. 21 Sonata g minor op. 22 Night Pieces op. 23 Carnival of Vienna op. 26 3 Romances op. 28 Scherzo Gigue Romance and Fughetta op. 32 Album for the Youngop. 68 Four Fugues op. 72 Four Marches op. 76 Forest Scenes op. 82 Exercises [Beethoven Studies] Variations on a Theme in E flat major ['Ghost' Variations] E flat major Drei Fantasiestücke op. 111

Arranged with a newly composed Finale by Louis Moyse. The Viennese triumvirate Mozart Beethoven and Haydn does not include Schubert despite the wealth of music he composed in his short life. His early Romantic style juxtaposeslyrical melodies with exciting drama throughout his compositions. Although originally composed for piano this arrangement is as equally charming and musically effective.

Instrumentation : piano Date de parution : 03/01/1986 Nombre de pages : 8 Collection : Edition Schott - Single Edition Format : New Edition portrait