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| Wolfgang Amadeus Mozart:
Horn Concerto in E-flat
major No. 3: French Horn:
French Horn and Piano [Sheet music] - Intermediate/advanced
Barenreiter
KV 447-The Bärenreiter piano reduction of Mozart's Horn Concerto No.3 In E Flat...(+)
KV 447-The Bärenreiter piano reduction of Mozart's Horn Concerto No.3 In E Flat K.447 (BA5312a) has an idiomatic and uncluttered keyboard part. The reduction is conceived for performances with keyboard as well as for rehearsal purposes for renditions with orchestra.Franz Giegling?s editorial work on the concertos in the New Mozart Edition is the definitive scholarly-critical publication and is based naturally on every known source.The publication reflect the needs of performers today. It contains clearly laid out solo horn parts in E-flat and F a detailed historical preface commenting on the sources and a special brochure containing cadenzasand ? Eingänge ?. The cadenza and ? Eingänge ? brochure offers for the first time in print the important cadenzas by Dennis Brain Timothy Brown and Dominic Nunns. The cadenzas are presented in E-flat and then in a slightly altered version for the natural horn. All of the material has also been transposed and presented for the valve horn.
Pre-shipment lead time: In Stock |
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| Wolfgang Amadeus Mozart:
Concerto in D major for
Horn and Orchestra No. 1:
French Horn and Piano [Reduction]
Barenreiter
KV 412 + 514 (386b)-Mozart's Horn Concerto No.1 In D arranged for Horn with a P...(+)
KV 412 + 514 (386b)-Mozart's Horn Concerto No.1 In D arranged for Horn with a Piano reduction of the orchestral material. Parts for solo Horn in F and solo Horn in D are also included.
Pre-shipment lead time: In Stock |
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| Wolfgang Amadeus Mozart:
Concerto For Horn And
Orchestra No. 4 Eb Major:
French
French Horn and Piano
G. Henle
Oddly Mozart wrote out the score of his most famous Horn Concerto not only in b...(+)
Oddly Mozart wrote out the score of his most famous Horn Concerto not only in black ink but also in red green and blue. Whether he meant this as a genial prank or had higher aspirations in mind willremain an eternal mystery. Whatever the case Henle‘s Piano reduction takes Mozart at his word and prints the enclosed urtext Horn part in exactly the same colours as are found in the autograph score. Perhaps themulti-coloured publication will inspire Horn players to create new interpretations of this popular concerto.
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| Mozart - Four Horn
Concertos And Concert
Rondo Hn - Horn
French Horn and Piano [Sheet music]
Schirmer
Description Reduction for Horn and Piano. Songlist Concerto No.1 In D Maj...(+)
Description Reduction for Horn and Piano. Songlist Concerto No.1 In D Major K.412 Concerto No.2 In E Flat Major K.417 Concerto No.3 In E Flat Major K.447 Concerto No.4 In E Flat Major K.495 Concerto Rondo In E Flat K.371
Pre-shipment lead time: On order |
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| Wolfgang Amadeus Mozart:
Horn Concerto No 1 In D -
KV412/514: French Horn:
Kevin Mayhew
Wolfgang Amadeus Mozart's Horn Concerto No. 1 in D major KV412/514 was written ...(+)
Wolfgang Amadeus Mozart's Horn Concerto No. 1 in D major KV412/514 was written in 1791. The work is in two movements: I. Allegro II. Rondo. Although numbered first this wasactually the last of the composer’s four horn concerti to be completed. Compared to the other three concertos it is shorter in duration (two movements rather than three) and is much simpler in regard to both range andtechnique.This publication has been edited by John Alley and Timothy Jones for Grade 7-8 Horn in F.
Pre-shipment lead time: In Stock |
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| Wolfgang Amadeus Mozart:
Horn Concerto [No. 4] In
E Flat Major K. 495:
Horn:
Breitkopf & Härtel
Horn Concerto [No. 4] In E Flat Major K. 495
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| Wolfgang Amadeus Mozart:
Horn Concerto No. 4 In E
Flat Major K 495:
Orchestra:
Orchestra
Eulenburg
Horn Concerto No. 4 In E Flat Major K 495
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| Wolfgang Amadeus Mozart:
Horn Concerto [No. 2] In
Eb Major K. 417: Horn:
Score
Breitkopf & Härtel
Horn Concerto [No. 2] In Eb Major K. 417
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| Wolfgang Amadeus Mozart:
Horn Concerto No 3 In E
Flat Major K447: French
Horn:
Eulenburg
Horn Concerto No 3 In E Flat Major K447
Pre-shipment lead time: In Stock |
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| Wolfgang Amadeus Mozart:
Concerto No.3 K447 in E
flat major: French Horn:
Score
 Français
French Horn and Piano [Sheet music]
Billaudot
Concerto No.3 K447 in E flat major
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| Wolfgang Amadeus Mozart:
Horn Concerto [No. 1] In
D Major K. 412/514
(386B):
Breitkopf & Härtel
Horn Concerto [No. 1] In D Major K. 412/514 (386B)
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| Wolfgang Amadeus Mozart:
Concerto No. 4 In E Flat
Major: French Horn:
French Horn and Piano
Peters
Concerto No. 4 In E Flat Major
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| Richard Strauss: Horn
Concerto No. 2 in E flat
major: Horn: Study Score
French Horn and Piano
G. Henle
As if looking back on his youth toward the end of his life Richard Strauss wrot...(+)
As if looking back on his youth toward the end of his life Richard Strauss wrote a second concerto for horn and orchestra again in Eb major around sixty years after his first concerto for horn. This sublimely beautiful late work which gives no indication of the oppressive circumstances of Strauss? poor health and the Second World War was premiered in 1943 by Gottfried von Freiberg under the direction of Karl Böhm. It was not until after Strauss? death that the concerto appeared in print in London making a critical new edition on the basis of the autograph sources and performance material more than overdue. The editor Hans Pizka former principal horn of the BavarianState Opera in Munich learned first-hand about the performance tradition and genesis of the concerto as a pupil of Gottfried von Freiberg. For use in lessons and for performances the especially playable piano reduction by Johannes Umbreit is a great help. As if looking back on his youth toward the end of his life Richard Strauss wrote a second concerto for horn and orchestra again in Eb major around sixty years after his first concerto for horn. This sublimely beautiful late work which gives no indication of the oppressive circumstances of Strauss? poor health and the Second World War was premiered in 1943 by Gottfried von Freiberg under the direction of Karl Böhm. It was not until after Strauss? death that the concerto appeared in print in London making a critical new edition on the basis of the autograph sources and performance material more than overdue. The editor Hans Pizka former principal horn of the BavarianState Opera in Munich learned first-hand about the performance tradition and genesis of the concerto as a pupil of Gottfried von Freiberg. For use in lessons and for performances the especially playable piano reduction by Johannes Umbreit is a great help.
Pre-shipment lead time: In Stock |
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| Favorite Classical
Melodies: French Horn
Solo: Instrumental Album
French horn [Sheet music + CD]
Cherry Lane
Instrumental Play-Along-Great solo arrangements of beloved melodies from Bach B...(+)
Instrumental Play-Along-Great solo arrangements of beloved melodies from Bach Beethoven Brahms Gounod Debussy Handel Rossini Satie and more! Contains: Ave Maria ? Brandenburg Concerto No. 5 ? Caro Mio Ben ? Clair de Lune ?Funeral March of a Marionette ? Gymnopédie No. 1 ? Hallelujah Chorus ? Hungarian Dance No. 5 ? Minuet ? Piano Sonata No. 14 (?Moonlight?) ? Pomp and Circumstance ? Symphony No.5 ? William Tell Overture.
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| Wolfgang Amadeus Mozart:
Piano Concerto No.25 In C
K.503: Piano Duet:
1 Piano, 4 hands
Barenreiter
Piano Concerto No.25 in C major K.503.Piano Solo Flute Oboe (2) Bassoon (2) ...(+)
Piano Concerto No.25 in C major K.503.Piano Solo Flute Oboe (2) Bassoon (2) Horn (2) Trumpet (2) Kettledrum Strings. 2-Piano reduction. The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances. BÄRENREITER URTEXT: In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editorswhich include prominent musicologists as well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research. For Bärenreiter ?Urtext? is more than just a label ? it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
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| Wolfgang Amadeus Mozart:
Piano Concerto No.9 In
E-Flat K.271 -
Jeunehomme:
Piano and Orchestra [Sheet music]
Barenreiter
for Piano and Orchestra-Piano Concerto No.9 in E-Flat major K.271 - Jeunehomme.P...(+)
for Piano and Orchestra-Piano Concerto No.9 in E-Flat major K.271 - Jeunehomme.Piano Solo Oboe (2) Horn (2) Violin (2) Viola Violoncello Double bass.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologistsas well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
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| Wolfgang Amadeus Mozart:
Piano Concerto No.25 In C
K.503: Piano: Part
Piano and Orchestra [Part]
Barenreiter
Piano Concerto No.25 in C major K.503.Piano Solo Flute Oboe (2) Bassoon (2) ...(+)
Piano Concerto No.25 in C major K.503.Piano Solo Flute Oboe (2) Bassoon (2) Horn (2) Trumpet (2) Kettledrum Strings.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicianstake all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
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| Wolfgang Amadeus Mozart:
Piano Concerto No.17 In G
K.453: Piano: Score
Piano and Orchestra [Sheet music]
Barenreiter
Piano Concerto No.17 in G major K.453.Piano Solo Flute Oboe (2) Bassoon (2) ...(+)
Piano Concerto No.17 in G major K.453.Piano Solo Flute Oboe (2) Bassoon (2) Horn (2) Strings.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all availablesources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
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| Wolfgang Amadeus Mozart:
Piano Concerto No.9 In
E-Flat K.271 -
Jeunehomme:
Piano solo
Barenreiter
Jeunehomme-Piano Concerto No.9 in E-Flat major K.271 - Jeunehomme.Piano Solo Ob...(+)
Jeunehomme-Piano Concerto No.9 in E-Flat major K.271 - Jeunehomme.Piano Solo Oboe (2) Horn (2) Violin (2) Viola Violoncello Double bass.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologistsas well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
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| Horn Concerto No. 1 In E
Flat Major Op. 11
(STRAUSS RICHARD)
French Horn and Piano
G. Henle
Par STRAUSS RICHARD. Avec son premier concerto pour cor, et étant à peine âgÃ...(+)
Par STRAUSS RICHARD. Avec son premier concerto pour cor, et étant à peine âgé de 18 ans, Richard Strauss accomplit un coup de génie ravissant. Jusqu'à nos jours, ce concerto est apprécié dans le monde entier par les cornistes (et par d'autres), faisant partie, aux côtés des chefs-d'oeuvre de Mozart, des pièces de répertoire incontournables à l'instrument. Peter Damm, ancien cor solo de l'orchestre de la Sächsische Staatskapelle de Dresde et soliste de renommée mondiale, ne s'est pas contenté de jouer lui-même en public ce concerto plus de 170 fois, mais il a en outre présenté et publié les résultats fondamentaux de ses investigations concernant la genèse de ce concerto. Son édition Urtext prenden considération toutes les sources conservées et peut ainsi être considérée comme une édition de référence. Pour l'étude de la pièce ainsi que pour les auditions, la réduction pour piano réalisée par Johannes Umbreit et particulièrement bien jouable, s'avère d'une grande aide. Avec son premier concerto pour cor, et étant à peine âgé de 18 ans, Richard Strauss accomplit un coup de génie ravissant. Jusqu'à nos jours, ce concerto est apprécié dans le monde entier par les cornistes (et par d'autres), faisant partie, aux côtés des chefs-d'oeuvre de Mozart, des pièces de répertoire incontournables à l'instrument. Peter Damm, ancien cor solo de l'orchestre de la Sächsische Staatskapelle de Dresde et soliste de renommée mondiale, ne s'est pas contenté de jouer lui-même en public ce concerto plus de 170 fois, mais il a en outre présenté et publié les résultats fondamentaux de ses investigations concernant la genèse de ce concerto. Son édition Urtext prenden considération toutes les sources conservées et peut ainsi être considérée comme une édition de référence. Pour l'étude de la pièce ainsi que pour les auditions, la réduction pour piano réalisée par Johannes Umbreit et particulièrement bien jouable, s'avère d'une grande aide./ Répertoire / Cor et Piano
(Seller in french langage)
Pre-shipment lead time: 3-10 days - In Stock Supplier |
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| Wolfgang Amadeus Mozart:
Piano Concerto No.25 In C
K.503: Piano: Part
Piano and Orchestra
Barenreiter
Piano Concerto No.25 in C major K.503.Piano Solo Flute Oboe (2) Bassoon (2) ...(+)
Piano Concerto No.25 in C major K.503.Piano Solo Flute Oboe (2) Bassoon (2) Horn (2) Trumpet (2) Kettledrum Strings.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicianstake all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
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| Wolfgang Amadeus Mozart:
Piano Concerto No.17 In G
K.453: Piano: Part
Piano and Orchestra
Barenreiter
Piano Concerto No.17 in G major K.453.Piano Solo Flute Oboe (2) Bassoon (2) ...(+)
Piano Concerto No.17 in G major K.453.Piano Solo Flute Oboe (2) Bassoon (2) Horn (2) Strings.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all availablesources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
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| Wolfgang Amadeus Mozart:
Piano Concerto No.9 In
E-Flat K.271 -
Jeunehomme:
Piano solo
Barenreiter
Jeunehomme-Piano Concerto No.9 in E-Flat major K.271 - Jeunehomme.Piano Solo Ob...(+)
Jeunehomme-Piano Concerto No.9 in E-Flat major K.271 - Jeunehomme.Piano Solo Oboe (2) Horn (2) Violin (2) Viola Violoncello Double bass.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologistsas well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
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| Wolfgang Amadeus Mozart:
Piano Concerto No.17 In G
K.453: Piano: Part
Piano and Orchestra
Barenreiter
Piano Concerto No.17 in G major K.453.Piano Solo Flute Oboe (2) Bassoon (2) ...(+)
Piano Concerto No.17 in G major K.453.Piano Solo Flute Oboe (2) Bassoon (2) Horn (2) Strings.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all availablesources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
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| Wolfgang Amadeus Mozart:
Piano Concerto No.25 In C
K.503: Piano: Score
Piano and Orchestra [Sheet music]
Barenreiter
for Piano and Orchestra-Piano Concerto No.25 in C major K.503.Piano Solo Flute ...(+)
for Piano and Orchestra-Piano Concerto No.25 in C major K.503.Piano Solo Flute Oboe (2) Bassoon (2) Horn (2) Trumpet (2) Kettledrum Strings. The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances. BÄRENREITER URTEXT: In the international music world “Bärenreiter Urtext” is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which includeprominent musicologists as well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research. For Bärenreiter “Urtext” is more than just a label – it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer’s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
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| Wolfgang Amadeus Mozart:
Piano Concerto No.25 In C
K.503: Piano: Part
Piano and Orchestra [Part]
Barenreiter
Piano Concerto No.25 in C major K.503.Piano Solo Flute Oboe (2) Bassoon (2) ...(+)
Piano Concerto No.25 in C major K.503.Piano Solo Flute Oboe (2) Bassoon (2) Horn (2) Trumpet (2) Kettledrum Strings.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians takeall available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
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| Wolfgang Amadeus Mozart:
Piano Concerto No.17 In G
K.453: Piano: Parts
Piano and Orchestra
Barenreiter
Piano Concerto No.17 in G major K.453.Piano Solo Flute Oboe (2) Bassoon (2) ...(+)
Piano Concerto No.17 in G major K.453.Piano Solo Flute Oboe (2) Bassoon (2) Horn (2) Strings.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all availablesources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
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| Wolfgang Amadeus Mozart:
Piano Concerto No.9 In
E-Flat K.271 -
Jeunehomme:
2 Pianos, 4 hands
Barenreiter
for Piano and Orchestra-Piano Concerto No.9 in E-Flat major K.271 - Jeunehomme.P...(+)
for Piano and Orchestra-Piano Concerto No.9 in E-Flat major K.271 - Jeunehomme.Piano Solo Oboe (2) Horn (2) Violin (2) Viola Violoncello Double bass.2-Piano reduction.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly criticalcriteria. Editors which include prominent musicologists as well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
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| Wolfgang Amadeus Mozart:
Piano Concerto No.17 In G
K.453: Piano Duet:
Piano solo
BARENREITER
Piano Concerto No.17 in G major K.453.Piano Solo Flute Oboe (2) Bassoon (2) ...(+)
Piano Concerto No.17 in G major K.453.Piano Solo Flute Oboe (2) Bassoon (2) Horn (2) Strings.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all availablesources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
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