Frederic Chopin: Polonaises

Cette belle sélection présente les oeuvres les plus célèbres de Frederic Chopin pour piano solo. Un complément indispensable à votre bibliothèque piano, maintenant livré avec un CD contenant des pleines performances de chaque pièce! / Piano

Les plus grandes ?uvres pour Piano de Frédéric Chopin, arrangées pour les pianistes commençants. Biographies incluses / Classique / Partition /

Les plus grandes ?uvres pour Piano de Frédéric Chopin, arrangées pour Piano Solo / Classique / Partition /

Par CHOPIN FREDERIC / WEKSLER. Polonaises de Chopin pour piano. Edition revue et doigtée par Serge Weksler./ Répertoire / Piano

Regarded as the highlight among Chopin's polonaises, the great Polonaise in A flat major Op. 53 has also become known as 'octave polonaise' because of the distinctive octave passages in the middle section. As was customary at that time, the work was published in a German, English and French first edition each. There also exists an autograph which served as an engraver's copy for the German first edition. Some personal copies of Chopin pupils occasionally contain entries of the composer, thus providing additional information, e.g. original fingerings. Unfortunately, all three first editions contain a different, not always reliable text. The new edition of Wiener Urtext Edition is based substantially on the autograph and the - to a large extent - carefully revised German first edition, yet also takes some variants of the French first edition into account which give the impression of a last-hand version. The problems with regard to the sources and transmission are explained in detail in the preface and the critical notes. Variants containing a specific component with regard to the performance practice are commented on in the notes on interpretation. / Piano

Arrangeur: Jerry Ray. Par CHOPIN FREDERIC. Une sélection de 25 des plus belles oeuvres de Frédéric Chopin. Partitions pour piano en version facile arrangés par Jerry Ray. / Niveau : Facile / Rép Classique / Répertoire / Piano

Par CHOPIN FREDERIC / LALANNE JEAN-FELIX. / Niveau : Elémentaire / classique / Répertoire / Guitare

La référence CC1300 de l'éditeur Billaudot dont l'auteur célèbre est Chopin Frédéric, qui a pour titre INTRODUCTION ET POLONAISE BRILLANTE OPUS 3, a été écrite et composée pour Violoncelle et plus particulièrement pour Violoncelle Et Piano. Cette partition musicale appartient à la catégorie Classique. / Violoncelle Et Piano / Partition

Par WEILL / VOAKE. Sais-tu que Frédéric Chopin était polonais et qu'il s'est installé à  Paris Dès dix-sept ans ? Sais-tu qu'il a appris le latin, le grec, puis l'allemand, l'anglais et l'italien en même temps que le piano ? Et toi, sais-tu raconter au piano ou en chantant ? As-tu déjà  dansé une mazurka polonaise ? En écoutant ce disque, tu pourras peut-être devenir aussi un très grand musicien ! / / Livre / Livres

Eighty-three best-loved works over 30 composers including Beethoven Chopin Brahms Mendelssohn Liszt and Paderewski. Edited by Ronald Herder.

James Gibbon Huneker (1857-1921) was a distinguished American newspaper critic, an essayist, and a prolific author. His writing style is remarkable ? unrestrained, informal, full of brilliant insight ? and this style plus Huneker's wide knowledge of art and literature as well as music has kept his literacy work alive. Chopin: The Man and His Music reflects the intimate, thorough knowledge of Chopin's music that Huneker acquired while studying to be a concert pianist and his unusually keen insight into the character of the great Polish composer whose music he adored. The book is divided into two parts. The first treats Chopin's life ? his youth in Poland, his emigration to Paris, the famous George Sand episode, his sickness and death ? and comments on Chopin as a teacher and as a pianist and performer. The second part discusses the entire body of Chopin's music, piece by piece. Huneker notes his own overall impression of the individual compositions as well as the impressions of Schumann, George Sand, Chopin's biographer Frederick Niecks, many of the great pianists, and others. He directly compares differing editions of Chopin's Études, Preludes, Nocturnes, Mazurkas, Polonaises, Sonatas, and other works edited by von Bülow, Kullak, Riemann, Mikuli, and Godowsky in their detailed treatment of fingering, phrasing, pedaling, tempo indication, and so forth. Huneker's entire work is reprinted here unchanged, thoroughly edited in running footnotes by Herbert Weinstock to correct the exuberant Huneker's inaccuracies and to add information that modern musical scholarship has unearthed. Weinstock has also provided an engrossing introductory essay on Huneker, and has amplified the bibliography to include modern books and articles on Chopin. A classic in musical biography and commentary, this work is unsurpassed for sympathetic understanding and insight into Chopin's life and music. It will interest equally music students, pianists, and music lovers.