Format : Sheet music
Opern-Phantasien Teil II - Liszt-Ferencz Liszt's Piano Works Volume 8 includes 9 works written for Piano solo. Works include A Midsummer Night’s Dream: Wedding March & Dance of the Fairies (after Mendelssohn) S410 Concert Paraphrase
SKU: BT.EMBZ14768
Not many people know that Franz Liszt arranged some of his piano pieces for the cello, with piano accompaniment, and that these versions of the works appeared in print during the maestro's lifetime. Ãrpád Pejtsik selected two of these for this volume compiled to mark Liszt's jubilee: Elegies I and II. The other compositions by Liszt that appear in the collection were likewise originally works for piano: the Ave Maria and Cantique d'amour (pieces from the Harmonies poétiques et religieuses cycle) were transcribed by a pupil of Liszt, Robert Pflughaupt the cello version, transposed into G major, of the E Major Consolation is by Jules de Swert, solo cellist in the Weimar orchestraof those days that of the Angelus (the opening piece in Volume 3 of the cycle entitled Years of Pilgrimage ) is by Lothar Windsperger, a German composer who lived at the turn of the 19th-20th century. The Valse oubliée No. 1 was transcribed by Liszt s virtuoso piano pupil Ferruccio Busoni Notturno, which became famous as the third piece in the Liebesträume series, is a transposed version of the original song ( O lieb, so lang du lieben kannst ) made by the editor of this volume. Not many people know that Ferenc Liszt arranged some of his piano pieces for the cello, with piano accompaniment, and this version of the works appeared in print during the maestro's lifetime. Ãrpád Pejtsik selected two of these forthis volume compiled to mark Liszt's jubilee: Elegy I and Elegy II. The other compositions by Liszt that appear in the collection were likewise originally works for piano: the Ave Maria and Cantique d'amour(pieces from the Harmonies poétiques et religieuses cycle) were transcribed by a pupil of Liszt, Robert Pflughaupt; the cello version, transposed into G major, of the E major Consolation is by Jules de Swert, solo cellistin the Weimar orchestra of those days; that of the Angelus (the opening piece in Volume 3 of the cycle entitled Years of Pilgrimage) is by Lothar Windsperger, a German composer who lived at the turn of the 19th-20thcentury.Nur Wenigen ist bekannt, dass Liszt einige seiner Klavierstücke auch für Violoncello mit Klavierbegleitung bearbeitet hatte, und dass diese Version der Werke noch zu Lebzeiten des Komponisten in Druck erschien. In diesem Band nahm Ãrpád Pejtsik zwei dieser Stücke, die I. und II. Elegie auf. Die anderen Liszt-Kompositionen in der Sammlung sind auch ursprünglich Klavierwerke: der Bearbeiter ist beim Ave Maria und Cantique d'amour (Stücke aus dem Zyklus Harmonies poétiques et religieuses) der Liszt-Schüler Robert Pflughaupt. Von Jules de Swert, der damals Solocellist des Weimarer Orchesters war, wurde die in G-Dur transponierte Violoncelloversion der E-Dur Consolation, und vonLothar Windsperger, dem an der Wende zum 20. Jahrhundert lebenden deutschen Komponisten, das Angelus (das Eröffnungsstück des III. Bandes des Zyklus Pilgerjahre) bearbeitet.
SKU: BT.EMBZ14763
English-German-Hungarian.
Supplement Volume 14 of the New Liszt Edition contains mostly unpublished early versions of piano works from the last two decades of the composer s life. The bulk of the volume comprises pieces from Volume 3 of Années de pelerinage and the Weihnachtsbaum cycle. Of the latter, two complete early versions are extant. One of these consists of pieces which are shorter and more condensed than the final version. For performer and listener alike, it is an exciting experience to become familiar with this set of pieces in its early form.Among the individual pieces in this volume, the autograph version of the beautifully evocative Schlummerlied im Grabe is also published here forthe first time. Finally, Liszt s characteristically economical attitude to composing can be studied in the original form of what can be considered as the common starting point for La lugubre gondola I and II. The latest volume of the New Liszt Edition also contains a detailed preface in German, English, and Hungarian, including new results of research, five manuscript facsimiles, and critical notes. Along with the cloth-bound Complete Edition, a paperback version for practical use has also been published. This edition s contents are identical to those of the hardcover edition, except for the omission of the critical notes. Dieser neue praktischen Zielen gerecht werdende Band basiert auf der neuen Liszt Ausgabe, erscheint allerdings ohne den Kritischen Bericht. Der neueste Band der Neuen Liszt-Gesamtausgabe umfasst ein detailliertes, neue Forschungsergebnisse enthaltendes Vorwort in deutscher, englischer und ungarischer Sprache.
Der vorliegende Band enthält die größtenteils unveröffentlichten Fru hfassungen von in den letzten zwei Jahrzehnten des Lebens des Komponisten entstandenen Klavierwerken. Das Ru ckgrat des Bandes bilden die Stu cke des III. Bandes der Pilgerjahre und aus Weihnachtsbaum. Von Letzterem sind zwei vollständige Fru hfassungen erhalten geblieben. Eine von ihnen besteht aus ku rzeren, kompakteren Stu cken als die endgu ltige Form. Fu r die Vortragenden und die ZuhörerInnen ist es ebenfalls ein spannendes Erlebnis, die Reihe in dieser fru heren Form kennenzulernen.
