Four Traditional American Songs: Voice: Vocal Score

Unlock the secrets of improvising in traditional American fiddle styles with this Grammy-nominated stage and studio master. In only ten years as a professional musician, Jim Van Cleve has made quite a name for himself in bluegrass and acoustic music. He's spent time with Doyle Lawson and Quicksilver, saw his debut solo CD nominated for a Grammy and toured all over the world with Mountain Heart. He's become a sought-after Nashville session player and one of the most admired fiddlers in bluegrass. Jim covers many things on these 2 DVDs, but they really break into three sections. After some discussion about early learning experiences, AcuTab's John Lawless leads Jim through a discussion on improvising and building solos on a number of popular bluegrass standards. Two songs, Banks of The Ohio and Pretty Polly, are each played and demonstrated in 3 different keys. Before demonstrating the tunes, Jim breaks down the scale and common positions for each key in turn. He shows where to find the melody, and where adjacent double stops are located, as well as licks and phrases that suit each song. Attention is given to both playing a melody-based solo and what a fiddle can do to assist the band sound in accompaniment. He also carefully teaches four songs he has recorded - three of his own (Nature of the Beast, Devil's Courthouse and #6 Barn Dance) plus Bill Monroe's classic Wheel Hoss. After being slowly demonstrated lick-by-lick, they are each shown (fast and slow) in a split screen orientation. A printed booklet with standard notation for each of these songs is included. Two screen orientations are available for the split screen sections, based on whether the left or right hand is of greater interest. Simply switch between them using the Angle key. Over 4 hours of instructiona on 2 DVDs. / Violon (Traditionnel) / 240 pages / niveau : Débutant / 2-Dvd Set - Format: 7,5 X 5,25

Par SMOLKO JOANNA. Soixante du compositeur américain Stephen Collins Foster (1826-1864) des chansons plus appréciées dans les arrangements originaux du compositeur pour piano avec cordes de guitare ajouté. Les textes ont été révisées pour capturer le prévue Foster esprit, éliminant les paroles obsolètes ou répréhensibles. Une introduction détaillée par le musicologue Steven Saunders décrit les traditions qui entourent les chansons populaires du XIXe siècle et la biographie de Foster. Les chansons Foster connues comme les courses de football, Oh Susanna et Jeanie with the Light Brown Hair sont inclus, avec un certain nombre de pièces qui ont été popularisée par les enregistrements contemporains tels que sommeiller My Darling et Hard Times Come Again No More. Chansons jamais incluses dans les collections publiées, comme The Voice of par Gone Days, tourner pas loin et Willie nous ont manqué vous, fournissent des chanteurs l'occasion de se familiariser avec les nouveaux titres. La collection montre la gamme de Foster comme auteur de chansons de salon, ballades comiques, airs de la guerre civile et religieuse hymne... / Niveau : Débutant / American - Songbooks / Recueil / Chant et Piano

Building a Vocal Community-Includes Four CDsIndividuals friends choirs church camp and community groups of any background will enjoy participating in this uplifting singing tradition. Ysaye M. Barnwell a charter member of the great a cappella group Sweet Honey in the Rock teaches melodies harmonies rhythms and counter-melodies to 17 traditional songs from African American culture including spirituals hymns gospels and songs from the Civil Rights Movement.The CD's in this series contain songs which were originally taught in the context of a 5 day workshop. In a workshop often having between 40 and 60 people songs are taught without printed music or printedwords and without pitch pipes or musical instruments other than those which help create and maintain the rhythmic foundation and intensity of the songs. This method of passing on knowledge is very much in the oral/aural tradition. Here for the sake of clarity the words to all the songs have been provided but the music itself is presented in the form of an oral/aural score which must be listened to.

This is the first substantial collection ever published of songs by Virgil Thomson (1896-1989) composer of the operas The Mother of Us All and Four Saints in Three Acts. Thomson's musical style was based inAmericana but he was attracted to abstract poetry. The unique result is traditionalism turned on its ear. The songs date from 1926 until 1974.

The Vocal Library. A huge collection of 70 sacred songs for classical singers spanning an enormous range of literature including art songs traditional songs 28 classic Burleigh spiritual arrangements (experts on African-American spirituals contend they are for singers of all ethnic heritages) and distinctive concert arrangements of hymns and folksongs by Richard Walters. There are four duets included. This collection will be as useful in the voice studio as in every working singer's repertoire and every church music library.

A viola method for children The leading German viola method now available in English. For more than three decades the Sassmannshaus Tradition has been the household name for excellence in beginner string methods in German-speaking countries. More than half a million students have successfully learned to play string instruments using this publication. The publication of the four violin books in 2008 in a fully adapted English version has been a big success. On the back of this success story Bärenreiter published the four books for cello in 2009 and now presents the four books for viola in a newly adapted version for today’s English speaking children. What makes this viola method so unique? - Large print notes and texts as well as many colourful illustrations are ideal for pre-school as well as school children. - Note reading is emphasised from the first lesson, encouraging ensemble playing from the very beginning. - Songs and scales in different positions are easily mastered within the first year of playing to ensure that children are not confined to first position playing. - Advanced viola techniques such as varied bow strokes and shifting are introduced in a basic form. The new English viola method for children 4 years and older “The early emphasis on ensemble playing and the many duos in this method are so much fun for the kids. They pick up important chamber music skills right from the beginning! (Peter Winograd and Laurie Carney, American String Quartet)