Finale from Movin' Out

Straignt from Broadway this hot arrangement of the closing numbers from Movin' Out will leave your audience wanting more. Billy Joel at his finest! Includes: River of Dreams and Keepin' the Faith. Performance Time: Approx. 5:45.Available separately: SATB SAB 2-Part ShowTrax CD and Instrumental Pak (includes parts for Trumpet 1 & 2 Tenor Sax Trombone Baritone Sax Synthesizer Guitar Bass and Drums)

Straignt from Broadway this hot arrangement of the closing numbers from Movin' Out will leave your audience wanting more. Billy Joel at his finest! Includes: River of Dreams and Keepin' the Faith. Performance Time: Approx. 5:45.Available separately: SATB SAB 2-Part ShowTrax CD and Instrumental Pak (includes parts for Trumpet 1 & 2 Tenor Sax Trombone Baritone Sax Synthesizer Guitar Bass and Drums)

Par MUSTONEN OLLI. The first movement of my Piano Quintet is filled with drama and passion. Its atmosphere can be related to my Second Symphony Johannes Angelos. The second movement is a set of polyphonic variations in a form reminiscent of a passacaglia. The music seems to be hypnotized by a theme consisting of a chromatic cluster of ten notes. In the beginning of the last movement, materials from the previous movements start to reappear, but this time in a mysterious, incoherent way. The strings find new music resembling a fragmented hymn. Fast-moving triplets start to appear and the music reaches a joyful and ecstatic conclusion. Olli Mustonen / Niveau : 5 / Répertoire / 2 Violons, Alto, Violoncelle et Piano

Ludwig Van Beethoven's Piano sonatas comprise a wealth of musical expression ranging from subdued and unpretentious to magnificently impassioned. Sonata quasi una Fantasi or Moonlight Sonata Op.27 No.2 is one of the most popular and most-often performed pieces ever written. Like many of Beethoven's works this sonata reflects the depth of his musical power. From its quiet yet moving beginning to its passionate finale it is easy to see why this piece is so popular.This complete version of the sonata has been edited by Willard A. Palmer and also contains a background to the piece and Beethoven's conventions and writing.