Format : Score and Parts
This title includes four of famous German composer pianist organist and conductor Felix Mendelssohn's Original Compositions. Works include Sonatas Opp.45 58 Variations Op.17 and Song without Words Op.109.
SKU: BR.SON-442
ISBN 9790004803509. 10 x 12.5 inches.
This volume contains three reworkings and orchestrations of religious works by Felix Mendelssohn Bartholdy which were originally set for smaller ensembles (solo voices, four-part chorus and organ). They were composed at different times and for different occasions, two of them as commissions. The anthem ,,Why, o Lord, delay forever MWV A 19 was originally the sacred vocal piece MWV B 33, published in England in 1841 with the additional title ,,[…] The Thirteenth Psalm, and in Germany in the same year as ,,Lass, o Herr, mich Hilfe finden with the title ,,Drei geistliche Lieder which was composed at the suggestion of the English literature and music lover Charles B. Broadley who also provided the paraphrase of the psalm text. After Mendelssohn had refused an initial request by Broadley to furnish the anthem post festum with an organ prelude, the composer did not want to turn down a second request to orchestrate the work and he even expanded the existing material with a lengthy closing fugue involving additional trumpets and timpani. The ,,Ave Maria MWV B 19 was written in connection with Mendelssohn's appointment as municipal music director, a position which at the same time included the responsibility for the musical organization of church services. The instrumentation of the work with an accompaniment of two clarinets and two bassoons as well as low strings was due to the fact that the organ in Dusseldorf's principal church St. Lambertus was out of order for an extended period of time, and Mendelssohn considered this solution explicitly only as a surrogate for the organ should there be none. A further psalm paraphrase in English, this time by William Bartholomew, of the hymn ,,Hear my prayer MWV B 49 was set to music in early 1844; the orchestration of the organ part commissioned by the distinguished Dublin musician Joseph Robinson was not completed until 1847 so that the premiere finally only took place after Mendelssohn's death. In the further course of the century ,,Hear my prayer would, particularly in the version with organ accompaniment, come to enjoy great popularity in Great Britain and Ireland.
SKU: HL.49045627
ISBN 9783795712228. UPC: 841886032200. German.
Die Musik von Felix Mendelssohn Bartholdy gehort fur viele Chore zum festen und gern gesungenen Repertoire, das vom einfachen romantischen Volkslied bis zum ausgewachsenen Oratorium reicht. Durch alle Chorsparten ist seine Musik bekannt und beliebt. Und dochhat Mendelssohn kaum fur Fraunenchöre geschrieben, obwohl entsprechende Ensembles bereits zu seinen Lebzeichen im 19. Jahrhundert inder Chorlandschaft ein Rolle spielen. Fur die vorliegende Sammlung hat sich Pascal Martine deshalb des Kunstgriffs der Bearbeitung bedient. Als Vorlage dienten Mendelssohns Gesange fur zwei Frauenstimmen und Klavier, die er auf drei Frauenstimmen erweitert hat. Dabei ist die hinzugefugte Stimme so konzipiert, dass die romantische Stimmführung berücksichtigt und Mendelssohns jeweilige Satztechnik logisch erweitert wurde. Die originale Klavierbegleitung wurde beibehalten und tragt so zum liedhaften Charakter dieser Chorbearbeitungen bei. Contents: Ich wollt' meine Lieb' ergosse sich; Gruss; Herbstlied; Wie kann ich froh und lustig sein; Maiglockchen und die Blümelein; Abendlied; Sonntagsmorgen; Denn in seiner Hand ist, was die Erde bringt.
SKU: BR.SON-443
ISBN 9790004803516. 10 x 12.5 inches.
Mendelssohn's ConfessionThe Reformation Symphony, misleadingly numbered posthumously as 5 by its publishers, was Mendelssohn's first confrontation with the large symphonic form in Beethoven's wake. Linking it conceptually with the 300th anniversary of the Augsburg Confession in 1830 seems to have first occurred late in the progress of its composition, yet the premiere did not take place until 1832 and ultimately even enabled the composer to distance himself completely from his work and its concept. Thanks to access to a new source [or, ... new access to sources... or ...new access to a source...?], this edition can now finally refute the legend that a separate original or early version of the symphony once existed.
SKU: BR.SON-415
ISBN 9790004802601. 10 x 12.5 inches.
Mendelssohn's Athalia, i.e. the incidental music to Racine's tragedy Athalie, occupies a special place among the composer's incidental works for stage plays. The composer began by setting the original French text (Vol. V/9A) before expanding his concept step by step for the German version. He revised this version several times - and especially the closing chorus - for the first performance in 1845. The work was not published during the composer's lifetime, which means that, in consideration of Mendelssohn's notorious self-criticism, there is no definitive final version. Armin Koch has taken up the editorial challenge and, with his great knowledgeability, cleared up all questions concerning the authentic form of the work.
SKU: BA.BA09071-91
ISBN 9790006565467. 27 x 19 cm inches. Text Language: German, English.
Felix Mendelssohn Bartholdy completed his first oratorio - St. Paul , op. 36 - in 1836, at the age of twenty-seven.The first version, which was premiered on 22 May 1836, was then extensively revised by the composer. This second version, which at the same time served as the basis for the published version, was premiered as early as October that year in Birmingham . The acclaim with which the oratorio was received was exceptional. Within eighteen months of completing the score, Mendelssohn was able to list fifty performances of the work. Robert Schumann praised the work effusively and even Richard Wagner, who later denigrated Mendelssohn, was full of admiration. Today, St. Paul belongs to the core repertoire of sacred choral music.This Urtext edition of the oratorio, edited by the internationally-recognised Mendelssohn scholar Michael Cooper is based on all critical sources. As well as the principal version of the work, the score also includes for the first time numbers which were composed for the first version and subsequently removed. This gives not only an insight into the history of the composition of the work, but also, with the complete performing material, into the performance of the original version. The appendices (first version) which appear in the full score and vocal score are not contained in this choral score.The full score and vocal score include the German and English texts of the oratorio.The vocal score is by Mendelssohn.- Urtext edition, representing the latest musicological research- Vocal texts in German and English- Supplements the already existing material available to this work
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: CA.9705000
ISBN 9790007131265.
Felix Mendelssohn Bartholdy's Lieder ohne Worte arranged for choir and organ by Bernd Stegmann The individual pieces of the collection adhere to the model or distance themselves from it considerably. In the latter cases it is rather a question of a game played with the building blocks of the original. Thus the songs (Lieder) with words are not transcriptions in the usual sense. All of the texts have been chosen so that they do not result in a narrowing of the denomination. The goal of the collection is to enrich the choral repertoire for worship services and concerts with an interesting color.
SKU: BR.CHB-5210-02
The new edition, based on autographic and printed sources, meets all the requirements of an authoritative performance material.
ISBN 9790004411322. 7.5 x 10.5 inches.
Originally, the present work - with a Latin text and the title Non nobis, Domine - was a gift written by Felix Mendelssohn Bartholdy in November 1830 for the 25th birthday of his sister Fanny. Five years later he decided to have it printed, and his publisher Simrock urged him to produce a German translation as well. It is in this form that the setting of Psalm 115 has become known alongside four other Psalms of Mendelssohn's in a compositional scope ranging from church to concert hall.The Urtext edition is based on the main sources, the autograph and the first edition.
SKU: BR.OB-5189-26
ISBN 9790004330319. 9 x 12 inches.
Originally, the present work - with a Latin text and the title Non nobis, Domine - was a gift written by Felix Mendelssohn Bartholdy in November 1830 for the 25th birthday of his sister Fanny. Five years later he decided to have it printed, and his publisher Simrock urged him to produce a German translation as well. It is in this form that the setting of Psalm 115 has become known alongside four other Psalms of Mendelssohn's in a compositional scope ranging from church to concert hall.The Urtext edition is based on the main sources, the autograph and the first edition.The new edition, based on autographic and printed sources, meets all the requirements of an authoritative performance material.
SKU: BR.PB-5189
ISBN 9790004209295. 9 x 12 inches.
SKU: BR.OB-5189-16
ISBN 9790004330296. 9 x 12 inches.
SKU: BR.OB-5189-15
ISBN 9790004330289. 9 x 12 inches.
SKU: BR.OB-5189-19
ISBN 9790004330302. 9 x 12 inches.
SKU: BR.OB-5189-30
ISBN 9790004330326. 9 x 12 inches.
SKU: HL.394346
ISBN 9781705157688. UPC: 196288032410. 6.75x9.0x0.121 inches.
During her lifetime, Fanny Hensel was overshadowed by her brother Felix Mendelssohn Bartholdy, who was three years her junior, and for a long time she was regarded merely as an occasional composer. It was only when the Mendelssohn Bartholdy family's extensive collection of sheet music came into the possession of the Berlin State Library that the diversity of her compositional output became apparent: all together, Fanny Hensel wrote over 400 compositions, including piano pieces and especially songs, mostly for solo voice with piano accompaniment, but also many choral works, chamber music and some orchestral works. The name SAM-Klang takes the three voice parts from the arrangements -- Soprano, Alto and Men -- and combines it with the Scandinavian and German words for “sound†to create the portmanteau word “sound together†or “harmony.†The series offers basic and advanced choral repertoire. In addition to new repertoire and new arrangements, you will also find essential parts of the classical German, Scandinavian, French and English SATB repertoire, carefully and considerately reworked for SAM. The arrangements retain the characteristic features of the original movements and have almost the same richness of timbre, resulting in works which sound nearly unchanged to an audience. Piano reductions of all choral movements facilitate rehearsal preparation. The arrangements offer development opportunities for all voice sections, bringing new life and new quality to SAM choir work. SAM-Klang enables youth choirs to gain access to classical choral literature and ensures that mixed choirs who face challenges in finding singers for all male voice parts continue to have access to well-loved repertoire.
