Dimensions Iii

SKU: HL.4007995

Symphonic Dimensions is a powerful opening piece with a continually recurring motif. Beginning with a festive fanfare in which the leitmotif is heard for the first time, it continues in a buoyant 12/8 meter. The themes alternate again and again, in various instrumentations, and end in an epic finale. Symphonic Dimensions can equally be played at the end of a concert as a rousing finale.

SKU: BT.DHP-1084327-010

9x12 inches. English-German-French-Dutch.

De bouwsteen van Dimensions of the Fourth is de kwart als melodisch interval. Dansende motieven, mooi ademende melodische lijnen, statige akkoorden en opzwepende ritmes wisselen elkaar in dit werk voortdurend af. Het werk begintmet een plezierig dansend thema - de continue afwisseling van de maatsoorten 10/8 en 11/8 resulteert in een karakteristieke ritmische beweging. Hierop volgt een zangerig gedeelte met breed uitgewerkte melodieën, eerst onderbrokendoor een zwierige wals en daarna door een statige mars met verrassende harmonische wendingen. Een energieke en steeds voortstuwende climax leidt naar het slot.

In ihrer reinen Form ist die Quarte sehr beliebt; man denke nur an die unzähligen Volkslieder in aller Welt, die mit einer Quarte beginnen. Dazu nehme man den Tritonus - die übermäßige Quarte -, die verminderte Quarte und die Umkehrung des Intervalls und schon ist die Zutatenliste komplett. Das Resultat ist ein attraktives Konzertwerk voll von tänzerischen Motiven, schönen melodischen Linien, prächtigen Akkorden und bewegenden Rhythmen.

Cette composition repose sur la quarte en tant qu’intervalle mélodique. Dans sa forme parfaite, elle occupe une place privilégiée. Il suffit de voir les nombreux airs traditionnels du monde entier qui débutent avec un intervalle de quarte. La quarte augmentée fait apparaître le célèbre triton ; la quarte diminuée dévoile la tierce. Enfin, la quarte renversée devient une quinte.Derrière ces notions théoriques qui peuvent sembler ennuyeuses, se cache une œuvre de concert passionnante. Des motifs dansants, des lignes mélodiques charmantes, des accords majestueux et des rythmes pétillants alternent tout au long du développement.L’œuvre débute avec un délicieux thèmedansant qui bascule continuellement du 10/8 au 11/8, donnant naissance un mouvement rythmique particulier. Vient ensuite, un passage cantabile qui dévoile des mélodies aux courbes amples. Une valse gracieuse modifie le cours du développement, avant de céder sa place une marche majestueuse aux tournures harmoniques surprenantes. Les mesures finales gagnent en intensité et annoncent une conclusion pleine de fougue.

SKU: BT.DHP-1084327-140

9x12 inches. English-German-French-Dutch.

De bouwsteen van Dimensions of the Fourth is de kwart als melodisch interval. Dansende motieven, mooi ademende melodische lijnen, statige akkoorden en opzwepende ritmes wisselen elkaar in dit werk voortdurend af. Het werk begintmet een plezierig dansend thema - de continue afwisseling van de maatsoorten 10/8 en 11/8 resulteert in een karakteristieke ritmische beweging. Hierop volgt een zangerig gedeelte met breed uitgewerkte melodieën, eerst onderbrokendoor een zwierige wals en daarna door een statige mars met verrassende harmonische wendingen. Een energieke en steeds voortstuwende climax leidt naar het slot.

In ihrer reinen Form ist die Quarte sehr beliebt; man denke nur an die unzähligen Volkslieder in aller Welt, die mit einer Quarte beginnen. Dazu nehme man den Tritonus - die u?bermä�ige Quarte -, die verminderte Quarte und die Umkehrung des Intervalls und schon ist die Zutatenliste komplett. Das Resultat ist ein attraktives Konzertwerk voll von tänzerischen Motiven, schönen melodischen Linien, prächtigen Akkorden und bewegenden Rhythmen.

Cette composition repose sur la quarte en tant quâ??intervalle mélodique. Dans sa forme parfaite, elle occupe une place privilégiée. Il suffit de voir les nombreux airs traditionnels du monde entier qui débutent avec un intervalle de quarte. La quarte augmentée fait apparaître le célèbre triton ; la quarte diminuée dévoile la tierce. Enfin, la quarte renversée devient une quinte.Derrière ces notions théoriques qui peuvent sembler ennuyeuses, se cache une ?uvre de concert passionnante. Des motifs dansants, des lignes mélodiques charmantes, des accords majestueux et des rythmes pétillants alternent tout au long du développement.Lâ???uvre débute avec un délicieux thèmedansant qui bascule continuellement du 10/8 au 11/8, donnant naissance un mouvement rythmique particulier. Vient ensuite, un passage cantabile qui dévoile des mélodies aux courbes amples. Une valse gracieuse modifie le cours du développement, avant de céder sa place une marche majestueuse aux tournures harmoniques surprenantes. Les mesures finales gagnent en intensité et annoncent une conclusion pleine de fougue.

SKU: AP.31623S

UPC: 038081353234. English.

As heard on the composer's recordings, this eerie jazz tune will challenge and thrill the players! Based on a twelve-bar blues progression with a twist, each section takes a solo. Solos are written out or may be improvised. Encourage the players to use special effects, as in another dimension. It's okay for a variety of sounds to emerge! (3:35) This title is available in MakeMusic Cloud.

SKU: HL.1142650

Features: • Multi-layered semi-rigid construction with weather-resistant 1000D green nylon exterior fabric and soft interior lined with green micro-velvet fabric • Hideaway backpack straps with bottle opener and stowaway D-ring pockets on base of bag for clean appearance • Exterior pop-out luggage tag and interior serialized bag tracker with laser-etched QR code for quick registration/identification • Removable, adjustable neck support block with hook-and-loop wrap for stability during transport; interior body blocks for increased protection • Large pocket with keyring clip stores cables, strings, and other accessories; 16.5 x 13″ (419/330mm) • Hidden pocket on back for quick access to passport, wallet, smartphone, and other personal items; small and medium-sized exterior pockets also included • TSA luggage lock-friendly zipper pulls on main guitar compartment for seamless airport travel • Rubber bumpers and reinforced, padded grab handles located on front, back, and side for various carry modes • Stylish rain cover with dedicated storage pocket • Exterior dimensions: 46″/1168mm (L) x 16″/406mm (W) x 6″/152mm (H), net weight: 9.6 lbs./4.4 kg • Interior dimensions: 42.5″/1080mm (overall length) x 11.4″/290mm (upper bout) x 12.6″/320mm (middle bout) x 13.5″/343mm (lower bout) x 6″/152mm (headstock width) x 2.75″/70mm (body height).

SKU: PR.114420410

UPC: 680160687015.

In one of the dedicatory poems to his verse play The Shadowy Waters (1906), William Butler Yeats asks: Is Eden far away...? Do our woods and winds and verponds cover more quiet woods, More shining winds, more star-glimmering ponds? Is Eden out of time and out of space? How do you answer such questions? We have only the vague elusive promptings of our own mysterious, troubled hearts to tell us that the Eden we long for is there, somewhere beyond the physical world which frames our existence, in another realm of different dimensions. And - what is most painful to admit - that it is closed to us in the form in which we live and breathe, even if at times we do have intimations..., Yeats is telling us that this paradise, this Eden we yearn for is here - present even if invisible, palpable even if intangible. In his Second Symphony, Mahler meets an angel who tells him he can't get into heaven, he's locked out. The news is shattering. What follows is an inconsolable sorrowing, the same sorrowing that comes when we wake to the realization that we too are locked out of Eden. Eden is the heaven of our longing and desire for release from pain and suffering. Eden is the image in our restive minds that reflects the reconciled, resolved, quiescent state of soul we hunger for. But Eden eludes -because it is not a place. It is a state of soul which answers none of the illusory, hampering conditions that shape and bind us to the real world of our bodies, our appetites, our passions, and our beliefs. I have turned Yeats' question Is Eden out of time and out of space? into its own answering. However near we may sense its presence at times, Eden remains unreachable, ungraspable, unknowable, unthinkable. It forever eludes us. I wrote this music the way I did to shut out -with quietness and otherworldliness - the clamor and clang of the raucous Garish Day, to turn away its tumult and noise, to negate its stridency and chaos. Perhaps in the cleansing stillness and blessing of this emptied-out state of soul, Eden, through still hidden, may not be so far way; though still unreachable, may be close enough almost to touch.
In one of the dedicatory poems to his verse play “The Shadowy Waters” (1906), William Butler Yeats asks:“Is Eden far away…?Do our woods and windsand verponds cover morequiet woods,More shining winds,more star-glimmeringponds?Is Eden out of timeand out of space?”How do you answer such questions? We have only the vague elusive promptings of our own mysterious, troubled hearts to tell us that the Eden we long for is there, somewhere beyond the physical world which frames our existence, in another realm of different dimensions. And – what is most painful to admit – that it is closed to us in the form in which we live and breathe, even if at times we do have intimations…, Yeats is telling us that this paradise, this Eden we yearn for is here – present even if invisible, palpable even if intangible.In his Second Symphony, Mahler meets an angel who tells him he can’t get into heaven, he’s locked out. The news is shattering. What follows is an inconsolable sorrowing, the same sorrowing that comes when we wake to the realization that we too are locked out of Eden.Eden is the heaven of our longing and desire for release from pain and suffering. Eden is the image in our restive minds that reflects the reconciled, resolved, quiescent state of soul we hunger for. But Eden eludes –because it is not a place. It is a state of soul which answers none of the illusory, hampering conditions that shape and bind us to the real world of our bodies, our appetites, our passions, and our beliefs.I have turned Yeats’ question “Is Eden out of time and out of space?” into its own answering. However near we may sense its presence at times, Eden remains unreachable, ungraspable, unknowable, unthinkable. It forever eludes us.I wrote this music the way I did to shut out –with quietness and otherworldliness – the clamor and clang of the raucous “Garish Day,” to turn away its tumult and noise, to negate its stridency and chaos. Perhaps in the cleansing stillness and blessing of this emptied-out state of soul, Eden, through still hidden, may not be so far way; though still unreachable, may be close enough almost to touch.

SKU: HL.1142639

Features: • Multi-layered semi-rigid construction with weather-resistant 1000D khaki nylon exterior and soft interior lined with khaki micro-velvet fabric • Hideaway backpack straps with bottle opener and stowaway D-ring pockets on base of bag for clean appearance • Exterior pop-out luggage tag and interior serialized bag tracker with laser-etched QR code for quick registration/identification • Removable, adjustable neck support block with hook-and-loop wrap for stability during transport; interior body blocks for increased protection • Large pocket with keyring click stores cables, strings, and other accessories; 17.5 x 6″ (445/152mm) • Hidden pocket on back for quick access to passport, wallet, smartphone, and other personal items; small and medium-sized exterior pockets also included • TSA luggage lock-friendly zipper pulls on main guitar compartment for seamless airport travel • Rubber bumpers and reinforced, padded grab handles located on front, back, and side for various carry modes • Stylish rain cover with dedicated storage pocket • Exterior dimensions: 48″/1219mm (L) x 19″/483 (W) x 6″/152mm (H), net weight: 11.2 lbs./5.1 kg • Interior dimensions: 44.5″/mm (overall length) x 14.2″/361mm (upper bout) x 15.4″/391mm (middle bout) x 17″/432mm (lower bout) x 6″/152mm (headstock width) x 3.5″/89mm (body height).

SKU: SU.27040270

Diorama was inspired by the concept of the visual arts genre of the same name: a scene reproduced in three dimensions against a painted background. It has been attempted here, to capture these three dimensions musically, by employing a predominately three-part polyphony throughout between the two instruments. Violin and Piano Duration: 7' Composed: 2005 Published by: Hutter Music.

SKU: HL.1142634

Features: • Built tough: Roto-molded polyethylene plastic outer shell keeps guitars protected against damage • Luggage-friendly and road-ready with thick, interior foam walls to keep instruments safe • Fits two (2) electric guitars, including Les Paul, Stratocaster, Telecaster, Jazzmaster/Offset, PRS, and similar-style guitars • Does double duty as guitar rack for keeping instruments side-stage for easy access • Strong magnets keep lid conveniently attached to rear of case when used as a guitar rack • Wheeled tilt-back design with integrated top handle for easy travel • Butterfly-style twist latches keeps lid secured to case during movement • Ergonomic grip handle on front for easy loading and unloading • Made in the USA • Exterior dimensions: 50.5″/1283mm (L) x 19″/483mm (W) x 11.75″/298mm (H), net weight: 31 lbs./14 kg • Interior dimensions (individual guitar chamber): 43″/1092mm (overall length) 13″/330mm (upper bout) x 13″/330mm (middle bout) x 13.5″/343mm (lower bout) x 26.75″/679mm (body length) x 2.75″/70mm (body height).