New Piano Dimensions

Par DANIELSSON PER. Méthode de Piano de l\'enfant, le niveau 1 est un cours complet de piano pour jeunes débutants. Son but est de garder l\'apprentissage intéressant, clair et organisé afin de réaliser des progrès maximale. Le contenu musical est renforcé par une présentation colorée pour le rendre visuellement agréable pour l\'étudiant.Pour créer une expérience musicale épanouissante, un CD le long de jeu est inclus. Plusieurs des chansons sont enregistrées par deux fois, la première fois, comme l\'écrit et la seconde avec un accompagnement distinct. Ecouter les chansons et jouant avec l\'accompagnement seront aide les processus d\'apprentissage de l\'étudiant, une bonne oreille formation et ajouter une nouvelle dimension à l\'expérience de jeu globale. / Niveau : Débutant / All Styles - Methods / Méthode / Piano

At first glance, this work may be eclipsed by its older sister in B major, KV 333. But Mozart's Sonata KV 570 is by the far the more popular work, especially in piano lessons. This may be due to its more moderate technical demands, on the one hand, and to the large variety of musical facets of Mozart's piano style with which this sonata comes up in relatively manageable dimensions, on the other hand. The middle movement with its rich colours of the winds seems like an orchestral movement of the later Mozart, transcribed for the piano. The Vienna Urtext Edition now presents the work in a low-priced separate edition which is suitable for lessons, studies and concert performances alike. - An ideal work for the piano lesson in a separate edition - Multifaceted example of Mozart's piano style - Moderate technical demands - Manageable dimensions / Piano

Franz Schubert
Sonate pour piano en Sol majeur op. 78 D 894
Dominik Rahmer (Editeur)
Martin Helmchen (Doigtés)
Andrea Lindmayr-Brandl (Préface)
Edition Urtext, reliure paperback
édition révisée
remplace HN 726
La Sonate en Sol majeur, de vastes dimensions et exigeante techniquement, a vu le jour en octobre 1826, deux ans avant la disparition de Schubert. Elle fait partie des trois seules sonates pour piano qui parurent encore sous forme imprimée du vivant du compositeur. Le titre inhabituel de la première édition ? Fantasie, Andante, Menuetto et Allegretto ? est dû à l?éditeur Haslinger. Il fait référence à l?atmosphère rêveuse et mélancolique du 1er mouvement, qui ne correspondait pas vraiment à la conception traditionnelle d?un mouvement initial de sonate. Il est ainsi peu surprenant que la «Fantaisie-sonate», comme on l?appelle encore souvent de nos jours, ait, par son caractère libre et romantique, enthousiasmé des artistes tels Franz Liszt ou Robert Schumann, qui l?a qualifiée de «totalement accomplie, tant par la forme que par l?esprit». La présente édition urtext se base sur un réexamen approfondi de toutes les sources connues, notamment l?autographe de la British Library. Elle est réalisée dans la brillante gravure caractéristique des productions Henle. L?avant-propos de la spécialiste de Schubert, Andrea Lindmayr-Brandl, ainsi qu?une section de notes très développée, fournissent des informations exhaustives sur l?origine de l??uvre, les sources et leurs variantes. Autre point fort, les doigtés du pianiste Martin Helmchen. / Partitions classique / Piano - instruments à clavier / Piano / HENLE VERLAG

Piano Pieces op. 118 no. 1-6-Johannes Brahms' Piano Pieces Op. 118 Nos. 1- 6. Henle Urtext edition.When his contemporaries heard the works that Johannes Brahms had composed during his summer holiday in Ischl in1893 the Piano Pieces Op. 118 they were delighted. Clara Schumann was one of the first to be allowed to get to know the new pieces and she attested that they contained ?a wealth of sentiment in the smallestof dimensions?. Philipp Spitta fittingly said that the works were ?perfect for slowly absorbing in solitude and tranquillity?.Opus 118 contains two of the composer?s best-known miniatures the Intermezzoin A major and the Romanze in F major. This volume based on the musical text in the New Brahms Complete Edition is highly recommended to all those who wish to immerse themselves in the world of Brahms' late works.

The most popular and effective Piano course ever written reaching new dimensions in Piano teaching. Having completed this course the student will have learnt to play some of the most famous songs ever written and equally will acquire solid basic concept skills in music.

Here's a feel-good assortment of music stories recipes and poems that perfectly captures the traditional spirit of Christmas and the season of goodwill. Includes:Includes Yule long DVD and accompanying music to turn your TVscreen into a blazing log fire!Magical stories from the likes of Dickens and Hans Christian Anderson.Recipes of good cheer and Christmas dishes with a difference.Yuletide poems by Tennyson Hardy Shakespeare and much more.All seasonal songs and carols are arranged for piano and voice there is enough here to occupy any Christmas time for children and adults of all ages!Dimensions: 17cm x 25cm

Facsimile Hardback-The Mazurka in A flat major was written between the Mazurkas Opp. 17 and 24 (1833) and the Mazurkas Op. 30 (1835). It differs from those sets which in their dimensions texture harmony (including chromatism) elaborate ornamentation (e.g. in Op.17 No. 4) folk bourdons (Op. 17 No. 1) transferral of the melody to the left-hand part (Op. 24 No. 2) and differentation of compositional technique. The Mazurka in A flat major is not however a bridge between these opuses but an occasionalwork - a gift for a lady written into her album. It has a simple design and uncomplicated texture.

for Bb Euphonium Solo & Piano. Par SAMITZ NICO. This set also includes a Bb Euphonium TC solo part. Nico Samitz has been composing for chamber ensembles since his school days. For over ten years he has been writing works in a wide variety of genres for the „BlechReiz BrassQuintett“ ensemble, in which he himself plays trumpet and piano. His field of expertise ranges from classical pieces to jazz and meditative music—and even to pop-oriented compositions. While honing his skills in ear-training and composition at the Mozarteum, Salzburg, Nico became acquainted with a wide repertoire of works as a trumpet player with the Munich Symphony Orchestra, The Munich Philharmonic Orchestra, and the Bavarian State Opera, all of which have influenced his writing style. The driving force behind his creative work is a winning combination of passion, the fun of music-making and a desire to express, through the medium of music, feelings that are difficult to put into words. / Date parution : 2023-07-31/ Répertoire / Euphonium et Piano

for BbTrombone TC Solo & Piano. Par SAMITZ NICO. This set also includes a Bb Trombone TC solo part. Nico Samitz has been composing for chamber ensembles since his school days. For over ten years he has been writing works in a wide variety of genres for the „BlechReiz BrassQuintett“ ensemble, in which he himself plays trumpet and piano. His field of expertise ranges from classical pieces to jazz and meditative music—and even to pop-oriented compositions. While honing his skills in ear-training and composition at the Mozarteum, Salzburg, Nico became acquainted with a wide repertoire of works as a trumpet player with the Munich Symphony Orchestra, The Munich Philharmonic Orchestra, and the Bavarian State Opera, all of which have influenced his writing style. The driving force behind his creative work is a winning combination of passion, the fun of music-making and a desire to express, through the medium of music, feelings that are difficult to put into words. / Date parution : 2023-07-31/ Répertoire / Trombone et Piano

for Euphonium TC/BC. Par SAMITZ NICO. This set also includes a Bb Euphonium TC solo part. Nico Samitz has been composing for chamber ensembles since his school days. For over ten years he has been writing works in a wide variety of genres for the „BlechReiz BrassQuintett“ ensemble, in which he himself plays trumpet and piano. His field of expertise ranges from classical pieces to jazz and meditative music—and even to pop-oriented compositions. While honing his skills in ear-training and composition at the Mozarteum, Salzburg, Nico became acquainted with a wide repertoire of works as a trumpet player with the Munich Symphony Orchestra, The Munich Philharmonic Orchestra, and the Bavarian State Opera, all of which have influenced his writing style. The driving force behind his creative work is a winning combination of passion, the fun of music-making and a desire to express, through the medium of music, feelings that are difficult to put into words. Like many of his works, Nico composed The Joy of Freedom for the „BlechReiz BrassQuintet“. The catchy tune is reworked in a variety of styles throughout the entire work, giving it the quality of a true ‘earworm’. / Date parution : 2023-07-31/ Répertoire / Euphonium et Piano

for Solopart (in C, Eb or Bb) & Organ (Piano). Par SCHWARZ OTTO M.. Un ami a demandé à Otto M. Schwarz de composer un choral pour les funérailles de son enfant. Lux Aeterna (lumière éternelle) est en fait une partie d’un requiem mais dans cette composition il n’y a pas de rapport au texte latin original. Les personnes qui ont vécu des expériences de mort, mentionnent une lumière vive. La musique oscille entre des passages tristes, plein d'espoir et implorants, posant des questions sans réponse. Elle se conclue cependant par un accord majeur apaisé qui reflète le calme et la chaleur de cette lumière laquelle promet le salut. / Date parution : 2023-06-01/ Répertoire / Instrument Solo et Orgue ou Piano

Johannes Brahms Concerto pour violon en Ré majeur op. 77 Editeur: Michael Struck, Linda Correll Roesner Réduction pour piano: Johannes Umbreit Doigtés vl.: Frank Peter Zimmermann Edition Urtext, réduction pour piano, reliure paperback parties avec ou sans indications de doigté Pages: 123 (X, 50, 33, 30), Dimension 23,5 x 31,0 cm N° d'article HN 818 · ISMN 979-0-2018-0818-5 Déjà accueilli avec enthousiasme par les contemporains, l?unique concerto pour violon de Brahms reste encore aujourd?hui un morceau de répertoire majeur. Témoignage de la collaboration fructueuse qui s?était établie entre le compositeur et Joseph Joachim, est la cadence écrite et ajoutée par ce dernier. La réduction pour piano originale de Brahms, particulièrement exigeante sur le plan pianistique, a fait l?objet d?un «élagage» prudent pour la présente édition de la part de Johannes Umbreit. Se basant sur le texte de la «Neue Brahms-Gesamtausgabe» (nouvelle édition complète des ?uvres de Brahms), la présente édition Urtext reproduit en annexe une variante, jusqu?ici inédite dans les éditions pour la pratique, de la cadence de Joachim. Outre les doigtés et annotations originaux, elle présente aussi les propositions de doigté de Frank Peter Zimmermann.?