Conversation Pieces

SKU: HL.49015423

ISBN 9790001083195. 9.0x12.0x0.148 inches.

Lively Conversation * Sad Waltz * An old tale * Swinging Dance * Floating Melody * Skipping Dance * An Argument * Finger Game * Sad Monologue * Boys Dance * Girls Dance * Group Dance * Alone * Round Dance * Sad Song * Twirling Dance * Teaching Notes.

SKU: TL.TCL012890

ISBN 9780857363367.

SKU: ST.C463

ISBN 9790570814633.

This volume contains contrasting works by Federico Ruiz spanning quite a large and rich period of his compositional output that goes from his early Micro-Suite (1971), to lilting, sweet and rhythmic Venezuelan waltzes passing by the mysterious, intimate, and intense Nocturno (1994) plus pieces originally composed for film, and theatre. Real eclecticism in styles, moods and atmospheres that show Ruizâ??s talents and scope.

The Nocturno is a deep, intriguing, substantial piece presenting a satisfying length which moves from different paths of the mind and the heart written in an abstract, chromatic idiom, that does not dissociate itself from the Venezuelan waltz and the joropo. One could perhaps say that there is a deconstruction of the latter. For the interpretation, the composer has suggested to me that it is allowed to have some flexibility in the tempo. Ruiz kindly dedicated it to me, and I have had the pleasure of performing it in many concerts.

Although all highly expressive, the Three Venezuelan Waltzes present in this collection as well as the piece titled Aliseo, are works that are close to the colourful Venezuelan folk tradition. Federico Ruiz had given me two of them when we first met: â??Tu Presenciaâ?? (1981) and â??Eloísaâ?? (1989) and then I attended a performance of the play â??Office Number Oneâ?? by Miguel Otero Silva with a fantastic actor, Elba Escobar in the role of Carmen Rosa and, I just fell in love and was very moved by the incidental music that I later discovered, by reading the programme, had been written by Federico Ruiz. Later that evening, I called him and asked to please make a piano score of the composition, so I could have the desired piece in my hands. That is how â??Carmen Rosaâ? waltz (1987) came to exist in a piano version.

â??Eloisaâ?? is another Venezuelan waltz with more jazzy harmonies where precision in the rhythm and elegant playing is also essential, as it is in most of his pieces.

â??Tu Presenciaâ?? was dedicated to his mother, Margarita. It is written with the structure of the Venezuelan waltz, which consists of a nostalgic subject that leads to a faster, happier middle section where the typical graceful rhythm is given by the left-hand accompaniment figure of a dotted crotchet followed by a quaver and a crotchet.

The craft and magic found in the five movements of the Micro-Suite is based on a dodecaphonic row by Ernst Krenek. They remind us of the idiom of the Second Viennese School. These real miniatures seem to tell short stories. The â??Preludioâ?? is full of humour. I imagine dancing figures given by the jumps all over the keyboard and extreme dynamics; the phrases give the impression of a conversation with many questions and answers. The â??Invenciónâ?? is a kaleidoscopic piece where the hands mirror each other. The â??Passacagliaâ?? is the longest movement, at just over a minute where the prime motif is repeated three times on the bass line. For its construction Federico Ruiz uses as well the retrograde and the retrograde inversion of the twelve-tone series. It must be played expressively with dynamic contrasts between pianissimo and louder events. The â??Scherzoâ?? has repetitive motifs of a minor third in both hands and the â??Finalâ?? displays virtuosic passages for the pianist.

Aliseo was originally written for the film â??Aire libreâ? (1995), by Luis Armando Roche. It contains elements of diverse types of Venezuelan joropo. In the film, the character of Aliseo Carvallo is played by the composer himself who performs this piece on a harpsichord to welcome scientists Alexander von Humboldt and Aimé Bonpland one day at the turn of the 1800â??s, as a sample of the new music from the South American land. It presents the refinement of the late European classical era in fusion with Venezuelan folk music.

SKU: AP.6-828476

ISBN 9780486828473. English.

Name an iconic Sixties rock moment and Ellen Sander was probably there. A beautifully written, sweeping yet intimate account of America's cultural awakening in that decade. Massively entertaining -- Rolling Stone.

As a pioneering rock journalist for Hit Parader, Vogue, Saturday Review, and other publications, Ellen Sander had a backstage pass to the hottest music scenes of the 1960s. In this feast of juicy anecdotes and keen social commentary, she draws upon her professional and personal experiences to chronicle pop culture's highs and lows during the turbulent decade. Join her for weird and wild road trips with companions ranging from Yippies to the members of Led Zeppelin. Stops along the way include the folk music clubs of Greenwich Village, Haight-Ashbury in its riotous heyday, and the euphoric festivals at Monterey and Woodstock.
It is a memoir, a sourcebook, and a love letter, Sander writes, a recollection of a time, parenthesized by ambivalence and apathy, a search for the ultimate high, a generation with an irrepressible vision, its art, artists, its audience, and the substance of its statement. This expanded edition of Trips adds The Plaster Casters of Chicago, Sander's seminal piece on groupie culture, the lengthy Concerts and Conversations, as well as a new Preface and chapter postscripts.

Simply one of the best pieces of rock reportage ever written. -- Los Angeles Review of Books.

SKU: SU.80101518

An eclogue is defined as a a pastoral or idyllic poem, usually in the form of a conversation or soliloquy. These seven musical eclogues were originally written as separate pieces. However, they can be played individually or in any combination as needed for recital or service use. Contains: Eclogue in C, Eclogue in D, Eclogue in E, Eclogue in F, Eclogue in G, Eclogue in A and Eclogue in BOrgan Duration: 30’ Composed: 2022 Published by: Zimbel Press.