My Heavy Load

SKU: AP.44993S

UPC: 038081517902. English.

In July, 2013, the wreckage of a commercial schooner named Atlas was discovered in Lake Ontario in nearly 300 feet of water just outside the Port of Oswego, NY. The Atlas was carrying a load of limestone meant for the U.S. government harbor in Oswego on the day of its fateful journey in May, 1839. Only two miles from port, a gale-force wind rocked the ship and its heavy load shifted, causing the vessel to sink and all of its crew members to perish. This piece was written to portray the majesty of Lake Ontario as well as the brave sailors, young and old, who navigated her volatile waters. (4:50) This title is available in MakeMusic Cloud.

SKU: CA.2709700

ISBN 9790007188948. Key: E flat major. Latin.

Carl Maria von Weber wrote his Missa sancta no. 1 in E flat major in just two months, despite his heavy workload as Kapellmeister at the Dresden court. The work acquired the nickname Freischutz Mass because the composer interrupted work on his opera of the same name in January and February 1818 to compose the mass. And so Weber presented himself to his new employer King Friedrich August I of Saxony as a versatile composer, for as well as his main task of developing a German opera alongside the existing Italian opera at court, his duties also included writing church music. In the Mass Weber responded to the local conditions in a particular way: he took into account liturgical practice at the Dresden court by adding an Offertorium to the sections of the mass ordinary, setting this as a bravura aria specially written for the Dresden star soprano Filippo Sassaroli. Because of the reverberant acoustics in the Hofkirche, he avoided rapid changes of harmony. Although the Mass was perceived as too operatic by critics, it was very well received by audiences and also pleased the King. * Practically oriented edition based on the sources, performance material available on sale for the first time * Easy to medium difficulty level * Text of the Mass includes an Offertorium in accordance with liturgical practice at the Dresden court at the time.

SKU: CA.2709713

ISBN 9790007261764. Key: E flat major. Latin.

Carl Maria von Weber wrote his Missa sancta no. 1 in E flat major in just two months, despite his heavy workload as Kapellmeister at the Dresden court. The work acquired the nickname Freischutz Mass because the composer interrupted work on his opera of the same name in January and February 1818 to compose the mass. And so Weber presented himself to his new employer King Friedrich August I of Saxony as a versatile composer, for as well as his main task of developing a German opera alongside the existing Italian opera at court, his duties also included writing church music. In the Mass Weber responded to the local conditions in a particular way: he took into account liturgical practice at the Dresden court by adding an Offertorium to the sections of the mass ordinary, setting this as a bravura aria specially written for the Dresden star soprano Filippo Sassaroli. Because of the reverberant acoustics in the Hofkirche, he avoided rapid changes of harmony. Although the Mass was perceived as too operatic by critics, it was very well received by audiences and also pleased the King. * Practically oriented edition based on the sources, performance material available on sale for the first time * Easy to medium difficulty level * Text of the Mass includes an Offertorium in accordance with liturgical practice at the Dresden court at the time.

SKU: CA.2709714

ISBN 9790007261771. Key: E flat major. Latin.

Carl Maria von Weber wrote his Missa sancta no. 1 in E flat major in just two months, despite his heavy workload as Kapellmeister at the Dresden court. The work acquired the nickname Freischutz Mass because the composer interrupted work on his opera of the same name in January and February 1818 to compose the mass. And so Weber presented himself to his new employer King Friedrich August I of Saxony as a versatile composer, for as well as his main task of developing a German opera alongside the existing Italian opera at court, his duties also included writing church music. In the Mass Weber responded to the local conditions in a particular way: he took into account liturgical practice at the Dresden court by adding an Offertorium to the sections of the mass ordinary, setting this as a bravura aria specially written for the Dresden star soprano Filippo Sassaroli. Because of the reverberant acoustics in the Hofkirche, he avoided rapid changes of harmony. Although the Mass was perceived as too operatic by critics, it was very well received by audiences and also pleased the King. * Practically oriented edition based on the sources, performance material available on sale for the first time * Easy to medium difficulty level * Text of the Mass includes an Offertorium in accordance with liturgical practice at the Dresden court at the time.

SKU: CA.2709719

ISBN 9790007253363. Key: E flat major. Latin.

Carl Maria von Weber wrote his Missa sancta no. 1 in E flat major in just two months, despite his heavy workload as Kapellmeister at the Dresden court. The work acquired the nickname Freischutz Mass because the composer interrupted work on his opera of the same name in January and February 1818 to compose the mass. And so Weber presented himself to his new employer King Friedrich August I of Saxony as a versatile composer, for as well as his main task of developing a German opera alongside the existing Italian opera at court, his duties also included writing church music. In the Mass Weber responded to the local conditions in a particular way: he took into account liturgical practice at the Dresden court by adding an Offertorium to the sections of the mass ordinary, setting this as a bravura aria specially written for the Dresden star soprano Filippo Sassaroli. Because of the reverberant acoustics in the Hofkirche, he avoided rapid changes of harmony. Although the Mass was perceived as too operatic by critics, it was very well received by audiences and also pleased the King. * Practically oriented edition based on the sources, performance material available on sale for the first time * Easy to medium difficulty level * Text of the Mass includes an Offertorium in accordance with liturgical practice at the Dresden court at the time.

SKU: HL.392326

UPC: 716408504490. 18.5x44.0x4.0 inches.

The Gator Lightweight Gig Bag for Dreadnought Guitars (GBE-DREAD) offers the rudimentary protection of a softshell bag as well as the heavy-duty durability of a Gator case. The rugged nylon exterior is resistant to rips, tears, and moisture while a top-to-bottom heavy-duty side zipper enclosure allows for easy loading and unloading. Inside, 10mm of foam core padding provides extra protection. A single exterior zipper pocket provides ample space for your favorite guitar strings, picks, and accessories. Keep your dreadnought guitar safe with the Gator GBE-DREAD Lightweight Gig Bag.

SKU: HL.1105208

UPC: 663961058666. 17.5x18.5x30.0 inches.

SRT212 - 12″ 1600W Professional Powered Loudspeaker SRT™ Professional Powered Loudspeakers are designed for real-world working musicians, DJs, events, venues, and beyond. The latest acoustic processing technology, powerful amplifiers, and the ultra-versatile SRT Mix Control™ means easy setup, incredible sound, and unbeatable reliability. Built-Like-A-Tank™ construction features rugged molded cabinets and tough steel grilles that are built to last. As the larger gigs come rolling in, your audience gets bigger, and your needs demand better sound and flexibility, SRT is YOUR Next Big Thing. • A True Workhorse for Gigging Professionals • Powerful 1600W Class-D amplifiers designed for ultra-reliable, consistent performance • Custom high-efficiency transducers ensure maximum clarity and accuracy • Built-Like-A-Tank™ to conquer every gig while lightweight for easy loading • Universal Power Supply (100-240VAC) with Power Factor Correction for stable operation even with unstable AC power • Advanced Impulse™ DSP - Proprietary Acoustic Tuning • Crystal clear sound across the entire dispersion zone means the whole room is the sweet spot • Custom Sym-X™ Horn • Allows for total efficiency from the HF transducer minimizing distortion and increasing output • Creates a perfectly symmetrical, flat response at the crossover point for exceptionally smooth midrange • The horn-loading frequency is set below the HF drivers' LF capability allowing for maximum efficiency and optimal performance at the crossover point • Transparent System Limiting and Protection • Dedicated processing module monitors and protects the amplifier in real time • Sound quality and tonal balance is maintained even under heavy limiting • Utilizing powerful multi-band compression, the amplifier can target specific frequency ranges to prevent the system from being overloaded rather than turn everything down at the expense of overall output • Input limiting keeps your source signal in check so if you're sending audio that's a bit too hot, the speaker will cool it down • SRT Mix Control™ Built-in 4-Channel Digital Mixer with Bluetooth® • Dual independent channels that support mic, line, and instrument signals • Dedicated 1/8″ stereo aux channel • Stream music from any Bluetooth® enabled device • Complete Wireless Control via the SRT Connect™ App • Wirelessly link SRT speakers together for music streaming applications plus complete control over both speakers • Versatile configuration options • Step up your low-end with the SR18S Powered Subwoofer.