Concerto for violin in E major

Considéré par beaucoup comme le dernier représentant du classicisme viennois, Ludwig Van Beethoven, mort à 57 ans est un génie qui a composé quantité d'oeuvres dont Concerto D major op. 61 for Violin and Orchestra pour Violon et plus particulièrement pour Violon Et Piano. Ce sont les éditions Henle qui ont éditées cette oeuvre de Ludwig Van Beethoven. Il ne vous reste plus qu'à la jouer. / Violon Et Piano / Chanson En Séparée

Bériot's Concert No. 9 for Violin and Piano-Parisian violinist Georges Catherine (1872-1958) compiles an exciting collection for the Violin repertoire. The first solo from B?riot''s Concerto No. 9 is clearly printed with a helpful key of unusual techniques. Charles Auguste de B?riot (1802-1870) was a Belgian violinist and composer. He composed a significant 10 concertos for the Violin which remain popular in the advanced violinist''s repertoire as well as many study books for the instrument. The Violin solo line of Concerto No. 9 makes use of extended techniques including harmonics bow techniques articulations and handpositions. Catherine''s series First Solos extracted from the Classic Concertos provides essential access to significant repertoire of the Violin preparing advanced violinists for the major concertos.

Oskar Rieding (1840 1918) is known to all young violinists for his easy-to-play concertos for violin and piano of which Opp.34 to 36 remain entirely in first position. In Op.36 catchy melodies are coupled with first technical difficulties such as eighth-note arpeggios 16th-note runs and chromaticism. These appear in small measures throughout the entire work. The Concerto in D major is well-suited for younger student recitals.Concert piece entirely in first positionIdeal for students wishing to perform their first recitalDuration: approx. 10 minutesBärenreiter's Concert Pieces

Written in the year 1775, Mozart's lively violin concerti manifest the young composer's astonishing maturity and command of his craft. An incredible fluency of musical speech ? richness of texture and sheer beauty of melodic line pervade this music (Veims, The Concertos). Indeed, the concerti are the composer's earliest compositions that have maintained a secure position in the world's repertoire. Also a staple of the concert hall is the Sinfonia Concertante, K.364, composed in 1779, and scored for violin, viola, and orchestra. Undoubtedly the most significant work Mozart composed that year, the piece is distinguished by its symphonic sweep, advanced harmonies, and the beautiful slow movement, among Mozart's most moving creations. Now all six masterpieces are available in this convenient, inexpensive edition.

Concerto no. 24 (Viotti)-Parisian violinist Georges Catherine (1872-1958) compiles an exciting collection for the Violin repertoire. The first solo from Viotti's Concerto No. 24 is clearly printed with a helpful key of unusual techniques. Viotti (1755-1824) was an Italian Violin virtuoso. He composed a significant 29 concertos for the Violin which remain popular in the advanced violinist's repertoire. The Violin solo line of Concerto No. 24 makes use of extended techniques including harmonics bow techniques articulations and hand positions. Catherine's series  Premiers Solos Extraits De ConcertosClassiques provides essential access to significant repertoire of the Violin preparing advanced violinists for the major concertos.

for Flute Violin Violoncello Strings and Basso continuo-Concerto for Flute Violin Violoncello Strings and Basso Continuo in A major (TWV 53:A2)Tafelmusik IIf Telemann was regarded by his contemporaries as one of the greatest of all composers his star faced with the overwhelming presence of Bach and Handel paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the last century. Through the systematic exploration of his music Telemann once considered purely an instrumental composer has emerged into a highly cultivated culturally well-connected and enormously versatile artistic personality who left an indelible mark on the musical life of his time.Again and again we discover an individual approach in his works that seems to abandon the musical conventions of his day both large and small.The Tafelmusik (Musique de Table) is a collection of chamber pieces for various ensembles arranged into 3 parts and is perhaps Telemann's most celebrated collection of music. Composed in 1733 the Tafelmusik clearly demonstrates Telemann's skill in handling a diversity of musical genres and a variety of instruments.- Urtext of the Telemann Edition

Authoritative Urtext edition of Johann Sebastien Bach's Brandenburg Concerto No.5 in D Major BWV 1050. Includes the ''Early Version'' BWV 1050a.The six Brandenburg Concertos BWV 1046-1051 prized jewels of the world's musical heritage were written in 1721 during Bach?s appointment in Cöthen. Of the six works Bach originally wrote earlier versions of numbers 1 and 5 which differ not only with regard to articulation but also at times different tones different rhythms instrumentation and of course form. These Urtext publications taken from the New Bach Edition now give performers the possibility toplay these earlier versions perhaps even along side the version known today.

G Major / Sol majeur / G-Dur-Le violiniste et pédagogue allemand Oskar Rieding est célèbre jusquà nos jours grâce à ses concertos faciles pour violon destinés aux débutants. La présente édition vous propose son Concerto pour violon et piano op. 34 en Sol majeur qui faitpartie du répertoire standard de tous les élèves de violon. Ce concerto peut être joué entièrement dans la première position. Notre édition vous offre la possibilité de travailler loeuvre dune manière systématique dans trois différents tempos avecun accompagnement professionnel.

Cadenzas for the Violin Concerto D major op. 61-Authoritative Henle Urtext edition of Ludwig van Beethoven's Violin Concerto D Op.61 Cadenzas. With foreword and transcription after Beethoven's original cadenzas for the piano version by Wolfgang Schneiderhan.

Concerto no. 29 (Viotti)-Parisian violinist Georges Catherine (1872-1958) compiles an exciting collection for the Violin repertoire. The first solo from Viotti's Concerto No. 29 is clearly printed with a helpful key of unusual techniques. Viotti (1755-1824) was an Italian Violin virtuoso. He composed a significant 29 concertos for the Violin which remain popular in the advanced violinist's repertoire. The Violin solo line of Concerto No. 29 makes use of extended techniques including harmonics bow techniques aritculations fast semiquavers and double stops. Catherine's series First Solos Extracted From TheClassic Concertos provides essential access to significant repertoire of the Violin preparing advanced violinists for the major concertos.

D major-Johannes Brahms' Violin Concerto written for his friend Joseph Joachim has remained a standard in the concert literature since its first performance. No scholarly critical edition of this work has ever been published and therefore the many sometimes conflicting sources have never been evaluated for a critical performing edition. Not only Brahms' autograph score solo part and autograph Piano reduction but also his personal copies of the first edition score as well as the first edition orchestral parts have all been consulted. Clive Brown’s edition offers insights into the genesis of the composition and the working relationshipbetween Brahms and Joachim. The critical commentary comments on all discrepancies in the sources. The critical edition of Brahms' own Piano reduction is at the same time a performing edition and includes an informative introduction as well as comments on performance practice. In addition the Piano reduction includes a separate brochure with not only the well known Joachim cadenza but also those by J. Halir H. Heermann L. Auer and F. Busoni. An informative preface (Ger/Eng) with references to performance practice and a critical commentary are included in the edition First scholarly critical edition of this standard work Critical commentary (Eng) Insightful comments on performance practice An Urtext Violin part and an additional Violin part marked with fingering and bowing suggestions by Joseph Joachim Valuable cadenza brochure with cadenzas by Joachim Halir Heermann Auer and Busoni Full score critical commentary & parts (BA9049) and Violin & Piano reduction (BA9049-90) and study score (TP949) available for sale

Beriots Concert No. 9-Parisian violinist Georges Catherine (1872-1958) compiles an exciting collection for the Violin repertoire. The first solo from Bériot's Concerto No. 7 is clearly printed with a helpful key of unusual techniques. Charles Auguste de Bériot (1802-1870) was a Belgian violinist and composer. He composed a significant 10 concertos for the Violin which remain popular in the advanced violinist's repertoire as well as many study books for the instrument. The Violin solo line of Concerto No. 7 makes use of extended techniques including harmonics bow techniques aritculations and handpositions. Catherine's series First Solos Extracted From The Classic Concertos provides essential access to significant repertoire of the Violin preparing advanced violinists for the major concertos.