Format : Score
SKU: PE.EP9458A
ISBN 9790014107857.
Concerto in A Minor Op.3 No.8 -.
SKU: HL.49045864
ISBN 9790001163637. UPC: 841886030374. 9.0x12.0x0.106 inches. German - English - French.
The concertos by Oskar Rieding (1840-1918) rank among the 'classics' of teaching literature. The Concerto in B minor in particular is one of the most frequently performed violin concertos for pupils and a wonderful introduction to the world of solo violin repertoire, focusing on tonal beauty at an easy technical level.
SKU: HL.49046044
ISBN 9790001163033. UPC: 888680925796. 9x12 inches.
This edition of the Violin Concerto in A minor is tailored to today's common style of violin playing as well as historically informed performance practice. In the appendix of the solo part, the version of the Bach Complete Edition is also printed allowing the violinist to create their own interpretation.
Beethoven's cadenzas for his Piano Concerti (hard-bound facsimile edition of the composer's manuscript, in four true-to-the-original colors)
SKU: BT.EMBZ3769
English-German-Hungarian.
The source of the present edition of the Oboe Concerto in A minor by Antonio Vivaldi is the Collected Works of Vivaldi, edited by Malipiero, published by Ricordi 1955. The title of the original score is Concerto in La minore per oboe, archi e cembalo the original setting: Oboe, Violini I-II, Viole, Violoncelli, Contrabassi and Cembalo. The arrangement for oboe and piano is kept in accurate conformity with the musical text of score, the continuo part - however - has been more freely adapted (of course within the possibilities of baroque style). The piano part contains the entire orchestral material in the Tutti-s, thus the soloist is not obliged to play all the Tutti parts.However, in Movement I and III the first and last Tutti may never be omitted by the performer. Die Grundlage dieser Ausgabe des Oboenkonzertes in A-Moll von Antonio Vivaldi ist die von Malipiero redigierte Gesamtausgabe (Ricordi, 1955). Der Titel der Originalpartitur lautet: Concerto in La minore per oboe, archi e cembalo: die Besetzung ist folgende: Oboe, Violini I-II, Viole, Violoncelli, Contrabassi, Cembalo. Die Ausgabe für Oboe und Klavier ist dem Urtext der Partitur getreu, doch ist die Ausarbeitung des Continuos etwas freier behandelt (natürlich nur im Rahmen der vom Stil der Barockmusik gebotenen Möglichkeit). Die Klavierstimme enthält an den Tuttistellen das Stimmaterial des ganzen Orchesters: der Solist ist daher nicht verpflichtet, sämtliche Tuttimitzuspielen. (Im I. und III. Satz dürfen jedoch die ersten und letzten Tutti vom Solisten nicht weggelassen werden.