Johannes Brahms: A First Book of Brahms: Piano: Instrumental Album

Thirty-seven easy pieces for Piano by various composers written 1830-1950. The pieces in this album are suitable for Grades 3-4 and have been selected to provide a variety of tempi styles and moods. With a composer background with each piece and includeing works by Brahms Grieg Kabelevsky and Bridge this is a fabulous volume of satisying pieces to add to your repertoire.

Brahms composed his ?Violin Sonata In A Major? during the summer of 1886. The work quickly became part of the standard repertoire and has remained so until today. It is presented here in a fine Bärenreiter Urtext edition and comes with an unmarked Urtext part as well as a second part marked with fingering and bowing by Clive Brown which are based on the practices of Brahms? contemporaries.An important part of this edition is the extensive preface. Firstly it informs about the works? origins its compositional process pre-publication performances its publication history as well as early reception. Truly remarkable is theunique Performance Practice Commentary. Here the editors take the premise that already a few decades after Brahms? death a widening gulf developed between the composer?s expectations and the performance practices of the early 20th century. In a very concrete and practical way the editors summarize some of the key issues in understanding Brahms? notation with regard to rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding Piano arpeggiation and dislocation string instrument fingering string instrument harmonics and vibrato. In this way the edition offers an exciting and often surprising insight in Romantic musical interpretation.A pioneering Urtext edition.With an unmarked Urtext part.With a second part including fingering and bowing based on the practices of Joseph Joachim and other contemporaries of Brahms.With an extensive Performance Practice Commentary.For further information on Romantic performance practice we recommend: ?Performance Practices in Johannes Brahms? Chamber Music? text booklet BA 9600.

Sonata WoO postum for Violin and Piano-Edited by Clive Brown and Neal Peres Da Costa with an Urtext solo part as well as a second part with performance markings.Johannes Brahms The Works for one Instrument and Piano:Johannes Brahms? compositions for one instrument and Piano have been standards in chamber music literature ever since their inception. These works were written with specific performers in mind and Brahms worked closely with them when refining the final texts. Nevertheless we rarely approach the music taking into consideration the possibilities of the instruments for which Brahms wrote or the performing practices of the individual playerswho first performed these compositions including Brahms himself.The New Urtext Editions:Bärenreiter?s pioneering new scholarly-critical editions of Brahms? works for one instrument and Piano are edited by a team of musicologists who are also performers. They offer today?s musicians not just a reliable musical text based on all known sources but also a comprehensive approach to the works which aims to place them in their historical context and to elucidate the complex of meanings that the composer wished his notation to convey to performers.In addition to the musical text these editions offer an informative Introduction laying out the genesis publication history and reception of the works. At the same time there is a complete list of the sources an explanation of the editorial procedures and a Critical Commentary. Also each volume contains a detailed discussion of specific performing practice issues raised by individual works.An integral part of Bärenreiter?s Brahms publication complex is a text booklet which approaches general performance practice issues of the 19th century with regard to e.g. tempo rubato rhythmic flexibility and articulation. Furthermore musicians will find valuable information concerning vibrato portamento and bowing. Last but not least characteristics of Brahms? own Piano playing as well as that of his circle and contemporaries are discussed.The Violin and Viola sonata editions come not only with an Urtext part freed from all editorial emendations but also with an

A superb collection of 75 Brahms songs edited by Richard Walters Laura Ward and Elaine Schmidt. Includes historical notes and early history of each song as well as line by line translations on the first page of music.

Description The First Book Of Tenor Solos Part II Compiled by Joan Frey Boytim. Each volume contains several very easy songs, progressing to moderate difficulty. Songlist A Kingdom By The Sea [Somervell, Arthur] Adieu [Faure, Gabriel] An Die Geliebte (To The Beloved) [Beethoven, Ludwig Van] Ave Maria [Saint-Saens, Camille] Bonjour Suzon! (Good Morning Sue!) [Delibes, Leo] Down By The Sally Gardens [Hughes, Herbert] Du Bist Wie Eine Blume (Thou'rt Like Unto A Flower) [Schumann, Robert] El Trobador (The Troubador) [Kilenyi, Edward] Every Day Is Ladies' Day With Me [Herbert, Victor] Fame's An Echo [Arne, Thomas] Fishermaiden,The [Schubert, Franz] Forget Me Not [Bach, Johann Sebastian] In Der Fremde (In A Foreign Land) [Schumann, Robert] Incline Thine Ear [Charles, Ernest] It Was A Lover And His Lass [Coates, Eric] Leichte Segler In Den Hohen (An Die Ferne Geliebte) [Beethoven, Ludwig Van] Linden Lea [Vaughan Williams, Ralph] Love Quickly Is Pall'd [Purcell, Henry] My Lovely Celia [Munro, George] Nobody Knows The Trouble I've Seen O Come, O Come, My Dearest [Arne, Thomas] O Del Mio Amato Ben [Donaudy, Stefano] On Richmond Hill There Lives A Lass [Hook, James] Panis Angelicus [Franck, Cesar] Phillis Has Such Charming Graces [Young, Anthony] Russian Picnic [Enders, Harvey] Sea Fever [Ireland, John] Sonntag (Sunday) [Brahms, Johannes] Stille Sicherheit (Hark! How Still) [Franz, Robert] The Birthday Of A King [Neidlinger, Gustav] The Cloths Of Heaven [Dunhill, Thomas F.] Un Doux Lien (Tender Ties) [Delbruck, Alfred] Wanderers Nachtlied (Wanderer's Night Song) [Schubert, Franz] Weep You No More [Quilter, Roger] What Songs Were Sung [Niles, John Jacob] Where E'er You Walk [Handel, George Frideric] Who Is Sylvia? [Coates, Eric]

Expert Level (correlates with Book 2 p. 30)One of Brahms' most recognized themes in a smart version for developing players.

Brahms composed his ?Violin Sonata In D Minor? during the summer of 1886. The work quickly became part of the standard repertoire and has remained so until today. It is presented here in a fine Bärenreiter Urtext edition and comes with an unmarked Urtext part as well as a second part marked with fingering and bowing by Clive Brown which are based on the practices of Brahms? contemporaries.An important part of this edition is the extensive preface. Firstly it informs about the works? origins its compositional process pre-publication performances its publication history as well as early reception. Truly remarkable is theunique Performance Practice Commentary. Here the editors take the premise that already a few decades after Brahms? death a widening gulf developed between the composer?s expectations and the performance practices of the early 20th century. In a very concrete and practical way the editors summarize some of the key issues in understanding Brahms? notation with regard to rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding Piano arpeggiation and dislocation string instrument fingering string instrument harmonics and vibrato. In this way the edition offers an exciting and often surprising insight in Romantic musical interpretation.A pioneering Urtext edition.With an unmarked Urtext part.With a second part including fingering and bowing based on the practices of Joseph Joachim and other contemporaries of Brahms.With an extensive Performance Practice Commentary.For further information on Romantic performance practice we recommend: ?Performance Practices in Johannes Brahms? Chamber Music? text booklet BA 9600.

Par . Beginning pianists of all ages will cherish this excellent compilation of classics. Each piece was carefully selected and simplified to help students develop their skills. Many of the greatest composers ? J. S. Bach, Beethoven, Brahms, Mendelssohn, Mozart, Rimsky-Korsakov, Rachmaninoff, Tchaikovsky, and others ? are represented by several pieces each, some newly adapted for the piano. Composers and works not usually featured in beginner\'s books include pieces by Borodin, Gluck, Rameau, and Tallis. Well-known classics include Bach\'s Brandenburg Concerto No. 3, Debussy\'s Claire de Lune, Moussorgsky\'s Pictures at an Exhibition, Satie\'s Gymnopedie No. 1, Schumann\'s Child Falling Asleep, and \'Spring\' from Vivaldi\'s Four Seasons. Several orchestral pieces have been newly adapted for the piano, including \'Dance of the Swan\' from Swan Lake, \'Elephant\' from Carnival of the Animals, \'Largo\' from Xerxes, and \'Waltz of the Flowers\' from The Nutcracker. / Date parution : 2022-11-12/ Recueil / Piano

Third edition of the world's biggest songbook. This is a vast bumper collection, perfect for buskers, of 1001 all-time hit songs.Whatever your taste, there's guaranteed to be tonnes of songs you'll want to play, this book will last you years!Inside the spiral bound cover you will find a generous selection of hit songs, golden standards, jazz and blues numbers, classical pieces, hymns, gospel songs, stage, film and musical music! Arranged here in Melody line arrangements for Piano, Organ, Electronic Keyboards, Guitar and all C instruments, complete with lyrics and chord symbols. / Ligne Mélodique, Paroles Et Accords (Avec Grilles D'Accords)