| Oboe Concerto in A minor (Concerto per Oboe ed Orchestra in a) Carus Verlag
Oboe solo, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, Trom...(+)
Oboe solo, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, Trombone, Timpani, 4 Strings SKU: CA.4057611 Oboenkonzert. Composed by Hugo Schuncke. Oboenkonzert. Single Part, Violin 1. 12 pages. Duration 25 minutes. Carus Verlag #CV 40.576/11. Published by Carus Verlag (CA.4057611). ISBN 9790007219093. Key: A minor. Language: all languages. An oboe concerto from the romantic era? Embarassingly, due to the small amount of solo literature for the instrument from this period, this question often asked of oboists, must be answerded with a reference to the few small concert pieces and sets of variations available. The A minor Concerto by Hugo Schuncke, who was a musician at the Court of Stuttgart, fills a need. The work consists of three movements: a virtuoso Allegro, a pastorale Andante and a rhythmic, exciting Bolero in rondo form. Score and part available separately - see item CA.4057600. $7.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Oboe Concerto in A minor (Concerto per Oboe ed Orchestra in a) Carus Verlag
Oboe solo, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, Trom...(+)
Oboe solo, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, Trombone, Timpani, 4 Strings SKU: CA.4057612 Oboenkonzert. Composed by Hugo Schuncke. Oboenkonzert. Single Part, Violin 2. 12 pages. Duration 25 minutes. Carus Verlag #CV 40.576/12. Published by Carus Verlag (CA.4057612). ISBN 9790007219109. Key: A minor. Language: all languages. An oboe concerto from the romantic era? Embarassingly, due to the small amount of solo literature for the instrument from this period, this question often asked of oboists, must be answerded with a reference to the few small concert pieces and sets of variations available. The A minor Concerto by Hugo Schuncke, who was a musician at the Court of Stuttgart, fills a need. The work consists of three movements: a virtuoso Allegro, a pastorale Andante and a rhythmic, exciting Bolero in rondo form. Score and part available separately - see item CA.4057600. $7.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Concerto in C minor Breitkopf & Härtel
Trio (ob,vl,str,bc) SKU: BR.MR-1642B Set of parts. Composed by Ant...(+)
Trio (ob,vl,str,bc) SKU: BR.MR-1642B Set of parts. Composed by Antonio Vivaldi. Edited by David Lasocki. Chamber music; Softcover. Musica Rara. Solo concerto; Baroque. Score and parts. 52 pages. Breitkopf and Haertel #MR 1642b. Published by Breitkopf and Haertel (BR.MR-1642B). ISBN 9790004483237. 9 x 12 inches. In recent years significant numbers of manuscripts of instrumental pieces by Antonio Vivaldi have been discovered in libraries in Austria (Vienna), Norway (Trondheim}, Poland (Danzig), and especially Sweden (Uppsala, Stockholm, Skara, Lund). Included among these manuscripts are a few pieces for woodwind instruments at least as attractive as those known from the Vivaldi manuscripts in Dresden and Turin. Three of them, a flute sonata in E minor, a trio sonata for 2 oboes and basso continuo, and the present concerto for oboe, violin and orchestra in C minor will be published by Musica Rara under my editorship. David Lasocki, Iowa City, Iowa, U.S.A., December 1971. $39.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Concerto for Violin and Orchestra in E minor, op. 64 Orchestra, Violin Barenreiter
2 flutes,2Ob,2Clar.,2Bas.,2 horn,2 trumpet,Timp. (Flutes (2), Oboes (2), Clarine...(+)
2 flutes,2Ob,2Clar.,2Bas.,2 horn,2 trumpet,Timp. (Flutes (2), Oboes (2), Clarinets (2), Bassoons (2), Horns (2), Trumpets (2), Timpani) SKU: BA.BA09099-65 Composed by Felix Bartholdy Mendelssohn. Edited by R. Larry Todd. This edition: urtext edition. Stapled. Barenreiter Urtext. Set of wind parts. Opus 64. 12/8/10/8/14/12/12/10/8/8/6/6/6 pages. Baerenreiter Verlag #BA09099_65. Published by Baerenreiter Verlag (BA.BA09099-65). ISBN 9790006565672. 32.5 x 25.5 cm inches. Key: E minor. WithElverskud(The Erl-Kings Daughter), Gade presented his secondsecular cantata for soloists, choir and orchestra, the first having been his successfulComalaOp. 12 (1845/46). The genre was quite popular among his contemporaries. This time, Gade planned to base the work on the text of a folk song. Originally, he had approached Hans Christian Andersen for a text but a collaboration did not materialize. The text Gade ultimately chose for his music was that of a ballad most likely penned by Emil Erslev and Gade himself. A German translation by Edmund Lobedanz was added at a later time.
The composition, started in 1851 and finished in March of 1854, soon became an international success and one of Gade's most-performed works. In 1864, the composer made a number of changes to the instrumentation. While the new version was subsequently used for all performances conducted by Gade, the changes were never incorporated into the printed edition of the score. This edition is the first to present this 1864 version.
About Barenreiter Urtext Orchestral Parts Why musicians love to play from B�¤renreiter Urtext Orchestral Parts - Urtext editions as close as possible to the composerâ��s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
$96.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Peter Maxwell Davies: Strathclyde Concerto No. 6 (Flute Part) Flute and Piano Chester
Flute and Piano (Score) SKU: HL.14008426 Strathclyde Concerto No. 6 (F...(+)
Flute and Piano (Score) SKU: HL.14008426 Strathclyde Concerto No. 6 (Flute Part). Composed by Sir Peter Maxwell Davies. Music Sales America. Classical. Book [Softcover]. Composed 1999. 60 pages. Chester Music #CH61024. Published by Chester Music (HL.14008426). ISBN 9780711942042. The solo flute here is kept in high profile by the absence from the orchestra not only of other flutes, but also of violins and oboes; in addition, the trumpets are used sparingly (they do not, for instance, play in the slow movement), so that for much of the time the flute is playing against a mellow ensemble of clarinets, horns, bassoons and low strings. If this is, nevertheless, one of Davies's most open-spirited pieces, that comes partly from the ready flights of the soloist, partly from its glockenspiel accompaniments in the outer movements (replaced by ticking claves in the Adagio), partly from the dancing character of so much of the music, and partly from the harmonic clarity, in a light region not far from C minor. Flute part with piano reduction of the orchestral score. $27.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Concerto in G Minor for 2 Flutes 2 Oboes 2 Bassoons Violin Strings and Basso Continuo RV577 Orchestra Ricordi
Concerti Per Complessi Vari Con Orchestr SKU: HL.50041730 Score. C...(+)
Concerti Per Complessi Vari Con Orchestr SKU: HL.50041730 Score. Composed by Antonio Vivaldi. Edited by Angelo Ephrikian. Orchestra. Classical. Score Only. Composed 1984. Ricordi #PR263. Published by Ricordi (HL.50041730). UPC: 073999656770. 8.0x10.75x0.229 inches. $25.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Organ Concerto no. 15 in d minor Carus Verlag
Organ, 2 oboes, bassoon, 2 violins, viola, basso continuo SKU: CA.4054811 ...(+)
Organ, 2 oboes, bassoon, 2 violins, viola, basso continuo SKU: CA.4054811 Composed by George Frideric Handel. German title: Concerto D'Organo Nr.15 In D. Single Part, Violin 1 and 2. HWV 304. 2 pages. Carus Verlag #CV 40.548/11. Published by Carus Verlag (CA.4054811). ISBN 9790007072278. Language: all languages. $2.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Organ Concerto no. 10 in D minor [Part] Carus Verlag
By George Frideric Handel (1685-1759). For organ, 2 oboes, bassoon, 2 violins, v...(+)
By George Frideric Handel (1685-1759). For organ, 2 oboes, bassoon, 2 violins, viola, basso continuo. German title: Concerto d'organo Nr.10 in d. Free organ music. Part: violin 2. Language: all languages. HWV 309 Op. 7, No. 4. 8 pages. Published by Carus Part Free organ music
$3.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Organ Concerto no. 11 in G minor Carus Verlag
Organ, 2 oboes, bassoon, 2 violins, viola, basso continuo SKU: CA.4054312 ...(+)
Organ, 2 oboes, bassoon, 2 violins, viola, basso continuo SKU: CA.4054312 Composed by George Frideric Handel. German title: Concerto D'Organo Nr.11 In G Op.7,5. Single Part, Violin 2. HWV 310. 4 pages. Carus Verlag #CV 40.543/12. Published by Carus Verlag (CA.4054312). ISBN 9790007072001. Language: all languages. $3.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Organ Concerto no. 11 in G minor Carus Verlag
Organ, 2 oboes, bassoon, 2 violins, viola, basso continuo SKU: CA.4054311 ...(+)
Organ, 2 oboes, bassoon, 2 violins, viola, basso continuo SKU: CA.4054311 Composed by George Frideric Handel. German title: Concerto D'Organo Nr.11 In G Op.7,5. Single Part, Violin 1. HWV 310. 4 pages. Carus Verlag #CV 40.543/11. Published by Carus Verlag (CA.4054311). ISBN 9790007071998. Language: all languages. $3.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Organ Concerto no. 11 in G minor Carus Verlag
Organ, 2 oboes, bassoon, 2 violins, viola, basso continuo SKU: CA.4054313 ...(+)
Organ, 2 oboes, bassoon, 2 violins, viola, basso continuo SKU: CA.4054313 Composed by George Frideric Handel. German title: Concerto D'Organo Nr.11 In G Op.7,5. Single Part, Violin 3. HWV 310. 4 pages. Carus Verlag #CV 40.543/13. Published by Carus Verlag (CA.4054313). ISBN 9790007072018. Language: all languages. $3.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Organ Concerto no. 10 in D minor [Part] Carus Verlag
By George Frideric Handel (1685-1759). For organ, 2 oboes, bassoon, 2 violins, v...(+)
By George Frideric Handel (1685-1759). For organ, 2 oboes, bassoon, 2 violins, viola, basso continuo. German title: Concerto d'organo Nr.10 in d. Free organ music. Part: violin 1. Language: all languages. HWV 309 Op. 7, No. 4. 4 pages. Published by Carus Part Free organ music
$3.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Organ Concerto no. 15 in d minor Carus Verlag
Organ, 2 oboes, bassoon, 2 violins, viola, basso continuo SKU: CA.4054812 ...(+)
Organ, 2 oboes, bassoon, 2 violins, viola, basso continuo SKU: CA.4054812 Composed by George Frideric Handel. German title: Concerto D'Organo Nr.15 In D. Single Part, Violin 3. HWV 304. 2 pages. Carus Verlag #CV 40.548/12. Published by Carus Verlag (CA.4054812). ISBN 9790007072285. Language: all languages. $2.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Concerto for Organ and Orchestra g minor, Op. 4/3 HWV 291 [score] Barenreiter
Composed by George Frideric Handel (1685-1759). Edited by Terence Best; William ...(+)
Composed by George Frideric Handel (1685-1759). Edited by Terence Best; William D. Gudger. For organ, violin, cello, orchestra (solo organ/solo violin/solo cello/2 oboes/first violin/second violin/viola/cello/contrabass/bassoon/harpsichord). This edition: Urtext edition. Stapled. Score. Opus 4/3, HWV 291. Published by Baerenreiter Verlag
$26.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Spring in Dresden Theodore Presser Co.
Orchestra Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, F...(+)
Orchestra Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Flute 1, Flute 2, Harp, Horn 1, Horn 2, Horn 3, Horn 4, Marimba, Oboe 1, Oboe 2, Percussion 1, Percussion 2, Percussion 3, Snare Drum, Suspended Cymbal, Tam-tam, Trombone 1 and more. SKU: PR.11641963S Composed by Chen Yi. Full score. 58 pages. Duration 20 minutes. Theodore Presser Company #116-41963S. Published by Theodore Presser Company (PR.11641963S). UPC: 680160684472. The violin concerto is commissioned by Friends of Dresden Music Foundation for American soloist Mira Wang and the New York Philharmonic and Staatskapelle Dresden as an American commemoration of the reconstruction of the Dresden Frauenkirche, 60 years after its destruction in World War II by American and British Forces. The world premiere is given at the Semperoper in Dresden, Germany, on October 9, 10 & 11, 2005, conducted by Ivan Fischer. Full of excitement and inner power, the musical image is vivid, energetic, sometimes lyrical and sometimes dramatic. The major angular thematic material (a three note motive) consists of big leaps in interval (a perfect fourth downward and then a minor seventh upward, first introduced by the violin solo in measures 27-29). Except for the cadenzas which stand at the middle (Rehearsal E, measure 127) and the two ends of the piece as a frame, the virtuosic violin solo line is always accompanied by the ever moving and growing textures in the background. The rests between long and short phrases symbolize the space in Chinese paintings. The Beijing Opera reciting tune, and the fingerings to produce sliding tones in the performance of the Chinese fiddle erhu are also borrowed in the writing and the performing of the western instruments. The musical imagination of the violin concerto came from an ancient Chinese poem with the same title, written by Du Fu (712-770) in Tang Dynasty. Happy Rain on a Spring Night by Du Fu (712-770 in Tang Dynasty) Happy rain comes in time, When spring is in its prime. With night breeze it will fall, And quietly moisten all. Clouds darken wild roads, Light brightens a little boat. Saturated at dawn, With flowers blooming the town. (English translation by Chen Yi from the original poem in Chinese) The following is the poem in its original Chinese form, and the detailed introduction on the structural plan of the violin concerto Spring in Dresden. It's like the welcome rain on a quiet spring night that nurtures the budding seeds, our new society is pushing us forward to the new future. The music reflects the scenes and the expression according to the meaning of the poem when it's being unfolded line by line. Although the tempo is set 63 quarter notes per minute throughout (played vividly, never slow down), the tension is being built up from the quiet background in the beginning, to the sustained climax towards the end. The musical image in Rehearsal A and B (measures 39-80) represents the first four lines of the poem. The wind instruments response to the rustling of fast moving notes on muted string triplets, decorated by occasional strokes produced by metallic string sound and high woodwind gestures. The music in Rehearsal C and D (measures 81-126) represents the next two lines of the poem. It's so dark, a little light in the boat is shimmering on the lake... The breathy sound and key slaps on the flutes create a mysterious atmosphere, in a dialogue with other instruments. The cello glissandi recite the poem in the tone of Mandarin, echoed by the string harmonics. The music in Rehearsal F, G and H (m 129-202) is a toccata, starting in the orchestra (led by the marimba), which builds up a big shape, to reach the climax in m. 157 (Rehearsal G, the location of the Golden Section, according to the length of the music without cadenzas), and keeps the vivid scene towards the coda (from Rehearsal I, m. 203), which stands on the energetic peak until the clear cutoff on measure 239, followed by the short, yet powerful solo conclusion with the lingering echo produced by the high string harmonics. On the top, there is a recall of the three note motive in the sound of wonderland, touched by the motor-on vibraphone meaningfully. The music is written for 2 flutes, 2 oboes, 2 clarinets (in Bb), 2 bassoons, 4 French horns (in F), 2 trumpets (in Bb), 3 trombones, tuba, harp, 3 percussion players (Perc. 1: xylophone; Perc. 2: suspended cymbal, Japanese high woodblock, snare drum, bass drum and vibraphone; Perc. 3: marimba and tam-tam), solo violin, and strings. Duration is about 20 minutes. The violin concerto is commissioned by Friends of Dresden Music Foundation for American soloist Mira Wang and the New York Philharmonic and Staatskapelle Dresden as an American commemoration of the reconstruction of the Dresden Frauenkirche, 60 years after its destruction in World War II by American and British Forces. The world premiere is given at the Semperoper in Dresden, Germany, on October 9, 10 & 11, 2005, conducted by Ivan Fischer.Full of excitement and inner power, the musical image is vivid, energetic, sometimeslyrical and sometimes dramatic. The major angular thematic material (a three notemotive) consists of big leaps in interval (a perfect fourth downward and then a minorseventh upward, first introduced by the violin solo in measures 27-29). Except for thecadenzas which stand at the middle (Rehearsal E, measure 127) and the two ends of the piece as a frame, the virtuosic violin solo line is always accompanied by the ever moving and growing textures in the background. The rests between long and short phrases symbolize the space in Chinese paintings. The Beijing Opera reciting tune, and the fingerings to produce sliding tones in the performance of the Chinese fiddle erhu are also borrowed in the writing and the performing of the western instruments.The musical imagination of the violin concerto came from an ancient Chinese poem with the same title, written by Du Fu (712-770) in Tang Dynasty.Happy Rain on a Spring Nightby Du Fu (712-770 in Tang Dynasty)Happy rain comes in time,When spring is in its prime.With night breeze it will fall,And quietly moisten all.Clouds darken wild roads,Light brightens a little boat.Saturated at dawn,With flowers blooming the town.(English translation by Chen Yi from the original poem in Chinese)The following is the poem in its original Chinese form, and the detailed introduction onthe structural plan of the violin concerto Spring in Dresden.It’s like the welcome rain on a quiet spring night that nurtures the budding seeds, our newsociety is pushing us forward to the new future. The music reflects the scenes and theexpression according to the meaning of the poem when it’s being unfolded line by line.Although the tempo is set 63 quarter notes per minute throughout (played vividly, neverslow down), the tension is being built up from the quiet background in the beginning, tothe sustained climax towards the end. The musical image in Rehearsal A and B (measures39-80) represents the first four lines of the poem. The wind instruments response to therustling of fast moving notes on muted string triplets, decorated by occasional strokesproduced by metallic string sound and high woodwind gestures. The music in RehearsalC and D (measures 81-126) represents the next two lines of the poem. It's so dark, a littlelight in the boat is shimmering on the lake... The breathy sound and key slaps on theflutes create a mysterious atmosphere, in a dialogue with other instruments. The celloglissandi recite the poem in the tone of Mandarin, echoed by the string harmonics. Themusic in Rehearsal F, G and H (m 129-202) is a toccata, starting in the orchestra (led bythe marimba), which builds up a big shape, to reach the climax in m. 157 (Rehearsal G,the location of the Golden Section, according to the length of the music withoutcadenzas), and keeps the vivid scene towards the coda (from Rehearsal I, m. 203), whichstands on the energetic peak until the clear cutoff on measure 239, followed by the short,yet powerful solo conclusion with the lingering echo produced by the high stringharmonics. On the top, there is a recall of the three note motive in the sound ofwonderland, touched by the motor-on vibraphone meaningfully.The music is written for 2 flutes, 2 oboes, 2 clarinets (in Bb), 2 bassoons, 4 French horns (in F), 2 trumpets (in Bb), 3 trombones, tuba, harp, 3 percussion players (Perc. 1:xylophone; Perc. 2: suspended cymbal, Japanese high woodblock, snare drum, bass drum and vibraphone; Perc. 3: marimba and tam-tam), solo violin, and strings.Duration is about 20 minutes. $35.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Spring in Dresden Theodore Presser Co.
Orchestra Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, F...(+)
Orchestra Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Flute 1, Flute 2, Harp, Horn 1, Horn 2, Horn 3, Horn 4, Marimba, Oboe 1, Oboe 2, Percussion 1, Percussion 2, Percussion 3, Snare Drum, Suspended Cymbal, Tam-tam, Trombone 1 and more. SKU: PR.11641963SP Composed by Chen Yi. Part. 11 pages. Duration 20 minutes. Theodore Presser Company #116-41963SP. Published by Theodore Presser Company (PR.11641963SP). UPC: 680160684496. The violin concerto is commissioned by Friends of Dresden Music Foundation for American soloist Mira Wang and the New York Philharmonic and Staatskapelle Dresden as an American commemoration of the reconstruction of the Dresden Frauenkirche, 60 years after its destruction in World War II by American and British Forces. The world premiere is given at the Semperoper in Dresden, Germany, on October 9, 10 & 11, 2005, conducted by Ivan Fischer. Full of excitement and inner power, the musical image is vivid, energetic, sometimes lyrical and sometimes dramatic. The major angular thematic material (a three note motive) consists of big leaps in interval (a perfect fourth downward and then a minor seventh upward, first introduced by the violin solo in measures 27-29). Except for the cadenzas which stand at the middle (Rehearsal E, measure 127) and the two ends of the piece as a frame, the virtuosic violin solo line is always accompanied by the ever moving and growing textures in the background. The rests between long and short phrases symbolize the space in Chinese paintings. The Beijing Opera reciting tune, and the fingerings to produce sliding tones in the performance of the Chinese fiddle erhu are also borrowed in the writing and the performing of the western instruments. The musical imagination of the violin concerto came from an ancient Chinese poem with the same title, written by Du Fu (712-770) in Tang Dynasty. Happy Rain on a Spring Night by Du Fu (712-770 in Tang Dynasty) Happy rain comes in time, When spring is in its prime. With night breeze it will fall, And quietly moisten all. Clouds darken wild roads, Light brightens a little boat. Saturated at dawn, With flowers blooming the town. (English translation by Chen Yi from the original poem in Chinese) The following is the poem in its original Chinese form, and the detailed introduction on the structural plan of the violin concerto Spring in Dresden. It's like the welcome rain on a quiet spring night that nurtures the budding seeds, our new society is pushing us forward to the new future. The music reflects the scenes and the expression according to the meaning of the poem when it's being unfolded line by line. Although the tempo is set 63 quarter notes per minute throughout (played vividly, never slow down), the tension is being built up from the quiet background in the beginning, to the sustained climax towards the end. The musical image in Rehearsal A and B (measures 39-80) represents the first four lines of the poem. The wind instruments response to the rustling of fast moving notes on muted string triplets, decorated by occasional strokes produced by metallic string sound and high woodwind gestures. The music in Rehearsal C and D (measures 81-126) represents the next two lines of the poem. It's so dark, a little light in the boat is shimmering on the lake... The breathy sound and key slaps on the flutes create a mysterious atmosphere, in a dialogue with other instruments. The cello glissandi recite the poem in the tone of Mandarin, echoed by the string harmonics. The music in Rehearsal F, G and H (m 129-202) is a toccata, starting in the orchestra (led by the marimba), which builds up a big shape, to reach the climax in m. 157 (Rehearsal G, the location of the Golden Section, according to the length of the music without cadenzas), and keeps the vivid scene towards the coda (from Rehearsal I, m. 203), which stands on the energetic peak until the clear cutoff on measure 239, followed by the short, yet powerful solo conclusion with the lingering echo produced by the high string harmonics. On the top, there is a recall of the three note motive in the sound of wonderland, touched by the motor-on vibraphone meaningfully. The music is written for 2 flutes, 2 oboes, 2 clarinets (in Bb), 2 bassoons, 4 French horns (in F), 2 trumpets (in Bb), 3 trombones, tuba, harp, 3 percussion players (Perc. 1: xylophone; Perc. 2: suspended cymbal, Japanese high woodblock, snare drum, bass drum and vibraphone; Perc. 3: marimba and tam-tam), solo violin, and strings. Duration is about 20 minutes. The violin concerto is commissioned by Friends of Dresden Music Foundation for American soloist Mira Wang and the New York Philharmonic and Staatskapelle Dresden as an American commemoration of the reconstruction of the Dresden Frauenkirche, 60 years after its destruction in World War II by American and British Forces. The world premiere is given at the Semperoper in Dresden, Germany, on October 9, 10 & 11, 2005, conducted by Ivan Fischer.Full of excitement and inner power, the musical image is vivid, energetic, sometimeslyrical and sometimes dramatic. The major angular thematic material (a three notemotive) consists of big leaps in interval (a perfect fourth downward and then a minorseventh upward, first introduced by the violin solo in measures 27-29). Except for thecadenzas which stand at the middle (Rehearsal E, measure 127) and the two ends of the piece as a frame, the virtuosic violin solo line is always accompanied by the ever moving and growing textures in the background. The rests between long and short phrases symbolize the space in Chinese paintings. The Beijing Opera reciting tune, and the fingerings to produce sliding tones in the performance of the Chinese fiddle erhu are also borrowed in the writing and the performing of the western instruments.The musical imagination of the violin concerto came from an ancient Chinese poem with the same title, written by Du Fu (712-770) in Tang Dynasty.Happy Rain on a Spring Nightby Du Fu (712-770 in Tang Dynasty)Happy rain comes in time,When spring is in its prime.With night breeze it will fall,And quietly moisten all.Clouds darken wild roads,Light brightens a little boat.Saturated at dawn,With flowers blooming the town.(English translation by Chen Yi from the original poem in Chinese)The following is the poem in its original Chinese form, and the detailed introduction onthe structural plan of the violin concerto Spring in Dresden.It’s like the welcome rain on a quiet spring night that nurtures the budding seeds, our newsociety is pushing us forward to the new future. The music reflects the scenes and theexpression according to the meaning of the poem when it’s being unfolded line by line.Although the tempo is set 63 quarter notes per minute throughout (played vividly, neverslow down), the tension is being built up from the quiet background in the beginning, tothe sustained climax towards the end. The musical image in Rehearsal A and B (measures39-80) represents the first four lines of the poem. The wind instruments response to therustling of fast moving notes on muted string triplets, decorated by occasional strokesproduced by metallic string sound and high woodwind gestures. The music in RehearsalC and D (measures 81-126) represents the next two lines of the poem. It's so dark, a littlelight in the boat is shimmering on the lake... The breathy sound and key slaps on theflutes create a mysterious atmosphere, in a dialogue with other instruments. The celloglissandi recite the poem in the tone of Mandarin, echoed by the string harmonics. Themusic in Rehearsal F, G and H (m 129-202) is a toccata, starting in the orchestra (led bythe marimba), which builds up a big shape, to reach the climax in m. 157 (Rehearsal G,the location of the Golden Section, according to the length of the music withoutcadenzas), and keeps the vivid scene towards the coda (from Rehearsal I, m. 203), whichstands on the energetic peak until the clear cutoff on measure 239, followed by the short,yet powerful solo conclusion with the lingering echo produced by the high stringharmonics. On the top, there is a recall of the three note motive in the sound ofwonderland, touched by the motor-on vibraphone meaningfully.The music is written for 2 flutes, 2 oboes, 2 clarinets (in Bb), 2 bassoons, 4 French horns (in F), 2 trumpets (in Bb), 3 trombones, tuba, harp, 3 percussion players (Perc. 1:xylophone; Perc. 2: suspended cymbal, Japanese high woodblock, snare drum, bass drum and vibraphone; Perc. 3: marimba and tam-tam), solo violin, and strings.Duration is about 20 minutes. $25.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Spring in Dresden Theodore Presser Co.
Orchestra Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, F...(+)
Orchestra Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Flute 1, Flute 2, Harp, Horn 1, Horn 2, Horn 3, Horn 4, Marimba, Oboe 1, Oboe 2, Percussion 1, Percussion 2, Percussion 3, Snare Drum, Suspended Cymbal, Tam-tam, Trombone 1 and more. SKU: PR.11641963L Composed by Chen Yi. Large Score. 58 pages. Duration 20 minutes. Theodore Presser Company #116-41963L. Published by Theodore Presser Company (PR.11641963L). UPC: 680160684489. The violin concerto is commissioned by Friends of Dresden Music Foundation for American soloist Mira Wang and the New York Philharmonic and Staatskapelle Dresden as an American commemoration of the reconstruction of the Dresden Frauenkirche, 60 years after its destruction in World War II by American and British Forces. The world premiere is given at the Semperoper in Dresden, Germany, on October 9, 10 & 11, 2005, conducted by Ivan Fischer. Full of excitement and inner power, the musical image is vivid, energetic, sometimes lyrical and sometimes dramatic. The major angular thematic material (a three note motive) consists of big leaps in interval (a perfect fourth downward and then a minor seventh upward, first introduced by the violin solo in measures 27-29). Except for the cadenzas which stand at the middle (Rehearsal E, measure 127) and the two ends of the piece as a frame, the virtuosic violin solo line is always accompanied by the ever moving and growing textures in the background. The rests between long and short phrases symbolize the space in Chinese paintings. The Beijing Opera reciting tune, and the fingerings to produce sliding tones in the performance of the Chinese fiddle erhu are also borrowed in the writing and the performing of the western instruments. The musical imagination of the violin concerto came from an ancient Chinese poem with the same title, written by Du Fu (712-770) in Tang Dynasty. Happy Rain on a Spring Night by Du Fu (712-770 in Tang Dynasty) Happy rain comes in time, When spring is in its prime. With night breeze it will fall, And quietly moisten all. Clouds darken wild roads, Light brightens a little boat. Saturated at dawn, With flowers blooming the town. (English translation by Chen Yi from the original poem in Chinese) The following is the poem in its original Chinese form, and the detailed introduction on the structural plan of the violin concerto Spring in Dresden. It's like the welcome rain on a quiet spring night that nurtures the budding seeds, our new society is pushing us forward to the new future. The music reflects the scenes and the expression according to the meaning of the poem when it's being unfolded line by line. Although the tempo is set 63 quarter notes per minute throughout (played vividly, never slow down), the tension is being built up from the quiet background in the beginning, to the sustained climax towards the end. The musical image in Rehearsal A and B (measures 39-80) represents the first four lines of the poem. The wind instruments response to the rustling of fast moving notes on muted string triplets, decorated by occasional strokes produced by metallic string sound and high woodwind gestures. The music in Rehearsal C and D (measures 81-126) represents the next two lines of the poem. It's so dark, a little light in the boat is shimmering on the lake... The breathy sound and key slaps on the flutes create a mysterious atmosphere, in a dialogue with other instruments. The cello glissandi recite the poem in the tone of Mandarin, echoed by the string harmonics. The music in Rehearsal F, G and H (m 129-202) is a toccata, starting in the orchestra (led by the marimba), which builds up a big shape, to reach the climax in m. 157 (Rehearsal G, the location of the Golden Section, according to the length of the music without cadenzas), and keeps the vivid scene towards the coda (from Rehearsal I, m. 203), which stands on the energetic peak until the clear cutoff on measure 239, followed by the short, yet powerful solo conclusion with the lingering echo produced by the high string harmonics. On the top, there is a recall of the three note motive in the sound of wonderland, touched by the motor-on vibraphone meaningfully. The music is written for 2 flutes, 2 oboes, 2 clarinets (in Bb), 2 bassoons, 4 French horns (in F), 2 trumpets (in Bb), 3 trombones, tuba, harp, 3 percussion players (Perc. 1: xylophone; Perc. 2: suspended cymbal, Japanese high woodblock, snare drum, bass drum and vibraphone; Perc. 3: marimba and tam-tam), solo violin, and strings. Duration is about 20 minutes. The violin concerto is commissioned by Friends of Dresden Music Foundation for American soloist Mira Wang and the New York Philharmonic and Staatskapelle Dresden as an American commemoration of the reconstruction of the Dresden Frauenkirche, 60 years after its destruction in World War II by American and British Forces. The world premiere is given at the Semperoper in Dresden, Germany, on October 9, 10 & 11, 2005, conducted by Ivan Fischer.Full of excitement and inner power, the musical image is vivid, energetic, sometimeslyrical and sometimes dramatic. The major angular thematic material (a three notemotive) consists of big leaps in interval (a perfect fourth downward and then a minorseventh upward, first introduced by the violin solo in measures 27-29). Except for thecadenzas which stand at the middle (Rehearsal E, measure 127) and the two ends of the piece as a frame, the virtuosic violin solo line is always accompanied by the ever moving and growing textures in the background. The rests between long and short phrases symbolize the space in Chinese paintings. The Beijing Opera reciting tune, and the fingerings to produce sliding tones in the performance of the Chinese fiddle erhu are also borrowed in the writing and the performing of the western instruments.The musical imagination of the violin concerto came from an ancient Chinese poem with the same title, written by Du Fu (712-770) in Tang Dynasty.Happy Rain on a Spring Nightby Du Fu (712-770 in Tang Dynasty)Happy rain comes in time,When spring is in its prime.With night breeze it will fall,And quietly moisten all.Clouds darken wild roads,Light brightens a little boat.Saturated at dawn,With flowers blooming the town.(English translation by Chen Yi from the original poem in Chinese)The following is the poem in its original Chinese form, and the detailed introduction onthe structural plan of the violin concerto Spring in Dresden.It’s like the welcome rain on a quiet spring night that nurtures the budding seeds, our newsociety is pushing us forward to the new future. The music reflects the scenes and theexpression according to the meaning of the poem when it’s being unfolded line by line.Although the tempo is set 63 quarter notes per minute throughout (played vividly, neverslow down), the tension is being built up from the quiet background in the beginning, tothe sustained climax towards the end. The musical image in Rehearsal A and B (measures39-80) represents the first four lines of the poem. The wind instruments response to therustling of fast moving notes on muted string triplets, decorated by occasional strokesproduced by metallic string sound and high woodwind gestures. The music in RehearsalC and D (measures 81-126) represents the next two lines of the poem. It's so dark, a littlelight in the boat is shimmering on the lake... The breathy sound and key slaps on theflutes create a mysterious atmosphere, in a dialogue with other instruments. The celloglissandi recite the poem in the tone of Mandarin, echoed by the string harmonics. Themusic in Rehearsal F, G and H (m 129-202) is a toccata, starting in the orchestra (led bythe marimba), which builds up a big shape, to reach the climax in m. 157 (Rehearsal G,the location of the Golden Section, according to the length of the music withoutcadenzas), and keeps the vivid scene towards the coda (from Rehearsal I, m. 203), whichstands on the energetic peak until the clear cutoff on measure 239, followed by the short,yet powerful solo conclusion with the lingering echo produced by the high stringharmonics. On the top, there is a recall of the three note motive in the sound ofwonderland, touched by the motor-on vibraphone meaningfully.The music is written for 2 flutes, 2 oboes, 2 clarinets (in Bb), 2 bassoons, 4 French horns (in F), 2 trumpets (in Bb), 3 trombones, tuba, harp, 3 percussion players (Perc. 1:xylophone; Perc. 2: suspended cymbal, Japanese high woodblock, snare drum, bass drum and vibraphone; Perc. 3: marimba and tam-tam), solo violin, and strings.Duration is about 20 minutes. $55.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Organ Concerto no. 11 in G minor Carus Verlag
Organ, 2 oboes, bassoon, 2 violins, viola, basso continuo SKU: CA.4054349 ...(+)
Organ, 2 oboes, bassoon, 2 violins, viola, basso continuo SKU: CA.4054349 Composed by George Frideric Handel. This edition: Paperbound. German title: Concerto D'Organo Nr.11 In G Op.7,5. Single Part, Organ. HWV 310. 12 pages. Carus Verlag #CV 40.543/49. Published by Carus Verlag (CA.4054349). ISBN 9790007072049. Language: all languages. $19.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Organ Concerto no. 15 in d minor Carus Verlag
Organ, 2 oboes, bassoon, 2 violins, viola, basso continuo SKU: CA.4054813 ...(+)
Organ, 2 oboes, bassoon, 2 violins, viola, basso continuo SKU: CA.4054813 Composed by George Frideric Handel. German title: Concerto D'Organo Nr.15 In D. Single Part, Viola. HWV 304. 2 pages. Carus Verlag #CV 40.548/13. Published by Carus Verlag (CA.4054813). ISBN 9790007072292. Language: all languages. $2.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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