Complete Organ Works VII.2: Pieces de Fantaisie en quatre suites, Livre II (1926)

New Edition of the Complete Works Volumes I - VII-New Edition of the Complete WorksVolume VII:Works for Ensemble and Catalogue of the Complete Works (FbWV) Each volume in this complete bilingual edition of the works of Johann Jacob Froberger (1616-1667) contains a Critical Commentary and a detailed Foreword with sections on the edition’s structure and scope editorial method and performance practice as well as discussions of contemporary instruments ornamentation and Froberger’s life. The set includes: Volume I: Libro Secondo (1649) BA 8063 Volume II: Libro Quarto (1656) – Libro di Capricci e Ricercati (ca. 1658) BA 8064Keyboard and Organ Works from Copied Sources:Volume III.1: Partitas and Partita Movements Part 1a BA 8065 Volume III.2: Partitas and Partita Movements Part 1b BA 8435 Volume IV.1: Partitas and Partita Movements Part 2 BA 8066 Volume IV.2: Partitas and Partita Movements Part 3 BA 8434 Volume V.1: Toccatas BA 9211 Volume V.2: Polyphonic Works BA 9212 Volume VI.1: New Sources New Readings New Works Part 1 BA 9213 Volume VI.2: New Sources New Readings New Works Part 2 BA 9269 Volume VII: Works for Ensemble and Catalogue of the Complete Works (FbWV) BA 9298 Complete Urtext edition at the cutting edge of scholarship. First publication of two motets. Catalogue of all Froberger works in an appendix (FbWV)

Haydn's Symphony Hob. I:89 belongs to a group of symphonies composed between the ?Paris? symphonies (Hob. I:82-87) and their ?London? counterparts (Hob. I: 93-104) the last ones he wrote before his trips to England in 1791-92 and 1794-95.The Symphony in F major is dated 1787 in the autograph score. In this work Haydn borrowed two movements from an earlier piece possibly owing to deadline pressure. The second and fourth movements are arrangements of movements 2 and 3 from his Concerto in F major Hob. VIIh:5 for two ?lire organizzate? and orchestra. The fact that he also arranged movements from his other lire concertos suggests that heregarded them as a sort of musical quarry. This at least allowed him to recycle parts of these works after his patron had probably prohibited him from offering them commercially.This edition continues the collaboration with the Henle publishing company regarding Haydn's large-scale choral works operas and symphonies. It is based on the Henle Complete Edition of the Works of Joseph Haydn. The complete performance material for several Sturm und Drang symphonies and all of the London and Paris symphonies is now available from Bärenreiter.

Haydn's Symphony Hob. I:89 belongs to a group of symphonies composed between the ?Paris? symphonies (Hob. I:82-87) and their ?London? counterparts (Hob. I: 93-104) the last ones he wrote before his trips to England in 1791-92 and 1794-95.The Symphony in F major is dated 1787 in the autograph score. In this work Haydn borrowed two movements from an earlier piece possibly owing to deadline pressure. The second and fourth movements are arrangements of movements 2 and 3 from his Concerto in F major Hob. VIIh:5 for two ?lire organizzate? and orchestra. The fact that he also arranged movements from his other lire concertos suggests that heregarded them as a sort of musical quarry. This at least allowed him to recycle parts of these works after his patron had probably prohibited him from offering them commercially.This edition continues the collaboration with the Henle publishing company regarding Haydn's large-scale choral works operas and symphonies. It is based on the Henle Complete Edition of the Works of Joseph Haydn. The complete performance material for several Sturm und Drang symphonies and all of the London and Paris symphonies is now available from Bärenreiter.

Haydn's Symphony Hob. I:89 belongs to a group of symphonies composed between the ?Paris? symphonies (Hob. I:82-87) and their ?London? counterparts (Hob. I: 93-104) the last ones he wrote before his trips to England in 1791-92 and 1794-95.The Symphony in F major is dated 1787 in the autograph score. In this work Haydn borrowed two movements from an earlier piece possibly owing to deadline pressure. The second and fourth movements are arrangements of movements 2 and 3 from his Concerto in F major Hob. VIIh:5 for two ?lire organizzate? and orchestra. The fact that he also arranged movements from his other lire concertos suggests that heregarded them as a sort of musical quarry. This at least allowed him to recycle parts of these works after his patron had probably prohibited him from offering them commercially.This edition continues the collaboration with the Henle publishing company regarding Haydn's large-scale choral works operas and symphonies. It is based on the Henle Complete Edition of the Works of Joseph Haydn. The complete performance material for several Sturm und Drang symphonies and all of the London and Paris symphonies is now available from Bärenreiter.