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Come to the Cross SATB
SORRY, THIS ITEM IS CURRENTLY OUT OF PRINT
Lead time before shipment :
3 to 5 business days
By Brant Adams. For SATB Choir. Choral, Orchestration, Holy Week, Lent, Tracks and Sacred. Sheet Music. Published by Shawnee Press.
Instrumentation :
Choral SATB
Sub-instrumentation :
SATB
Publisher :
Shawnee Press
6.75x10.5 inches. Joseph M. Martin/orch. Brant Adams.
From the highly successful Lenten cantata, Colors of Grace, comes an invitation to reflect at the foot of the cross, to kneel in its shadow, to mourn the dying Christ, and to find rest in the promise of salvation. Come to the Cross is rich in powerful imagery, swelling to an emotional ?Kyrie eleison? after each remembrance of Calvary. And in the middle of all the drama and chaos surrounding his death, words of unending love, ?Father, forgive them...? is heard with haunting clarity and purity. Come to the Cross will be incredibly powerful during Lent or Holy Week, and an especially poignant moment for Good Friday.
Seller information:
Sheetmusicplus
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USA
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except EU countries!
, As of July 1, 2021 Sheet Music Plus does not ship physical goods to EU countries)
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[Octavo]
Hope Publishing Company
By Batstone; Somma. Arranged by Jack Schrader. (SATB). Cross of Christ, General...
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By Batstone; Somma. Arranged by Jack Schrader. (SATB). Cross of Christ, General Worship, Good Friday, Gospel, Grace, Love, Mercy, Redemption, Sacrifice and Sacred. Print Music Single (SATB). 8 pages. Published by Hope Publishing Company.
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Paul Spicer: This Child of God: SATB: Vocal Score
Choral SATB
SATB, Organ
[Sheet music]
-
Intermediate
Boosey and Hawkes
A jolly Christmas carol-This lively carol was commissioned in 2005 by Lichfield ...
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A jolly Christmas carol-This lively carol was commissioned in 2005 by Lichfield Cathedral Special Choir (now called the Cathedral Chorus) to celebrate the birth of Hannah Scriven and Holly Mason the daughters of the two cathedral organists at that time. The words were specially written by Tony Barnard the then Canon Chancellor at Lichfield and a member of the choir. This carol whilst not entirely foreign to my normal style touches more ‘country and western’/popular buttons than I am in the habit of touching. But I wanted to write a tuneful piece which swayed and danced and reflected the colourful imagery of Tony Barnard’s text. Recommended recording: Comeout Lazar – The shorter choral works of Paul Spicer (Regent REGCD280) by The Chapel Choir of Selwyn College Cambridge and Claire Innes-Hopkins (organ) directed by Sarah MacDonald. Text: This child of God who’s born on Christmas day whom shepherds view to whom kings homage pay is called to be a shepherd and a king. Sing alleluias praise this wondrous thing. This child of God is shepherd born to lead through pastures green by banks of golden reed; nor left nor right but ever on the way which leads to Calvary and endless day. This child of God this Son of David’s line is root of tree a shoot a fruitful vine it shelter gives to all who see the way which leads them to the cross and Easter day. This child of God this many spangled star is light’ning flash which dazzles near and far; bright light to guide our feet along the way that leads to Calvary and endless day. This child of God is called to save mankind to open eye and ear the heart and mind; to heal and make the lame man leap and play along the road that leads to Easter Day. This child of God let angel voices praise. Give God the glory live his loving ways. Let peace on earth o’er come our worldly strife through all who walk his road throughout their life. Tony Barnard
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Roderick Williams: The Star Has Come: SATB
Choral SATB
SATB A Cappella
Oxford University Press
The Star Has Come by Roderick Williams for SATB unaccompanied.The star has come ...
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The Star Has Come by Roderick Williams for SATB unaccompanied.The star has come is an illustrative and imaginative setting of a poem by Robert Seatter. In response to the evocative text Williams uses portamenti techniques to create musical imagery and explores cross-rhythms chromatic harmony and energetic dynamics in an ever-changing texture.
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Dave Brubeck: They All Sang Yankee Doodle: SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
Associated
'Yankee Doodle' with variations is the most concise way to describe the piece co...
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'Yankee Doodle' with variations is the most concise way to describe the piece commissioned by the New Haven Symphony Orchestra to commemorate Conneticut's participation in The United States Bicentennial. 'Yankee Doodle' a tune dating back to the Middle Ages in Holland and England (and used by the British as early as 1755 to poke fun at untrained American troops in the French and Indian war) is interwoven with other folk and national melodies to stitch a patchwork or a musical collage. It is a personal view of American history.'To explain my approach to They All Sang Yankee Doodle I must explain my own background because the piece is made up ofmusical memories imprinted from early childhood.My earliest musical memories are a juxtaposition of sounds - hymns and Bach chorales from the church next door where my mother was choir director; early twenties jazz from my oldest brother's dance band; classical piano from my middle brother and my mother's piano studio; and cowboy songs and turn-of-the-century ballads that I have always identified with my father. Concord California where I was born was once part of a land grant from the Mexican government and the Spanish-Mexican influence remained strong even as the town expanded from a sleepy settlement into an American microcosmos with a wide variety of ethnic groups. Over fifty years ago most of us who sang 'Yankee Doodle' in Concord could not trace our ancestry to the founding fathers. Those of us with Anglo-Saxon names were at the end of the Westward push our forefathers having left behind the Eastern cities a few generations before settling for a time mid-continent then restlessly pushing further West. Little is known of my paternal grandfather for instance except that he had come to California from Indiana walking across Nevada desert to become one of the first settlers in Mordoc Indian territory.Of course the native American the Indian was there to greet each new migration and it is his
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Astor Piazzolla: The Road to Bethlehem: SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
-
Easy
Boosey and Hawkes
from La Chanson de la Naissance-This piece by Astor Piazzolla first appeared in...
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from La Chanson de la Naissance-This piece by Astor Piazzolla first appeared in a comedy theatre show by Kado Kostzer and Alfredo Arias called Famille d'Artistes. The original piece La Chanson de la Naissance had a French text. Piazzolla is best known for his development of Tango Nuevo through his many works that cross the boundaries between tango jazz and classical music. This arrangement which is true to his original tune and harmonic scheme shows many of these traits. Here the simple tune and chorus is passed around all sections of the ensemble – including an unaccomapnied section – building to the choral tutti with thewords “joy to the world.”
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Church Songs (Z Piesni Koscielnych) Vol.1
Choral SATB
SATB A Cappella
Boosey and Hawkes
Górecki's Church Songs, based on melodies from Rev Jan Siedlecki's ?piewniki Ko...
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Górecki's Church Songs, based on melodies from Rev Jan Siedlecki's ?piewniki Ko?cielne ('church songbooks'), were composed in 1986. This edition is based on the PWM edition of 2013, which was produced with the assistance of Anna Górecka and Miko?aj Górecki. A special feature of the Boosey publications is the new, alternative Latin sung text by Edward Tambling, which will be attractive to the many choirs who do not wish to sing in Polish. The Latin text is carefully crafted to fit Górecki's score and is both poetic and sensitive to the devotional aspect of the songs. English translations from the Polish are also included, for reference only. The three publications present the songs for sacred use according to devotional subject-matter. In concert performances the songs, or a selection of them, may be performed in any order and combination. Vol 1 contains six songs in praise of the Blessed Virgin Mary. The seven songs in vol 2 take the themes of Good Friday, the Crucifixion, The Cross of Christ and the Resurrection. Vol 3 contains seven songs in praise of St Joseph, St Anne and St Nicholas, the Blessed Sacrament, the Trinity and the Black Madonna of Cz?stochowa. / Choeur Mixte (SATB) A Cappella
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Andrew Cusworth: There Is No Rose (Novello New Choral Series): SATB: Vocal Score
Choral SATB
SATB
[Vocal Score]
Novello & Co Ltd.
There is no rose may be considered as having three distinct but musically interl...
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There is no rose may be considered as having three distinct but musically interlinked phases. The first is reflective in nature a set of musings on the mysteries of Mary as the Mother of God the nature of God Creation and the Trinity; the music lends a sense of the rising expectation appropriate to the season of Advent. This increasing tension breaks out into the angelic chorus Gloria in excelsis Deo a brief glimpse of something other which is then echoed by the fading repetitions of Gaudeamus (we rejoice). Finally the poem moves on joining the procession towards Christmas; a new key the expanding range and Transeamus (we go/proceed/cross over) fading intothe distance serve to provide a musical metaphor for the journey.The Novello New Choral Series is an inspiring selection of new works from a range of contemporary composers offering pieces for all types of choirs including sacred and secular works from simple four-part settings to more expansive yet accessible repertoire in an exciting variety of styles. This collection is perfect for choirs looking to broaden their repertoire and explore some of the best new music around.Andrew Cusworth (b.1984) read music at Magdalene College Cambridge where he was also an Organ Scholar. Recent compositions include Factum est silentium for double choir and organ which won the first New Music for St Paul’s Cathedral Composition Competition and Give ear O ye heavens which was shortlisted for the King James Bible Trust Composition Awards. 'This is a piece whose effect greatly exceeds its simple means and it would be welcome in any serious carol service.' - Jeremy Summerly Choir & Organ
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The Novello Book Of British Folksongs
Choral SATB
SATB, Piano
Novello & Co Ltd.
The Novello Book Of British Folksongs For Mixed-Voice Choirs is an enjoyable col...
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The Novello Book Of British Folksongs For Mixed-Voice Choirs is an enjoyable collection of diverse tunes that have descended from the folksongs across the British Isles. A variety of arrangements are included, both old and new, of well-loved tunes as well as some lesser-known pieces. All 34 tunes are arranged for SATB Chorus with Piano accompaniment, making this a brilliant way to enhance your choir's repertoire.This Book Of British Folksongs offers a grand selection of favourite folk tunes arranged by composers such as Ralph Vaughan Williams, Gustav Holst, Paul Mealor and George Dyson. Tunes like A-Hunting We Will Go, Auld Lang Syne, Bonny At Morn, Come Lasses And Lads and Scarborough Fair suggest the sheer diversity on offer here. From sad tunes to happy songs, the arrangements here are at once beautiful and touching, coming truly to life when sung by a Mixed-Voice Choir. These thirty four folk songs will enrich a performance programme, whether as one part or the entirety. Choirs of all types and abilities will be able to discover their favourite arrangements, either the most beautiful, the funniest, or the most enjoyable to sing. With the country experiencing a revival in singing traditional folksongs, this collection is a great way to experience the unabashed joy that performing these British tunes can bring. With a great number of favourite tunes as well as some lesser-known songs, this collection includes songs like There Were Three Ravens, Yarmouth Town, My Love Is Like A Red, Red Rose, Dance To Your Daddy and The Rio Grande, as well as an extensive and fascinating introduction by Jeremy Summerly.The wonderful thing about singing folksongs is they are like a window into our country's history. They are occasionally funny, often dramatic, but always enjoyable to sing, and their diversity reflects the different people, landscapes and cultural history of the British Isles. These folk tunes can be traced back through British history, evolving through the oral tradition, continually changing lyrics and melody, being amended and sculpted according to the people who sung them. These timeless tunes have been recorded in this innovative Novello Book Of British Folksongs For Mixed-Voice Choir, however, the joy of these songs is you can put your own spin on them, adapting them to how you want them sung and continuing their legacy. This wonderful collection is a fantastic addition to any choir's performance repertoire, and is sure to lead to success for the choir and audience for many years to come. / Choeur Mixte (SATB) Et Piano
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Geoffrey Burgon: Dos Coros For 12 Solo Voices Or Choir: SATB: Vocal Score
Choral SATB
SATB
[Vocal Score]
Chester
De Algunos Canciones de Juan de la Cruz. This work was commissioned by the BBC f...
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De Algunos Canciones de Juan de la Cruz. This work was commissioned by the BBC for the 10th anniversary of the BBC Northern Singers in 1975. 'Dos Coros is a setting for voices of two poems by the 16th centurySpanish mystic St John of the Cross. St John is widely considered to be the greatest of the Spanish mystic poets because he comes closest to expressing what is usually considered to be inexpressible - mystical experience. Hispoetry is all about the intense excitement of the union with God but paradoxically the word God is rarely used and not at all in the two poems set here. Another paradox is that he is able to express great serenity by employingthe imagery of rushing water flight and even drunkenness. If mystical experience is near impossible to convey in words then maybe it is natural that many composers have taken up the challenge of conveying it in their ownmedium.' Geoffrey Burgon
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Eric Whitacre: Water Night (Collection): SATB: Album Songbook
Choral SATB
SATB A Cappella
Chester
Eric Whitacre has become a musical sensation across the globe. His new chart-to...
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Eric Whitacre has become a musical sensation across the globe. His new chart-topping CD release Water Night comes hot on the heels of his Grammy award-winning album Light and Gold.Water Night is an inspiring collection showcasing a mixture of sacred and secular choral pieces. The album is here presented as perfectly engraved sheet music for the most discerning choral connoisseur andperformer. New works such as the beautiful Alleluia and the ethereal Oculi omnium rub shoulders with earlier Eric Whitacre classics including the epic When David Heard and theever-popular title track: Water Night in a perfect showcase of Whitacre???s powerful choral writing.
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Church Songs (Z Piesni Koscielnych) Vol.3
Choral SATB
SATB A Cappella
Boosey and Hawkes
Górecki's Church Songs, based on melodies from Rev Jan Siedlecki's ?piewniki Ko...
(+)
Górecki's Church Songs, based on melodies from Rev Jan Siedlecki's ?piewniki Ko?cielne ('church songbooks'), were composed in 1986. This edition is based on the PWM edition of 2013, which was produced with the assistance of Anna Górecka and Miko?aj Górecki. A special feature of the Boosey publications is the new, alternative Latin sung text by Edward Tambling, which will be attractive to the many choirs who do not wish to sing in Polish. The Latin text is carefully crafted to fit Górecki's score and is both poetic and sensitive to the devotional aspect of the songs. English translations from the Polish are also included, for reference only.The three publications present the songs for sacred use according to devotional subject-matter. In concert performances the songs, or a selection of them, may be performed in any order and combination. Vol 1 contains six songs in praise of the Blessed Virgin Mary. The seven songs in vol 2 take the themes of Good Friday, the Crucifixion, The Cross of Christ and the Resurrection. Vol 3 contains seven songs in praise of St Joseph, St Anne and St Nicholas, the Blessed Sacrament, the Trinity and the Black Madonna of Cz?stochowa. / Choeur Mixte (SATB) A Cappella
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The Novello Book Of British Folksongs: SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
Novello & Co Ltd.
The Novello Book Of British Folksongs For Mixed-Voice Choirs is an enjoyable col...
(+)
The Novello Book Of British Folksongs For Mixed-Voice Choirs is an enjoyable collection of diverse tunes that have descended from the folksongs across the British Isles. A variety of arrangements are included both old and new of well-loved tunes as well as some lesser-known pieces. All 34 tunes are arranged for SATB Chorus some with Piano accompaniment making this a brilliant way to enhance your choir's repertoire. This Book Of British Folksongs offers a grand selection of favourite folk tunes arranged by composers such as Ralph Vaughan Williams Gustav Holst Paul Mealor and George Dyson.Tunes like A-Hunting We Will Go Auld Lang Syne Bonny At Morn Come Lasses And Lads and Scarborough Fair suggest the sheer diversity on offer here. From sad tunes to happy songs the arrangements here are at once beautiful and touching coming truly to life when sung by a Mixed-Voice Choir. These thirty four folk songs will enrich a performance programme whether as one part or the entirety. Choirs of all types and abilities will be able to discover their favourite arrangements either the most beautiful the funniest or the most enjoyable to sing. With the country experiencing a revival in singing traditional folksongs this collection is a great way to experience the unabashed joy that performing these British tunes can bring. With a great number of favourite tunes as well as some lesser-known songs this collection includes songs like There Were Three Ravens Yarmouth Town My Love Is Like A Red Red Rose Dance To Your Daddy and The Rio Grande as well as an extensive and fascinating introduction by Jeremy Summerly. The wonderful thing about singing folksongs is they are like a window into our country's history. They are occasionally funny often dramatic but always enjoyable to sing and their diversity
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Kenneth Leighton: Missa Brevis: SATB: Vocal Score
Choral SATB
SATB
[Vocal Score]
Novello & Co Ltd.
Kenneth Leighton?s sacred and liturgical music is widely known and performed re...
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Kenneth Leighton?s sacred and liturgical music is widely known and performed regularly across the UK. The British composer did much to keep alive and transform the Victorian tradition of English choral music purge its piety and drag it into the (late) twentieth century.Missa Brevis which is Latin for 'short Mass' usually refers to a mass composition that is short because part of the text of the Mass ordinary that is usually set to music in a full mass is left out or because its execution time is relatively short. Along with Bernstein Britten and Kodály Leighton was one of the composers still writing in this genre in the 20thcentury.Missa Brevis was written for the choir of Liverpool Cathedral and was published in 1968. It has become one of the most popular choral settings of the communion service by a contemporary composer and is regularly heard at cathedrals and churches throughout Britain and America. In this Novello edition the short Mass is arranged for SATB Voices with Piano accompaniment which is for rehearsal purposes only.
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Francis Pott: There Is No Rose Of Such Virtue: SATB: Vocal Score
Choral SATB
SATB
[Vocal Score]
Novello & Co Ltd.
(Novello New Choral Series)-There is no rose of such virtue is an anonymous medi...
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(Novello New Choral Series)-There is no rose of such virtue is an anonymous mediaeval text already well known through beautiful settings by Britten (in his Ceremony of Carols) John Joubert and others. The poem is ‘macaronic’ (it presents a verse in English followed by a varying Latin refrain). This new version follows the illustrious examples above by remaining strophic and presenting broadly the same music in a succession of slightly different guises. The first verse is a straightforward four-part setting the second gives the melody to the tenors and surrounds them with hushed wordless writing for the other parts and the third explores a freely canonic relationshipbetween the tenor and soprano lines before carrying the previous verse-endings to a higher more exalted pitch and mood. The fourth verse then expands its texture in a free climactic passage evoking the songs of praise sung by the angels. This subsides towards the final verse where the texture of the music attenuates again to four parts and canonic writing (based on the first four notes of the original melody) permeates all of them. This slightly extended statement leads to a hushed final cadence.Francis Pott (b. 1957) began musical life as a chorister at New College Oxford. He held open music scholarships at Winchester College and at Magdalene College Cambridge where he studied composition with Robin Holloway and Hugh Wood while pursuing piano studies privately in London with the distinguished British artist Hamish Milne. Throughout the 1990s Francis was John Bennett Lecturer in Music at St Hilda’s College Oxford and a lay clerk in the Choir of Winchester Cathedral. In 2001 he became Head of London College of Music University of West London later leading research across the University’s Faculty of Arts and acceding in 2007 to its first Chair in Composition. Francis Pott has become recognised particularly for his sacred choral and organ music. This has been performed in concert and on radio in
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Slipknot - Dysfunctional Family Portraits
Choral SATB
SATB, Piano
Omnibus Press
Slipknot, the instantly-recognisable heavy metal band from Des Moines, Iowa, sho...
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Slipknot, the instantly-recognisable heavy metal band from Des Moines, Iowa, shot to fame after the release of their first album in 1999, grabbing the attention of millions of adoring fans, and some not-so-adoring conservative commentators. From the first, Paul Harries photographed them on stage, backstage and through artistic eyes, and Dysfunctional Family Portraits is a fascinatingly creative look at this distinctive band.The name Dysfunctional Family Portraits perfectly sums up the band, a dysfunctional melee of chaos and aggressive music, while the humans behind the monstrous masks remained truly close, and their camaraderie comes across in these intimate photographic portraits. The energy and chaos of their live shows is particularly well-captured by Harries' brilliant shots, showing them in their natural habitat: that of loud, sweaty, energetic and adrenaline-fuelled music.Throughout Dysfunctional Family Portraits, Paul Harries guides the reader on a journey from Slipknot's beginnings with their truly terrifying masks and red boiler suits, through their changing looks and their artistic developments. As Paul Harries says, being a rock photographer is not an easy task. You have to be able to capture personality and the essence of a musical style in a visual medium. But photographing Slipknot is a whole new endeavour, capturing masked madmen straight out of a horror film while maintaining order among the chaos must have been difficult, but the brilliance of this book is testament to his ability as a photographer.Featuring full colour photographs of Slipknot throughout their journey as a band, you will get to see exclusive backstage antics, dynamic shots of their legendary live shows, as well as hundreds of other behind-the-scenes pictures and words from Harries and members of the band. Perfect for a Slipknot fan, but also ideal for anyone interested in modern heavy metal music or even darkly comic theatrics. A ridiculously entertaining band, the vibrant photographs in Dysfunctional Family Portraits are full of life and full of the energy that Slipknot, as a band, have transmitted through their music. / Livre
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Charles Gounod: O Come Near To The Cross: SATB: Vocal Score
Choral SATB
[Vocal Score]
Novello & Co Ltd.
O Come Near To The Cross
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Don Besig Nancy Price: Come and Kneel at the Cross: SATB: Vocal Score
Choral SATB
[Vocal Score]
Shawnee Press
This amazing new anthem is a deeply moving experience when sung with a sincere h...
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This amazing new anthem is a deeply moving experience when sung with a sincere heart. The words are profound in their description of Christ's passion and the poignant music is some of the composers most expressive work. There isnot one note without meaning and purpose which greatly simplifies the learning process. Come and Kneel at the Cross will remain in hearts long after the final note.
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Joseph M. Martin: Come to the Cross (from Colors of Grace): SATB: Vocal Score
Choral SATB
[Vocal Score]
Shawnee Press
From the highly successful Lenten cantata Colors of Grace comes an invitation ...
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From the highly successful Lenten cantata Colors of Grace comes an invitation to reflect at the foot of the cross to kneel in its shadow to mourn the dying Christ and to find rest in the promise of salvation. Cometo the Cross is rich in powerful imagery swelling to an emotional “Kyrie eleison” after each remembrance of Calvary. And in the middle of all the drama and chaos surrounding his death words of unending love “Father forgive them...” is heard with haunting clarity and purity. Come to the Cross will be incredibly powerful during Lent or Holy Week and an especially poignant moment for Good Friday.
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I Come to the Cross: SATB: Part
Choral SATB
Hope Publishing Company
SATB-With a verse of 'The Old Rugged Cross' as part of the arrangement Jack Sch...
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SATB-With a verse of 'The Old Rugged Cross' as part of the arrangement Jack Schrader's setting of this new worship song makes a perfect Lenten anthem - a powerful message accessible to all.
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Geoffrey Burgon: First Was The World: SATB: Vocal Score
Choral SATB
[Vocal Score]
Chester
Quoting Burgon: My first thought on receiving this commission was what sort of t...
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Quoting Burgon: My first thought on receiving this commission was what sort of text would suit. Something on the general idea of growth - starting very small and blossoming was the obvious way to go but it wasn’t until I foundthe Andrew Marvell poem Music’s Empire that I really got going. The poem is about the invention and development of music; this might sound a bit dry but in fact it is both charming and dramatic and it is also apt in that it canbe set for both solo voice and chorus.The other factor to be considered in writing this piece was the Purcell connection. Purcell wrote Come Ye Sons of Art in 1964 the year the bank was founded and this piece is alsoincluded in the celebratory concert. So I wanted to include some homage to HP as well.Marvell’s poem is the sort of text that Purcell might have set had he come across it. It is a sort of Ode of text that Purcell might haveset had he come across it. It is a sort of Ode to St Cecelia and he wrote one of those as we know. So I have referred to Purcell in two particular ways; I have quoted Come Ye sons of Art directly and I have used thecountertenor. Purcell himself sang countertenor in many of his own pieces and wrote some of the most gorgeous music ever written for that voice. I also happened to love both Purcell’s music and the countertenor so writing thispiece was really a labour of love.It is scored for countertenor mixed chorus and symphony of orchestra - rather larger than any orchestra that Purcell had access to as far as I know but one in which I’m sure he would haverevelled in given the opportunity. It is about ten minutes in duration.
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The Old Rugged Cross: SATB: Vocal Score
Choral SATB
[Vocal Score]
Shawnee Press
Patti Drennan infuses a new freshness into this well-loved favorite. Her arrange...
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Patti Drennan infuses a new freshness into this well-loved favorite. Her arrangement of this old standard has both a folk and modern feel. Simple part writing makes this a breeze for your choir to learn! Unexpected harmonicchanges are Patti Drennan's trademark and this piece has its share of delightful tonalities. The mixture of both familiar and contemporary harmonies is definitely new. “The Old Rugged Cross” may be one of thebest-loved hymns of all time. This arrangement will quickly become a favorite as well.
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Paul Smith: Love (from A New World): Mixed Choir: Vocal Score
Choral SATB
SATB, Piano
[Sheet music]
Peters
VOCES8 singles series-A beautiful and flowing work for SATB choir SATB solo qua...
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VOCES8 singles series-A beautiful and flowing work for SATB choir SATB solo quartet and piano with textures that celebrate love cherishing our place among the stars. A New World is a musical story across five movements with texts by authors from Cicero and Ovid to George William Russel; from nursery rhymes to war poets. The music and texts link to form a narrative that questions what sort of ?New Worlds? have come into existence or could be created in our future and considers how we balance human traits of fear displacement isolation and conflict with equally human traits of love hope forgiveness and unity. The internationally-renowned British vocalensemble VOCES8 is proud to inspire people through music and share the joy of singing. The celebration of diverse musical expression is central to the ensemble?s ethos and this is shown in their versatile concert programmes and innovative educational work. The ?VOCES8 singles? series includes songs for which the group is particularly well known and which have been composed or arranged specifically for VOCES8.
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Paul Smith: War (from A New World): Mixed Choir: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
Peters
VOCES8 singles series-A dramatic fourth movement with SATB choir piano and timp...
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VOCES8 singles series-A dramatic fourth movement with SATB choir piano and timpani depicting the horrors of war with text by Wilfred Owen. A New World is a musical story across five movements with texts by authors from Cicero and Ovid to George William Russel; from nursery rhymes to war poets. The music and texts link to form a narrative that questions what sort of ?New Worlds? have come into existence or could be created in our future and considers how we balance human traits of fear displacement isolation and conflict with equally human traits of love hope forgiveness and unity. The internationally-renowned British vocal ensemble VOCES8 is proud toinspire people through music and share the joy of singing. The celebration of diverse musical expression is central to the ensemble?s ethos and this is shown in their versatile concert programmes and innovative educational work. The ?VOCES8 singles? series includes songs for which the group is particularly well known and which have been composed or arranged specifically for VOCES8.
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Bob Chilcott Susan Knight: World Carols For Choirs: SATB: Vocal Score
Choral SATB
[Vocal Score]
Oxford University Press
Celebrated choral composers Bob Chilcott and Susan Knight have searched the glob...
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Celebrated choral composers Bob Chilcott and Susan Knight have searched the globe for the most vibrant and exciting festive music representing a range of styles and cultures. This unique collection has it all - from a melismatic Armenian hymn to a percussive villancico from the Dominican Republic; a US spiritual to a Polish folk carol. The collection features: 31 pieces that are perfect for a wide range of SATB choirs New Christmas repertoire from all over the world Each piece in both English and its original language Pronunciation guides to help with singing the original texts Carols by popular andlittle-known composers This anthology not only offers a world of new and unusual music for your choir it also represents a fascinating glimpse into seasonal and musical traditions the world over.
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Cindy Berry: Come to the Cross Easter Cantata: SATB: Vocal Score
Choral SATB
[Vocal Score]
Daybreak Music
Celebrate the joy of the Resurrection with “Come to the Cross” a 25...
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Celebrate the joy of the Resurrection with “Come to the Cross” a 25-minute cantata for Easter. Beautiful new songs and traditional Easter hymns are woven together with dramatic narrative following the events of HolyWeek. Cindy Berry has created a flexible work which is easy to prepare while remaining highly creative. Present the work as a complete cantata or use portions for Palm Sunday Maundy Thursday Good Friday and Easter. Accompanywith organ and/or piano Chamber Orchestra or the excellent ChoirTrax Performance Cassette. Involve your entire church and community in celebrating the hope of Easter with “Come to the Cross”. Available: SATB Instrumental Pak ChoirTrax Cassette Preview Cassette Preview Pak.
7.50 GBP - Sold by Musicroom UK
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Pepper Choplin: We Were There: SATB: Vocal Score
Choral SATB
[Vocal Score]
Shawnee Press
Inspired by the spiritual “Were You There ” this musical experience ...
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Inspired by the spiritual “Were You There ” this musical experience is based on several monologues by those who were at the cross. The work leads us through many emotions: from the Holy Love shown to Mary Magdalene tothe intimacy of Mother Mary's “Still My Son ” to the regret of Peter in “It Should Have Been Me.” The musical can be of almost any length since each momologue and anthem may be used independently. However“We Were There” is used it will provide a powerful Holy Week resource for years to come. Maximum length if all pieces are used: 53 minutes.Includes: Were You There • Holy Love • Christ Is Our Brother• Surely This Was the Son of God • How Can It Be? • Still My Son • It Should Have Been Me • We Were There • At the Cross.
9.99 GBP - Sold by Musicroom UK
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Before the Throne of God Above: SATB: Vocal Score
Choral SATB
[Vocal Score]
Daybreak Music
with When I Survey the Wondrous Cross-This modern worship song has become a stan...
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with When I Survey the Wondrous Cross-This modern worship song has become a standard for both choirs and congregations. Lloyd Larson's arrangement is classic in itself and creatively incorporates the traditional hymn “When I Survey the Wondrous Cross.”Available separately: SATB ChoirTrax CD. Score and parts (fl 1-2 ob cl 1-2 bn tpt 1-3 hn tbn 1-2 tbn 3/tba perc hp pno vn 1-2 va vc db) available as a CD-ROM and as a digital download. Duration: ca. 3:50.
1.99 GBP - Sold by Musicroom UK
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