A Classic Top Ten

Par BAY WILLIAM. A collection of classical pieces arranged for flatpicking guitar, together with a few modern flatpicking originals in the classical style by William Bay. Includes works by J.S. Bach, Dowland, Handel, Krieger, Mouret, Playford, Praetorius, Quantz, Rameau, Sanz, and St. Jacome, as well as music by a couple of anonymous Renaissance lutenists-21 pieces in all. All selections appear in standard notation and tablature with fingering and suggested guitar chords when appropriate. The companion CD includes all of the selections in the book. / Niveau : Débutant à Intermédiaire / Classic - Solos / Tablatures / Guitare Tablatures Flatpick et Plectre

20 unique solo arrangements of rock classics in standard notation and tablature for the Classical Guitar including: Bohemian Rhapsody • Don't Fear the Reaper • Dust in the Wind • Free Bird • Hotel California • Let It Be • Nights in White Satin • Tears in Heaven • Time in a Bottle • Wonderful Tonight • You Are So Beautiful and more.

Media Type : Book Level : Multiple Levels Musical Genre : Classic Series : Anthony Glise Urtext Number of pages : 282 This comprehensive, illustrated text offers an in-depth look at the mechanics and musical thought process of teaching the classical guitar the why rather than the how the classical guitarist does things a certain way. In the author's words, Classical Guitar Pedagogy is the study of how to teach guitarists to teach. This university-level text will be of enormous assistance to the teacher in explaining the musical, anatomical, technical, and psychological underpinning of guitar performance. It contains ideas and techniques to help organize your teaching more efficiently, plus tips on career development as a classical guitar teacher and performer. If you make your living as a classical guitar teacher/performer you owe it to yourself and your students to get this book.

48 great classical guitar solos for intermediate to advanced level players-The Classical Guitar Collection contains 48 classical guitar solos from classical greats such as Mozart Grieg Purcell and J.S. Bach. This collection features many of Julian Bream?s classic arrangements of well-known guitar masterpieces for Intermediate to Advanced level guitar students.

Media Type : Book Level : Beginning-Intermediate Musical Genre : Classic Number of pages : 76 Traditionally the classic guitar has been either excluded or inadequately represented in orchestration textbooks, resulting in much misinformation about its technique, its practicality in various performance contexts, and its character. The guitar's unique tuning, broad timbral variety and intimate nature pose a formidable challenge to non-guitarist composers, for whom an extensive amount of time would be required to gain even a minimal hands-on acquaintance. For most composers this is an unrealistic expectation, leading to time-consuming consultations and extensive drafting or rewriting. The purpose of this book is to provide the non-guitarist composer with the fundamental tools needed to write idiomatically for the guitar. The first of its kind for the guitar, the reference was written in consultation with dozens of composers and conceived with three types of end users in mind: - Experienced composers with a concern for writing idiomatically for the guitar. - Guitarists who are commissioning a work from a composer who has never written for the instrument. - Libraries that wish to add this essential sourcebook to their music reference section. The very structure of the book reflects the composer's own intuition by addressing such questions as: - How is the guitar constructed? - What does successful guitar music look like? - How is the guitar played? - How does the guitarist interpret music and express emotion? - Which musical elements and gestures are most effective? - How do these elements combine to create an effective pacing of idioms? By examining the parameters of successfully written pieces, The Composer's Desk Reference for the Classic Guitar provides an expedient resource of ideas and illustrations contributing to the fluency of both first-time and seasoned guitar composers.

Works by Albeniz Bach Dowland Granados Scarlatti Sor and other Great Composers-More than 50 classic guitar pieces from rarities to popular favorites including works by Albeniz Bach Dowland Granados Scarlatti Sor and other great composers. Transcribed arranged and edited by David Nadal. Guitarists at every level will find this sturdy attractive modestly priced collection of enduring works an indispensable addition to their musical libraries.

Par BAY WILLIAM. Cette superbe collection est la réponse à votre besoin pour toutes les pièces pour piano début imprimés en un seul livre. Cette QWIKGUIDE CLASSICS est un must pour tous les étudiants de première année piano intéressés par ces compositions durables. / Niveau : Débutant / Classic - Solos / Recueil / Piano

The purpose of Composer's Desk Reference For The Classic Guitar is to provide the non-guitarist composer with the fundamental tools needed to write idiomatically for the Guitar. The first of its kind for theGuitar the reference was written in consultation with dozens of composers and conceived with three types of end users in mind: Experienced composers with a concern for writing idiomatically for the guitar.Guitarists who are commissioning a work from a composer who has never written for the instrument. Libraries that wish to add this essential sourcebook to their music reference section. The very structureof the book reflects the composer's own intuition by addressing such questions as: How is the guitar constructed? What does successful guitar music look like? How is the guitar played? Howdoes the guitarist interpret music and express emotion? Which musical elements and gestures are most effective? How do these elements combine to create an effective pacing of idioms? By examiningthe parameters of successfully written pieces The Composer's Desk Reference For The Classic Guitar provides an expedient resource of ideas and illustrations contributing to the fluency of both first-time andseasoned Guitar composers.

Great performers have proven that the trumpet can be successfully used for playing not only classic music, but also symphonic or chamber music from the classical, romantic or modern period just as well as any other musical instrument. No longer is contemporary repertoire considered unfit for the trumpet. Every sincere instrumentalist needs a regular study program. A daily practice of technical exercises and etudes is necessary for improving and maintaining the desired results. Regularly playing works of music should be the aim of every musician, amateur as well as professional. The best keys have been carefully chosen for trumpet and therefore many songs are not in the keys in which they were originally written. Also a number of other adaptations have been introduced to make the music more suitable for performance on the trumpet in B flat. The structure of the music has not been altered. Composers include: Mozart, Beethoven, Haydn, Praetorius, Corrette, Mozart, Händel, Bach, Hook, Lully, Boismortier, Schumann, Rameau, Saint-Saëns, Purcell, and Martini. The piano accompaniment is available as a free download. / Trompette / 44 pages / niveau : Multiple Levels / Partition - Format: 11 X 8,5