Chord Approach to Pop Piano Playing (Complete)

Noted jazz pianist, composer, recording artist and educator Andy LaVerne has drawn from his decades of experience playing with master musicians from Getz to Lovano to create this comprehensive compendium of contemporary moving voicings. Quartal, quintal, drop 2, dominant 7b9/diminished, triadic, whole tone and chromatic performance proven voicings pioneered by McCoy Tyner, Chick Corea, Herbie Hancock, and Andy himself are presented and fleshed out in all twelve keys. This book picks up where others leave off, enabling you to replace static chords with voicings that move melodically, dramatically, and gracefully over the entire range of the keyboard. Firmly rooted in contemporary jazz theory, the emphasis is on practical performance applications. Andy ties it all together with illustrations of comping choruses for five standard jazz tunes. Chords in Motion satisfies a long awaited need in actual comping situations, and shows you how to move chords through varying harmonic rhythms. FINALLY ? a book that gives you moving voicings, and sets them in motion in all twelve keys. Chords in Motion is a valuable resource for all keyboardists, arrangers, and instrumentalists. Activate, animate, and energize your comping with this encyclopedic volume. 156 pages, spiral bound for easy opening. Andy carries the flame of jazz piano tradition and just great music. He always inspires me. Chick Corea This is a great book! I am going to sit down and play through this!! I am always telling my non-piano playing students how important it is to work with (and internalize) the sounds that we live with all our lives as Jazz musicians. Coltrane spent years sitting at the piano and so should all of us!!! John Patitucci Berklee College of Music One thing about Andy?he is complete as can be and has been consistently so for years in both his teaching materials and playing. He is completely knowledgeable in such a way that when I play with him, I know he KNOWS!! Plus he is one of the smoothest and polished of players around. Great book?encyclopedic in content. Dave Liebman Founder, Artistic Director, International Association of Schools of Jazz (IASJ) I've played and recorded with Andy LaVerne many times over the years and in many different settings and he's always come up with the hippest, most interesting chords in the most musical way! His way of playing and looking at chords inspires me as a drummer and his rhythm section partner to play things that are in turn inspiring to the rest of the band. This book, helps musicians, understand, in a clear thoughtful presentation, how to go about getting this together. Billy Drummond Jazz Drummer, Educator, Juilliard, NYU Chords in Motion is an outstanding and comprehensive guide by Andy LaVerne, whose encyclopedic knowledge, decades of experience and brilliance as a performer and educator make this an invaluable handbook of modern jazz piano harmony. Its user-friendly, intelligent design enables musicians to expand their harmonic palette and potentially transform their playing, writing and arranging. Chords in Motion is an invaluable contribution to jazz musicians! Lynne Arriale Jazz Pianist, Composer, Educator, Associate Professor of Jazz Piano, Director of Small Ensembles, University of North Florida Chords in Motion is exactly the book I'd expect from Andy LaVerne. It's clear, openhearted and inspiring, as has been every conversation I've had with Andy over the years. Long a fan of his playing, I have enjoyed this look behind the curtain at how Andy LaVerne formulated his signature style. One other thing -- any pianist, no matter his/her approach, will gain insight into what will surely be new and exciting musical directions. Pete Malinverni Jazz Pianist, Educator, Director of Jazz Studies, SUNY Purchase College Conservatory of Music What a great resource for expanding the harmonic palette! Chords in Motion is a must have for the aspiring young jazz pianist as well as the seasoned veteran. Another winner from Andy! Paul Schmeling Jazz Pianist, Educator, Chair Emeritus, Piano Department, Berklee College of Music In Chords in Motion, I recognize chords and sounds that have inspired me to compose and play: harmony from the music of Chick Corea, Herbie Hancock and McCoy Tyner. This book is well organized, and from the beginning gets you playing. Each chord structure is explained and developed. There is plenty to practice. I especially like the exercises using contrary motion, arpeggiation

Book and CD. The Drop 2 Book is the first publication to explore the 4-note block chord approach to jazz Piano playing- as used by Piano masters like Kenny Barron, MyCoy Tyner, Barry Harris, Cedar Walton and Bill Evans. World renowned educator and pianist Mark Levine gives the reader a comprehensive, step-by-step, beginner to advanced Masterclass on this approach to voicing chords. This book includes chapters on: The basic Drop 2 approach Advanced techniques soloing and 'comping in Drop 2 Practice techniques Plus a CD of Levine demonstrating all the exercises This is an invaluable insight into the harmonic minds of some of the world's greatest Piano players.

Adult Piano Adventures® is a comprehensive course in reading playing and listening to music by Nancy and Randall Faber. It is a logical and effective approach to note-reading and the pace is refreshing and smooth with the language and presentation more suited to adults and late beginners. Book Two continues from the first volume with a broader repertoire and special instruction in harmony and chord accompaniments. All-In-One Lesson Book 2 is a natural progression from Book 1 with carefully sequenced instruction in note reading music theory and Piano technique. It expands on chord playing from lead sheets and offers a review of musicfundamentals a dictionary of musical terms chord chart and an outstanding selection of World-famous popular and classical melodies chosen specifically for adults. Included are musical gems such as: I Want to Hold Your Hand; Swing Low Sweet Chariot; Amazing Grace; The James Bond Theme; Pachelbelâ??s Canon and Scarborough Fair plus plenty more beloved melodies. This book includes lessons technique and theory all in one complete volume for ease of use. Develop musical understanding and reading skills further while playing enjoyable engaging music. This terrific CD edition also contains 2 packed CDs with Background accompaniments to the melodies and pieces in the book. This extra resource will help compound learning and understanding as each piece is played twice once at a slow practice tempo with the piano part included and the other at performance speed.

An easy to follow approach to playing traditional Irish music on the Piano. Suitable for lower intermediate level who have had few years experience playing the piano and with the difficulty gradually increasing throughout the book. There are suggestions for interpretation and ornamentation for all of the carefully selected tunes which cover the breadth of Irish music including jigs reels slides hornpipes set dances and polkas. Geraldine Cotter is well respected for her books on Irish Tin Whistles and this book only serves to extend her reputation as the consumate educational author. Includes: Extensive List of Chord Progressions An informative Introduction into thehistory and role of the Piano in Irish Folk music Rare Photos of popular performers and Folk exponents and most importantly a clear and intuitive teaching method.

Original Edition-Level 1 introduces all the notes of the grand staff elementary chord playing and the concept of tonic and dominant notes. Students play in varied positions reinforcing reading skills and recognizing intervals through the 5th.Musicianship is built with the introduction of legato and staccato touches. This level continues the interval orientation to reading across the full range of the Grand Staff. The 5-finger approach is presented here in a fresh musically appealing way.

Play jazz piano with new facility and expression as Ray Santisi one of the most revered educators at the Berklee College of Music and mentor to Keith Jarrett Diana Krall Joe Zawinul and thousands of others reveals thepedagogy at the core of Berklee's jazz piano curriculum. From beginning through advanced levels Berklee Jazz Piano maps the school's curriculum: a unique blend of theory and application that gives you a deep practicalunderstanding of how to play jazz. Concepts are illustrated by the accompanying practice CD where you'll hear how one of the great jazz pianists and educators of our time applies these concepts to both jazz standards and originalcompositions and how you can do the same.You will learn:Jazz chords and their characteristic tension substitutions in many voicings and configurationsModes and scales common in jazzTechniques forcomping developing bass lines harmonizing melodies melodizing harmonies and improvisationPractice techniques for committing these concepts to your muscle memoryVariations for solo and ensemble playingAdvancedconcepts such as rhythmic displacement approach-chord harmonization and jazz counterpoint.

This volume builds on the progress achieved by following the outlines and good practice established in Book 1. This book helps to establish the habit of regular sight-reading generally recognized as a vital skill in all fields of music. To this end the exercises are progressive and structured to increase the pupil's awareness of new rhythms keys and range of notes. Changes of hand position are introduced gradually as is the recognition of and familiarity with chord shapes in both 2- and 3-note groups. - A progressive approach based on self-learning- 150 graduated exercises- Both hands treated equally for melody and chord playing- Hands together used throughout

A must have for all pianists seeking a creative approach to developing left and right hand coordination. The exercises and solos (based on the chord changes to well-known standards) are rhythmic, colorful, and fun to play. The chapters cover six specific areas of left hand development and left/right hand integration, with practical application from standard jazz tunes in the form of musical solo piano pieces. This book will definitely be an essential part of your practice routine. Besides improving your hand coordination, it will challenge you to think differently about it. All of the concepts are easily applicable to the real world. Highly endorsed! Pianist Emiko Hayashi has written a very comprehensive, challenging yet very accessible method book. With exercises designed for left hand alone and exercises designed to develop interplay between the hands, I wholeheartedly recommend this book. I\'ve already started practicing! - Kenny Barron In Etudes for Jazz Piano Emiko Hayashi illuminates a challenge that faces scores of jazz pianists at all levels; that of integrating the left hand in improvisation in a meaningful way, not only as an accompanist, but as an integral part of the whole. By taking various jazz standards and creating etudes specifically for the left hand as well as for developing coordination and the conversational aspects between the left and right hands, Ms. Hayashi illustrates many possibilities for expanding one�s technical and expressive range. I would think this set of etudes would be extremely useful to jazz pianists at any stage of development since the obvious outcome of the study will improve one�s ability to play melodically and expressively throughout the keyboard, without regard to the traditional roles of the left and right hands. - Todd Coolman It is understood that all musicians must play piano. Emiko\'s book fills a void for non-pianists addressing specific technical problems which will help towards being able to use the piano to improve and enlarge one\'s playing and composing, no matter what instrument you play. This is a hands-on book directed towards immediate results. - David Liebman

2nd Edition-The 2nd Edition Level 1 Lesson Book from the Faber Piano Adventures series introduces all the notes of the grand staff elementary chord playing and the concept of tonic and dominant notes. Students play in varied positions reinforcing reading skills and recognizing intervals through the 5th. Musicianship is built with the introduction of legato and staccato touches. This level continues the interval orientation to reading across the full range of the Grand Staff. The 5-finger approach is presented here in a fresh musically appealing way.

The drum rudiments are the language of drummers. They are to us what scales and chords are to the other instruments. Understanding the rudiments allows the drummer to communicate with other drummers and also have the ability tointerpret terminology and rhythms that are so often seen in music and music publications. This book is designed for drummers of all levels who would like knowledge of the snare drum rudiments but haven’t had the advantage ofstudying them formally. It is a quick simple approach that can be learned by any drummer who can do single strokes and double strokes [strokes using the stick rebound]. While this method is not meant to be a substitute for thetraditional way of learning the drum rudiments which I totally recommend one of the advantages of it is that it is a fast easy alternate method that will give an understanding of the how the rudiments are played and shouldsound. If nothing else this book will improve the drummer’s overall technique and playing. After studying the approach described it will be an easy transition to take the study of the rudiments further learning to play themin the traditional way and apply them to the drumset.

Michiel Borstlap Pianist composer and embodiment of a new generation of muscians with a more 'out of the box' attitude. Composer of the first Arabic opera he has performed with Ludovico Einaudi and Gino Vannelli. Blessed with a virtuoso playing technique Michiel Borstlap remains the Pianist on a search for a balance between the mind heart and gut going back to the roots of music that originates from chords melody and rhythm. Since he focussed more on playing solo the heart has a more predominant place in his music. “You sail on your senses to bring both yourelf as well as the audience into a certain mood.” In the albums that havecome out since that choice was made one can hear how the music rids itself from ballast how silence finds a place between the notes. The ‘less is more’ creeps into the music. Michiel Borstlap can bend it to his will even though we hear whispers of Chopin Skriabin Satie or Philip Glass. In a sense in his approach he is the forerunner of stars like Nils Frahm or Ludovico Einaudi. Now there is a printed folio containing most of the compositions from the CD “Velvet” which was released this year complemented by 4 compositions from the 2014-CD “Frames”. “Velvet” is Michiel’s  second printed folio since the release of the 2013 “Piano Solo”.