Premier Piano Course: Performance Book 3

2A Technique poursuit et développe les outils techniques et artistiques apprises dans les livres Technique 1A et 1B. Les sept nouveaux outils de fabrication introduites sont: dynamique de mise en forme, en traversant le pouce, accords solides qui sonnent, des insultes à deux notes, des mélodies transparentes, l'équilibre entre la mélodie et l'accompagnement, et la pédale forte, jeu de jambes. Etudes artistiques mettent en valeur la technique d'un élève dans un cadre musical expressif et Mains Ensemble ateliers axés sur le développement des compétences nécessaires à la coordination mains-jouer ensemble. Chaque page du livre technique en corrélation avec une page spécifique dans le livre de leçon. / Piano

Premier Piano Course Masterworks livre d'Alfred 4 comprend répertoire standard des quatre périodes stylistiques pour renforcer les concepts introduits dans Lesson Book 4. Sauf pour les 'trompettes bariolées,' les morceaux sont dans leur forme originale et n'ont pas été adaptés. Dynamique, le phrasé, doigté, et la pédale sont d'ordre rédactionnel dans certaines sélections. Les éditeurs ont également ajouté des titres de morceaux sans titre. Compétences de performance et de la compréhension musicale sont améliorées grâce à suggestions Performer Premier. Les étudiants pourront profiter de la réalisation de ces pièces pour la famille et les amis dans un récital officiel ou lors d'occasions spéciales. / Piano

Premier Piano Course Masterworks livre d'Alfred 6 comprend répertoire standard des quatre périodes stylistiques pour renforcer les concepts introduits dans la leçon livre 6. Sauf pour les 'trompettes bariolées,' les morceaux sont dans leur forme originale et n'ont pas été adaptés. Dynamique, le phrasé, doigté, et la pédale sont d'ordre rédactionnel dans certaines sélections. Les éditeurs ont également ajouté des titres de morceaux sans titre. Compétences de performance et de la compréhension musicale sont améliorées grâce à suggestions Performer Premier. Les étudiants pourront profiter de la réalisation de ces pièces pour la famille et les amis dans un récital officiel ou lors d'occasions spéciales. / Piano

Alfred???s Premier Piano Course Level 4 students explore the full range of the keyboard playing motivating fun pieces that use triplets and sixteenth notes. Styles range from jazz and ragtime to original pieces by master composers. New concepts including natural and harmonic minor scales one octave arpeggios and chord inversions are skillfully woven into intriguing pieces. Each piece on the CD was recorded at a performance tempo and a slower practice tempo.

Correlated Standard Repertoire-This Value Pack contains Alfred's Premier Piano Course: Masterworks Book 3

Cette collection de pièces intermédiaires populaires de Debussy comprend 'Clair de lune', 'Rêverie', 'La petit nègre', 'Corner Suite des enfants' et d'autres oeuvres complètes. Les pages d'introduction discuter de la poésie symboliste, les peintres impressionnistes français et le style musical de Debussy. Une variété de photographies prises tout au long de la vie du compositeur sont également inclus. Alfred Masterwork bibliothèque de CD Editions combinent idéalement chaque volume exceptionnel avec un CD enregistré professionnellement qui est sûr d'inspirer des performances artistiques. 64 pages.Pianiste Scott Price est le président du département de piano à l'Université de Caroline du Sud et détient un doctorat en interprétation au piano de l'Université de l'Oklahoma. Il a donné des master classes et des récitals à travers les Etats-Unis et en Asie du Sud-Est. Ses enregistrements sont présentés dans Premier Piano Course d'Alfred. / Piano

Attractively presented and intelligently paced the Lesson Book combines unusually appealing music and lyrics. The book features note reading rhythm reading sight reading and technical workouts. Each piece on the included CD has been recorded at performance tempo and a slower practice tempo.

Cette collection diversifiée guide les étudiants à développer des performances stylistiques des oeuvres pour clavier de Bach. Parmi les 27 sélections sont nombreux menuets, préludes 'courtes' et les mouvements de bains privative. Le matériel d'introduction contient une excellente analyse de l'ornementation, le rythme, l'articulation, le rythme et la dynamique de la musique pour clavier de ce maître compositeur. Alfred Masterwork CD Editions combinent idéalement chaque volume exceptionnel avec un CD enregistré professionnellement qui est sûr d'inspirer des performances artistiques. 64 pages.Pianiste Scott Price est le président du département de piano à l'Université de Caroline du Sud et détient un doctorat en interprétation au piano de l'Université de l'Oklahoma. Il a donné des master classes et des récitals à travers les Etats-Unis et en Asie du Sud-Est. Ses enregistrements sont présentés dans Premier Piano Course d'Alfred. / Piano

Premier Piano Express is designed for students who need a fast-paced approach to piano study. Based on the concepts and music from Premier Piano Course, this All-in-One Accelerated Course integrates Lesson, Theory, Technique, and Performance pages. The book is organized into skills-based units that feature clear explanations of important musical concepts. Worksheets within each unit provide review and strengthen understanding. Included with the book is a CD-ROM that contains both audio performances on acoustic piano and orchestrated accompaniments for selected pieces. Accompaniments are also available for download. / Piano

Fragment I-IV was composed between 1959 and 1961. I premiered the piece myself on February 12 1962 at a concert where Fragment V for violin and piano and Fragment VI for six orchestra groups were also performed. The four piano pieces contain the first audible results of my preoccupation with the fractal “infinity series” discovered in 1959. “Fractal” designates the property of for example visual form patterns that appear in a process of infinite “microscoping” where the figures reappear for the spectator in constantly enlarged segments of the original fractal form. In much the same way thescore-reader as well as the listener can follow how in for example Fragment III the six notes of the first measure reappear in a much slower figure an octave lower in the left hand (that only manages to get through these six notes in the course of the entire movement) analogous to the zooming-in on a visual fractal form. Each Fragment has its own defining appearance: Fragment I consists of two staccato melodies (with built-in rests) that are tied to a distinct third melody. Fragment II stammers and stutters its way through various shorter note values that are almost identical to boot (for instance they include isolated triplet notes that come immediately before or after notes of another equally short duration). Great demands are thus made on the pianist’s scrupulous attention to the details of this fine-grained universe of rhythms! Of the four pieces Fragment III offers the most directly accessible demonstration of this composition technique – as mentioned above its opening measure fractally projects itself six times as slowly and an octave lower in the left hand through the rest of the movement. Fragment IV is a kind of shadow that reproduces – in a vague “dreaming” manner – all the melodic notes from Fragment III but

(Included with the score are the organ and the piano part (there's available a pack with 20 copies of the parts for the chorus). In case the work is to be performed by more than 20 singers it will be necessary to purchase additional copies of the chorus parts, wich are available in packs of 20 copies).On 11th March 1911, the great pianist and composer Enric Granados performed this piece as an absolute premiere at Barcelona's modernista concert hall Palau de la Música Catalana.In spite of the great success achieved on the day of the premiere by this ambitious work for piano, organ and three choirs whose words in Catalan were provided by an unknown writer, the piece was never again performed or published. Its manuscript was assumed to be lost for decades and it was even thought that it might have been burnt in a fire. Finally, the pianist and Granados specialist Douglas Riva recovered it and offered it to Boileau Editorial de Música for publication.El Cant de les estrelles was performed once again on 22nd March 2007, 96 years after its first performance, in New York's Ascension Church, with Douglas Riva himself at the piano and Dennis Keene conducting. / Choeur Et Piano

Stephen Albert's Into Eclipse for Tenor and Chamber Orchestra. Full score.'Into Eclipse is based on Ted Hughes' adaptation of Seneca's Oedipus. The five episodes chosen astexts for this musical setting form an abbreviated version in song of this Roman dramatisation of the Oedipus myth.Seneca's play has no external action. As Peter Brook informs us in his introduction to the play '...it takes place nowhere...possibly it was read aloud in the bathhouse to friends.' It therefore seemed possible to take the essential elements of the tale and transform them into a rather complete musical statement that wasnon-theatrical yet dramatic in its own terms. Into Eclipse is thus not a monodrama nor even a solo oratorio but rather a 'Herosong.' It is somewhat in the tradition but not of course in the manner of earlyballadeers and minstrels who often set ancient stories and myths to music and performed these musical narratives for both court and country village.The story is sung from different viewpoints (that of Creon thechorus of citizens and of course Oedipus the king) all encompassed within the bounds of one man's voice and his complement of instruments. There is no concious attempt to 'paint' or emphasise particular words or phrases withinthe text nor was there an effort to musically heighten Seneca's already nightmarish vision with its withering onslaught of bloodthirsty images. To do so seemed to risk weighing down the cycle in a morbid atmosphere one filledwith caricature and the grotesque.' - Stephen AlbertThe full-Orchestra version of Into Eclipse was premiered on September 8 1986 by the Seattle Symphony with Gary Lakes Tenor andGerard Schwarz conductor. It is also available in a version for Tenor and Chamber Ensemble [Flute/Piccolo Clarinet/Piccolo Clarinet Horn Trumpet Percussion (2 players) Harp Piano and Strings]. This version was premiered on