SKU: GI.G-10314
ISBN 7851471031413. English, Latin. Text Source: Antiphons tr. Charles Thatcher, verses, The Grail, 1963.
Entrance Antiphons for the Church Year contains thirty antiphon texts from the Graduale Simplex, translated from Latin and set to newly composed music. The psalm verses appointed for these antiphons are taken from the Grail translation (1963). As with the Responsorial Psalm of the Mass, the assembly sings the antiphon after its intonation by the cantor/choir, repeating it after each verse of the psalm. The number of psalm verses which are sung may vary according to need. The singing of the doxology, Glory to the Father, while recommended, is optional. In several cases (e.g., Christmas and Easter), the assembly sings a refrain—a simple acclamation in Latin—and the actual antiphon text is sung by the cantor/choir. The antiphon functions as a first and final verse. It is thought that liturgical singing in the early Church consisted in part of such short acclamatory phrases. Many of the antiphons in this collection are proper to a specific Sunday, solemnity, or feast. The rest are seasonal in nature and, like the common Responsorial Psalms of the Lectionary, may be chosen according to what seems best for the occasion. The antiphons of Christmas Day and Easter Sunday could be used at daily Masses during their octaves. Notations in the scores of some antiphons suggest alternate occasions when they are appropriate. Regarding performance, these compositions were conceived with flexibility in mind. Assembly participation and instrumental accompaniment are assumed. SATB choral singing is effective, but not necessary. Discrete use of descants where provided can lend an air of festivity. Psalm verses might be sung by an entire choir, by a small group or cantor, or a combination of both.
SKU: GI.G-7986B
ISBN 9782852743380. Latin.
Antiphonale Romanum II : The official book of the Roman Church for the celebration of Vespers in Gregorian Chant. Sing Sunday Vespers in Gregorian Chant, and according to the renewed liturgy of Vatican II– it’s now possible. The Antiphonale Romanum II is an eight-hundred-page book printed on bible paper having the usual format of books of Gregorian Chant published by Solesmes. It contains all the elements necessary for singing Sunday Vespers and the Vespers of all the feasts of the year. That means the hymns, the antiphons, the psalms and canticles, the readings, the brief responses, the intercessory prayers and the prayers that conclude the office. At the end of the book is a chapter that explains in detail the rules of chant pertaining to each of these musical forms. The book is laid out according to the Liturgy of the Hours and draws from the patrimony of Gregorian Chant found in the mediaeval manuscripts and later tradition. The melodies offered have been edited in conformity with the critical methods of present-day musicology. They are at the same time so presented that amateur choirs can easily use them. .
SKU: ST.EC54
ISBN 9790220222023.
This is an important addition to the pair of consecutive EECM volumes of John Sheppard's Latin compositions for the Use of Salisbury published in the 1970s. Although he had evidently mastered the forms of Mass and votive antiphon, the composer is at his most characteristic in his settings of the plainsong melodies which form the bedrock of the Sarum liturgy. These account for most of the contents of this volume, together with free-composed settings of Biblical texts and a small corpus of devotional polyphony, most of it fragmentary. In general, textural richness is cultivated in preference to long arcs of melisma, and perfect time is favoured over imperfect, creating a directness of expression that seems to typify mid-Tudor polyphony. The format of this volume follows EECM's house style for post-Reformation composers.
SKU: ST.EC8
ISBN 9790220206443.
The majority of pieces in this volume show a strong melodic and rhythmic independence of voice, close in style to the contemporary French chanson; but there are also examples of pieces in the simpler, homorhythmic idiom of English descant. Votive antiphon and votive mass, or lady mass, were the main forms employed in the important early 15th-century repertoire of devotional and liturgical music for household use.
SKU: BA.BA05705
ISBN 9790006496044. 24 x 17 cm inches.
SKU: CA.2103311
ISBN 9790007247621. Latin.
In the extensive Å“uvre of French composer Marc-Antoine Charpentier, the Marian Antiphons take pride of place among the smaller sacred works. He devoted himself to them for almost 25 years while working in the Italian-influenced circle of the Duchess Marie de Lorraine (known as Mademoiselle de Guise) and later in the service of the Paris Jesuits. This volume contains settings of the Salve Regina and the Ave Regina caelorum for two sopranos, mezzo-soprano, and basso continuo.
SKU: CA.2103302
ISBN 9790007247614. Latin.
SKU: CA.2103300
ISBN 9790007247591. Latin.
SKU: CA.2103301
ISBN 9790007247607. Latin.
SKU: HL.48186340
UPC: 888680839437. 9x12 inches.
“French composer, Vincent Paulet (b. 1962) studied at the Paris Conservatoire. His Antiphone for Alto Saxophone and Piano is a challenging, yet exciting addition to the repertoire. A typical performance of Paulet's Antiphone lasts around four minutes and fifteen seconds. It is a highly modern work, addressing features of fast, semiquaver passages, exploited tonality, extended techniques, chromaticim, and complex rhythms, among other aspects. The extended techniques include, multiphonic sounds, flutter tonguing, and slap notes. For all advanced saxophonists, Paulet's Antiphone is an essential modern addition to the repertoire.&rdquo.
SKU: HL.48024903
UPC: 840126930771.
This setting of Ave Regina c''lorum (Hail, O Queen of Heaven), one of the four Marian antiphons with origins in the 4th century, is ajoyous work for upper voices, suitable for children's or women's choirs. It is full of energy and, although it is largely homophonic, the rhythmic interplay between the parts creates interesting textures which combine with Arnesens recognisable, beautiful harmonic language. The jubilant outer sections contrast with a slower, more mysterious middle section where the text speaks of the Virgin Marys beauty. A joy to both sing and listen to, this new piece will make an attractive addition to a concert or service.
