Cet arrangement quartet de Allegrasco a été prévu pour le clarinettiste Roger Heaton et violinst Alexander Balanescu - deux membres de l'Ensemble de Gavin Bryars - pour effectuer en dehors du contexte du groupe. Allegrasco, qui comporte une clarinette solo avec violin obligato, est un arrangement de compagnon à celle de ' La vieille tour de Löbenicht ' où les rôles sont inversés et la clarinette basse est un instrument obligé au violon solo. Dans les deux cas, les instruments supplémentaires sont piano et violoncelle, donnant la même instrumentation comme 'Quatuor pour la fin du temps' de Messiaen. / Saxophone Soprano Ou Clarinette En Sib, Violon, Violoncelle Et Piano
SKU: HL.49030497
ISBN 9790220122903. UPC: 884088614522. 8.25x11.75x0.146 inches.
This beautifully expressive work for either clarinet or saxophone with piano demands great control and richness of sound from both performers.
SKU: HL.49015987
ISBN 9790220124037. UPC: 884088202477. 9.0x12.0x0.105 inches.
This wonderfully expressive piece for clarinet or saxophone with piano requires good control and a large variety of sounds of both performers.
SKU: BA.BA07097
ISBN 9790006485314. 34 x 27.1 cm inches. Language: German.
After texts from the Baroque Era for Baritone and Harpsichord (Piano).
SKU: CF.FPS159F
ISBN 9781491158296. UPC: 680160916894. 9 x 12 inches.
The commissioning party of We Are the Heroes requested that the band arrangement work alone and with full chorus. Based on the school theme Building a Better World, the lyrics (see below) were contributed by the students at the Sea Cliff Elementary School, part of the Long Island, New York's North Shore school district. When performed with chorus, the director(s) should consider balance, placement of the chorus (in front of or behind the band), whether on risers, and if amplification is used. At the director's discretion, written dynamics may be altered. Verse: A word and a smile, with hope in our heart with kindness and and love reaching out to us all - a helping hand one step at a time, it starts with a smile, one voice will be heard we will build a better world - for all Chorus: We are the future, we are have a voice we are the future, we have a choice we are the heroes, weall lead the way to make a better world, today we are the future- now hear our song we are the future and we are strong we are the heroes, weall lead the way to build a better world - to-day Chorus 2: to be repeated as many times as desired- with increasing intensity We are the future - we are the heroes we make the music, we have the power Our voices proud and strong the futureas in our hands Weall build a better world - today (repeat).The commissioning party of We Are the Heroes requested that the band arrangement work alone and with full chorus. Based on the school theme Building a Better World, the lyrics (see below) were contributed by the students at the Sea Cliff Elementary School, part of the Long Island, New York's North Shore school district. When performed with chorus, the director(s) should consider balance, placement of the chorus (in front of or behind the band), whether on risers, and if amplification is used. At the director's discretion, written dynamics may be altered. Verse: A word and a smile, with hope in our heart with kindness and and love reaching out to us all - a helping hand one step at a time, it starts with a smile, one voice will be heard we will build a better world - for all Chorus: We are the future, we are have a voice we are the future, we have a choice we are the heroes, we'll lead the way to make a better world, today we are the future- now hear our song we are the future and we are strong we are the heroes, we'll lead the way to build a better world - to-day Chorus 2: to be repeated as many times as desired- with increasing intensity We are the future - we are the heroes we make the music, we have the power Our voices proud and strong the future's in our hands We'll build a better world - today (repeat).The commissioning party of We Are the Heroes requested that the band arrangement work alone and with full chorus. Based on the school theme Building a Better World, the lyrics (see below) were contributed by the students at the Sea Cliff Elementary School, part of the Long Island, New York's North Shore school district.When performed with chorus, the director(s) should consider balance, placement of the chorus (in front of or behind the band), whether on risers, and if amplification is used. At the director's discretion, written dynamics may be altered.Verse:A word and a smile, with hope in our heartwith kindness and and love reaching out to us all - a helping hand onestep at a time, it starts with a smile, one voice will be heard we will builda better world - for allChorus:We are the future, we are have a voice we are the future, we have achoice we are the heroes, we’ll lead the way to make a better world,todaywe are the future- now hear our song we are the future and we arestrongwe are the heroes, we’ll lead the way to build a better world - to-dayChorus 2: to be repeated as many times as desired- with increasingintensityWe are the future - we are the heroes we make the music, we have thepower Our voices proud and strongthe future’s in our handsWe’ll build a better world - today (repeat).
SKU: TM.06220SET
SKU: BT.DHP-1196070-010
English-German-French-Dutch.
This piece was written to celebrate the fiftieth anniversary of the Takayama Wind Orchestra, who also commissioned it. The historic city of Takayama draws numerous visitors from home and abroad, not just to see its well-preserved old houses and buildings but also because every year several historic processions take place, with beautiful floats. When these ride through the city, age-old melodies are heard played on wooden flutes, accompanied by muted drums. This image is evoked at the beginning of the work, followed by an archaic sounding melody in a typically Japanese pentatonic sequence, that develops throughout. In this challenging piece Eastern and Western influences alternate,creating a sensational and overwhelming musical effect! Dit werk is geschreven ter gelegenheid van het vijftigjarig bestaan van het Takayama Wind Orchestra, dat tevens de opdrachtgever was. De historische stad Takayama trekt jaarlijks talloze bezoekers uit binnen- en buitenland, niet alleen vanwege de goed bewaarde oude huizen en gebouwen die de stad rijk is, maar ook omdat er elk jaar een aantal historische optochten plaatsvinden. Wanneer die door de stad trekken, weerklinken eeuwenoude melodieën, gespeeld op houten fluiten en begeleid door doffe trommen. Dit beeld wordt opgeroepen aan het begin van het werk, gevolgd door een archa sch klinkende melodie in een typisch Japanse pentatonische tonenreeks, die zich in de loop van het werkverder zal ontwikkelen. In dit pittige werk wisselen oosterse en westerse invloeden elkaar af, met als resultaat een meeslepend en overweldigend muzikaal effect! Dieses Stück wurde aus Anlass des 50-jährigen Jubiläums des Takayama Wind Orchestra geschrieben, das dieses Werk auch in Auftrag gegeben hat. Die Altstadt von Takayama zieht jedes Jahr zahlreiche Besucher aus dem In- und Ausland an, nicht nur wegen der gut erhaltenen alten Häuser und Gebäude, sondern auch wegen der historischen Festumzüge, die dort stattfinden. Wenn diese durch die Stadt ziehen, erklingen uralte Melodien, die auf Holzflöten gespielt und von gedämpften Trommeln begleitet werden. Dieses Bild wird zu Beginn des Werks hervorgerufen, darauf folgt eine archaisch klingende Melodie mit einer typisch japanischen pentatonischen Sequenz, die sich im Laufe des Werkesweiterentwickelt. In diesem anspruchsvollen Werk wechseln sich östliche und westliche Einflüsse ab und erzeugen einen sensationellen und überwältigenden musikalischen Effekt! Cette Å?uvre a été commandée par le Takayama Wind Orchestra lâ??occasion de son 50e anniversaire. La ville historique de Takayama attire de nombreux visiteurs locaux et étrangers chaque année, non seulement gr ce aux maisons et b timents anciens bien conservés, mais aussi aux processions historiques qui y ont lieu. Lors de ces défilés, on entend des mélodies ancestrales jouées par des fl tes en bois et accompagnées de tambours en sourdine. Cette image est évoquée au début de lâ??Å?uvre, suivie dâ??une mélodie au son archa que basée sur une séquence pentatonique typiquement japonaise qui continue son développement tout au long de lâ??Å?uvre. Les influences orientales et occidentalessâ??alternent dans cette composition exigeante et créent ainsi un effet musical qui est sensationnel et extraordinaire ! Questo pezzo è stato scritto per celebrare il cinquantesimo anniversario della Takayama Wind Orchestra, che lo ha anche commissionato. La storica citt di Takayama attira numerosi visitatori anche all'estero, non solo per visitare le sue case storiche e gli edifici ben conservati, ma anche perché ogni anno si svolgono diverse processioni storiche, con bellissimi carri allegorici: Quando attraversano la citt , si sentono melodie secolari suonate su flauti di legno, accompagnate da tamburi. Questa immagine è evocata all'inizio del brano, seguita da una melodia dal suono arcaico in una sequenza pentatonica tipicamente giapponese, che si sviluppa lungo tutto il brano. In questo impegnativo pezzo si alternano influenze orientali e occidentali, creando un effetto musicale sensazionale e travolgente!
SKU: CF.FPS159
ISBN 9781491158289. UPC: 680160916887. 9 x 12 inches.
SKU: HL.14004324
SKU: HL.14004325
Violin/Piano reduction of work for Violin and Orchestra.
SKU: BO.B.0997
SKU: HF.FH-2246
ISBN 9790203422464. 9 x 12 inches.
Man ledt uns zu der Hochzeit (B. Schmid), Hopeldantz (B. Schmid), Neidhard, du boser Mann (J. Jeep), Ach, nun verschwind mir alle Freud (J. Jeep), Passacaglia (G. Fr. Handel), L'allegrezza de Re convalescente (J. Kuhnau), Die Jagd (L. Mozart), Marche funebre (R. Schumann), Schnitterliedchen (R. Schumann), Armes Waisenkind (R. Schumann), Frohlicher Landmann (R. Schumann), Reigen (A. Jensen), Elfentanz (E. Grieg).
SKU: C4.9790902257121
ISBN 9790902257121. 8.27 x 11.7 inches.
Nativitie (2016) was composed for the Choir of Trinity College, Melbourne for inclusion in their 2016 carols services on December 2 and 3. The premiere performances were conducted by Acting Director of Music Sam Allchurch, with Gillian McNaughton accompanying. It has since been recorded for CD (Beneath the Incense Tree, APL17427) as part of the College's centenary celebrations for the consecration of the Horsfall Chapel in 2017, with current Director of Music Chris Watson conducting. The text is taken from John Donne's sonnet cycle on the gospel narrative of Christ, for which Nativitie is the third in sequence.
